Yeah.
I think it makes more sense in the context, don't you? Okay.
Why murals? With all the social and political problems affecting our community, why murals? Because murals show us who we are.
Our leaders, our heroes, our legends, our past, our present, and our future.
Our children have to be taught about our past.
There is so little here to remind us of the legacy we've left behind.
Murals connect us with the traditions of our culture.
Why murals? With all the social and political problems affecting our community, why murals? Because murals show us who we are.
Our leaders, our heroes, our legends, our past, our present, and our future.
Our children have to be taught about our past.
There is so little here to remind us of the legacy we've left behind.
Murals connect us with the traditions of our culture.
Why murals? By the nature of their work can change opinion.
They have a responsibility to forge a consensus, to change beliefs, to bring people together.
To reach their audience, they must know the community well.
They must know how to create imagery which will move people.
Murals reconcile conflict and resolve tension.
Though impermanent, they empower.
Yes.
Murals, by the nature of their work, can change opinion.
They have a responsibility to forge a consensus, to change beliefs, to bring people together.
To reach their audience, they must know the community well.
They must know how to create imagery which will move people.
Murals reconcile conflict and resolve tension.
Though impermanent, they empower.
Murals, by the nature of their work, can change opinion.
They have a responsibility to forge a consensus, to change beliefs, to bring people together.
To reach their audience, they must know the community well.
They must know how to create imagery which will move people.
Murals reconcile conflict and resolve tension.
Though impermanent, they empower.
Murals break the mythology of what a Latino is.
They say, in effect, you have to understand.
We are not just mariachis, enchiladas, piñatas, and that's it.
Murals show the complexity of our communities.
We are the gigantes.
We are a mixture of races.
We are la raza.
We want to show all of Chicago that Latino art isn't just art in the Americas before Columbus.
It's art that is being created right now.
Murals break the mythology of what a Latino is.
They say, in effect, you have to understand.
We are not just mariachis, enchiladas, piñatas, and that's it.
Murals show the complexity of our communities.
We are the gigantes.
We are a mixture of races.
We are la raza.
We want to show all of Chicago that Latino art isn't just art in the Americas before Columbus.
It's art that is being created right now.
¿Por qué murales? Con todos los problemas sociales y políticos que afectan a nuestra comunidad, ¿por qué pintamos murales? Porque los murales nos enseñan quiénes somos.
Nuestros líderes, nuestros héroes, nuestras leyendas.
El pasado, el presente, y el porvenir.
Es importante que se enseñe la historia a nuestros hijos.
Hay muy poco aquí que nos recuerda de la herencia que hemos dejado atrás.
Los murales nos vinculan con las tradiciones de nuestra cultura.
Nos expresamos a través de los murales.
Estas pinturas representan un coro de voces que hablan de nuestra experiencia.
Estas voces de nuestra gran comunidad son el eco de muchos países, muchas tradiciones, muchas generaciones.
Lo viejo y lo nuevo.
Los murales son reflexiones de nosotros mismos.
Los muralistas, por el índole de este tipo de trabajo, pueden articular y guiar las opiniones del pueblo.
Tienen la responsabilidad de crear un consenso para cambiar creencias destructivas y para unir a la gente.
Para lograr comunicarse con su público, los artistas tienen que conocer muy bien a la comunidad.
Tienen que saber cuáles son las imágenes que conmueven a la gente.
Aunque no son permanentes, estos murales pueden dar una fuerza espiritual y emocional.
Pueden resolver conflictos y tensiones sociales.
En 1971, ya nos considerábamos un movimiento consolidado.
Aúnamos fuerzas para colaborar y empezamos lo que se puede llamar la Escuela de Chicago, sucesora de los movimientos muralistas de comienzos del siglo.
Los murales rompen el estereotipo de cómo es el latino.
Sus mensajes promulgan que no somos nada más que mariachis, enchiladas, piñatas y punto.
Muestran lo complejo que son nuestras comunidades.
Somos vejigantes, somos el prójimo del mestizaje, somos la raza.
Queremos enseñarle a toda la ciudad de Chicago que el arte latino no es solamente el arte de la América precolombina, sino que también es el arte que estamos creando ahora mismo, incluyendo en este país.
Uno pone algo de sí mismo en los murales que perduran aún después de ser borrados.
Uno pasa a formar...
I'm sorry, Joaquín.
Uno pone algo de sí mismo en los murales que perduran aún después de ser borrados.
Uno se convierte en parte de ellos, llega a formar parte de sí mismo.
Un mural es parte de un proceso continuo.
Un mural es parte de un proceso continuo.
The generations, the old and the new.
Murals are a reflection of our different selves.
We speak through our murals.
These paintings are a chorus of voices, a distillation of experience.
The different voices in our community are heard and in them echo many countries, many traditions.
The generations, the old and the new.
Murals are a reflection of our different selves.
By 1971, we considered ourselves a full -fledged movement.
