WEBVTT

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Yeah.

2
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I think it makes more sense in the context, don't you?

3
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Okay.

4
00:00:52.580 --> 00:00:54.140
Why murals?

5
00:00:54.920 --> 00:01:00.040
With all the social and political problems affecting our community, why murals?

6
00:01:00.660 --> 00:01:03.180
Because murals show us who we are.

7
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Our leaders, our heroes, our legends, our past, our present, and our future.

8
00:01:13.900 --> 00:01:16.760
Our children have to be taught about our past.

9
00:01:17.780 --> 00:01:21.880
There is so little here to remind us of the legacy we've left behind.

10
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Murals connect us with the traditions of our culture.

11
00:01:38.740 --> 00:01:39.820
Why murals?

12
00:01:39.820 --> 00:01:45.520
With all the social and political problems affecting our community, why murals?

13
00:01:46.280 --> 00:01:48.860
Because murals show us who we are.

14
00:01:49.320 --> 00:01:58.100
Our leaders, our heroes, our legends, our past, our present, and our future.

15
00:01:59.220 --> 00:02:01.700
Our children have to be taught about our past.

16
00:02:02.480 --> 00:02:06.340
There is so little here to remind us of the legacy we've left behind.

17
00:02:07.060 --> 00:02:10.640
Murals connect us with the traditions of our culture.

18
00:02:28.260 --> 00:02:31.060
Why murals?

19
00:02:31.060 --> 00:02:34.000
By the nature of their work can change opinion.

20
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They have a responsibility to forge a consensus, to change beliefs, to bring people together.

21
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To reach their audience, they must know the community well.

22
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They must know how to create imagery which will move people.

23
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Murals reconcile conflict and resolve tension.

24
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Though impermanent, they empower.

25
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Yes.

26
00:03:13.540 --> 00:03:16.560
Murals, by the nature of their work, can change opinion.

27
00:03:16.910 --> 00:03:24.030
They have a responsibility to forge a consensus, to change beliefs, to bring people together.

28
00:03:24.970 --> 00:03:28.050
To reach their audience, they must know the community well.

29
00:03:28.870 --> 00:03:32.370
They must know how to create imagery which will move people.

30
00:03:33.310 --> 00:03:35.910
Murals reconcile conflict and resolve tension.

31
00:03:37.590 --> 00:03:39.910
Though impermanent, they empower.

32
00:03:57.230 --> 00:04:01.010
Murals, by the nature of their work, can change opinion.

33
00:04:01.890 --> 00:04:08.170
They have a responsibility to forge a consensus, to change beliefs, to bring people together.

34
00:04:09.130 --> 00:04:12.010
To reach their audience, they must know the community well.

35
00:04:12.010 --> 00:04:16.010
They must know how to create imagery which will move people.

36
00:04:17.290 --> 00:04:20.010
Murals reconcile conflict and resolve tension.

37
00:04:21.650 --> 00:04:24.030
Though impermanent, they empower.

38
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39
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Murals break the mythology of what a Latino is.

40
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They say, in effect, you have to understand.

41
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We are not just mariachis, enchiladas, piñatas, and that's it.

42
00:04:54.790 --> 00:04:57.410
Murals show the complexity of our communities.

43
00:04:58.170 --> 00:05:03.450
We are the gigantes. We are a mixture of races. We are la raza.

44
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We want to show all of Chicago that Latino art isn't just art in the Americas before Columbus.

45
00:05:10.650 --> 00:05:14.650
It's art that is being created right now.

46
00:05:25.770 --> 00:05:28.810
Murals break the mythology of what a Latino is.

47
00:05:29.450 --> 00:05:32.370
They say, in effect, you have to understand.

48
00:05:32.890 --> 00:05:36.850
We are not just mariachis, enchiladas, piñatas, and that's it.

49
00:05:36.850 --> 00:05:40.470
Murals show the complexity of our communities.

50
00:05:41.170 --> 00:05:46.370
We are the gigantes. We are a mixture of races. We are la raza.

51
00:05:46.930 --> 00:05:53.670
We want to show all of Chicago that Latino art isn't just art in the Americas before Columbus.

52
00:05:54.450 --> 00:05:57.630
It's art that is being created right now.

53
00:06:08.470 --> 00:06:10.230
¿Por qué murales?