We joined forces to collaborate and began what might be considered the Chicago School, a successor to mural movements in the earlier part of the 20th century.
By 1971, we considered ourselves a full -fledged movement.
We joined forces to collaborate and began what might be considered the Chicago School, a successor to mural movements in the earlier part of this century.
You live part of yourself in the murals.
Even if they are erased, you become part of them, they become part of you.
A mural is just a part.
The process is ongoing.
Beep, beep, beep.
Why murals? With all the social and political problems that affect our community, why do we paint murals? Because murals show us who we are.
Our leaders, our heroes, our legends.
The past, the present and the future.
It is important that history is taught to our children.
There is very little here that reminds us of the heritage that we have left behind.
Murals link us with our cultural traditions.
We express ourselves through murals.
These paintings represent a chorus of voices that speak of our experience.
These voices of our community are the echo of many countries, many traditions, many generations.
The old and the new.
Murals are reflections of ourselves.
The muralists, by the nature of this type of work, can articulate and guide the opinions of the people.
They have the responsibility to create a consensus to change destructive beliefs and to unite people.
To communicate with their audience, artists have to know the community very well.
They have to know what images move people.
Although they are not permanent, these murals can give spiritual and emotional strength.
They can solve conflicts and social tensions.
In 1970...
In 1970...
I was trying to mark just round and S, so I don't forget.
Ok, I'm ready.
In 1971 we had already considered...
Oh, I'm sorry.
Start again.
Many changes here.
In 1971 we considered ourselves a consolidated movement.
We joined forces to collaborate and we started what can be called the Chicago School, successor of the early muralist movements of this century.
Murals break the stereotype of the Latino.
Their messages promote that we are nothing more than mariachis, enchiladas, piñatas and period.
They show how complex our communities are.
We are giants, we are the neighbor of the mestizaje, we are the race.
We want to teach the whole city of Chicago that Latin art is not only the art of pre -Columbian America.
It is also the art that we are creating right now, even in this country.
One puts something of themselves in the murals, which lasts even after being erased.
One becomes part of them and they become part of us.
A mural is part of a great continuous process.
Why murals? With all the social and political problems that affect our community, why do we paint murals? Because murals show us who we are, our leaders, our heroes, our legends, the past, the present and the future.
It is important that history is taught to our children.
There is very little here that reminds us of the heritage that we have left behind.
Murals link us to our cultural traditions.
We express ourselves through murals.
These paintings represent a chorus of voices that speak of our experience.
These voices of our great community are the echo of many countries, many traditions, many generations.
The old and the new.
Murals are reflections of ourselves.
The muralists, through this kind of work, can articulate and guide the opinions of the people.
They have the responsibility to create a consensus to change destructive beliefs and to unite people.
To communicate with the public, artists must know the community very well.
They must know what images move people.
Although they are not permanent, these murals can give spiritual and emotional strength.
They can solve conflicts and social tensions.
The Ronnie Cuba and the singer of the orchestra, Ismael Quintana.
mesela Batā Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, Crehuante, Melu, Nama.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, Crehuante, Melu, Nama.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, I like the mountains better.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, I like the mountains better.
This world is lost, and even if you are my friend, I can't fix it, I'm happy, I'm happy.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, I like the mountains better.
Here in the big cities, there is a lot of connection, but there in the mountains, there is peace and fascination.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, I like the mountains better.
It is said that little by little depression is approaching.
If you don't enjoy it, my friend, don't drink it, it will make you drunk.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, I like the mountains better.
Let's go to the mountains, to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, I like the mountains better.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, I like the mountains better.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Let's go to the mountains, to the mountains, to Guaranchal.
Para el monte me voy, porque contento estoy.
Para el monte me voy, porque contento estoy.
Para el monte me voy, porque contento estoy.
Para el monte me voy, porque contento estoy.
Para el monte me voy, porque contento estoy.
Para el monte me voy, porque contento estoy.
Para el monte me voy, porque contento estoy.
Guaranchal forRayan, leave this place.
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh ready The the the the the the the the the the the the the the the the the the the the the that Eddie Palmeira has for you.
Well, now, as I know there are many here who like it.
Well, here is Cachito Pauleiro.
Now that Mama is not here, give me a little Cachito Pauleiro.
Now that Mama is not here, give me a little Cachito Pauleiro.
Now that Mama is not here, give me a little Cachito Pauleiro.
And now that Mama is not here, give me a little Cachito Pauleiro.
Now that Mama is not here, give me a little Cachito Pauleiro.
And you will see that I will put you in the shell, take a little Cachito, try it and you will see.
Now that Mama is not here, give me a little Cachito Pauleiro.
Now that Mama is not here, give me a little Cachito Pauleiro.
Now that Mama is not here, And you will see that I will put you in the shell, take a little Cachito, try it and you will see.
Now that Mama is not here, give me a little Cachito Pauleiro.
Give me a little Cachito Pauleiro.
Now that Mama is not here, give me a little Cachito...