54
00:06:10.570 --> 00:06:18.350
Con todos los problemas sociales y políticos que afectan a nuestra comunidad, ¿por qué pintamos murales?

55
00:06:18.850 --> 00:06:22.130
Porque los murales nos enseñan quiénes somos.

56
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Nuestros líderes, nuestros héroes, nuestras leyendas.

57
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El pasado, el presente, y el porvenir.

58
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Es importante que se enseñe la historia a nuestros hijos.

59
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Hay muy poco aquí que nos recuerda de la herencia que hemos dejado atrás.

60
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Los murales nos vinculan con las tradiciones de nuestra cultura.

61
00:06:51.930 --> 00:06:55.330
Nos expresamos a través de los murales.

62
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Estas pinturas representan un coro de voces que hablan de nuestra experiencia.

63
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Estas voces de nuestra gran comunidad son el eco de muchos países, muchas tradiciones, muchas generaciones.

64
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Lo viejo y lo nuevo. Los murales son reflexiones de nosotros mismos.

65
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Los muralistas, por el índole de este tipo de trabajo, pueden articular y guiar las opiniones del pueblo.

66
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Tienen la responsabilidad de crear un consenso para cambiar creencias destructivas y para unir a la gente.

67
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Para lograr comunicarse con su público, los artistas tienen que conocer muy bien a la comunidad.

68
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Tienen que saber cuáles son las imágenes que conmueven a la gente.

69
00:07:52.290 --> 00:08:00.270
Aunque no son permanentes, estos murales pueden dar una fuerza espiritual y emocional.

70
00:08:01.190 --> 00:08:04.470
Pueden resolver conflictos y tensiones sociales.

71
00:08:10.950 --> 00:08:17.710
En 1971, ya nos considerábamos un movimiento consolidado.

72
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Aúnamos fuerzas para colaborar y empezamos lo que se puede llamar la Escuela de Chicago, sucesora de los movimientos muralistas de comienzos del siglo.

73
00:08:48.250 --> 00:08:52.210
Los murales rompen el estereotipo de cómo es el latino.

74
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75
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Sus mensajes promulgan que no somos nada más que mariachis, enchiladas, piñatas y punto.

76
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Muestran lo complejo que son nuestras comunidades.

77
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Somos vejigantes, somos el prójimo del mestizaje, somos la raza.

78
00:09:11.210 --> 00:09:20.290
Queremos enseñarle a toda la ciudad de Chicago que el arte latino no es solamente el arte de la América precolombina,

79
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sino que también es el arte que estamos creando ahora mismo, incluyendo en este país.

80
00:09:37.370 --> 00:09:44.370
Uno pone algo de sí mismo en los murales que perduran aún después de ser borrados.

81
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Uno pasa a formar...

82
00:09:48.470 --> 00:09:50.850
I'm sorry, Joaquín.

83
00:09:53.630 --> 00:10:00.370
Uno pone algo de sí mismo en los murales que perduran aún después de ser borrados.

84
00:10:02.750 --> 00:10:08.830
Uno se convierte en parte de ellos, llega a formar parte de sí mismo.

85
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Un mural es parte de un proceso continuo.

86
00:10:25.230 --> 00:10:42.870
Un mural es parte de un proceso continuo.

87
00:10:42.870 --> 00:10:46.570
The generations, the old and the new.

88
00:10:46.990 --> 00:10:50.890
Murals are a reflection of our different selves.

89
00:10:58.450 --> 00:11:01.090
We speak through our murals.

90
00:11:01.770 --> 00:11:06.990
These paintings are a chorus of voices, a distillation of experience.

91
00:11:06.990 --> 00:11:16.250
The different voices in our community are heard and in them echo many countries, many traditions.

92
00:11:16.970 --> 00:11:19.990
The generations, the old and the new.

93
00:11:20.870 --> 00:11:24.990
Murals are a reflection of our different selves.

94
00:11:34.760 --> 00:11:40.660
By 1971, we considered ourselves a full-fledged movement.

95
00:11:41.460 --> 00:11:47.500
We joined forces to collaborate and began what might be considered the Chicago School,

96
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a successor to mural movements in the earlier part of the 20th century.

97
00:12:10.120 --> 00:12:16.040
By 1971, we considered ourselves a full-fledged movement.

98
00:12:16.040 --> 00:12:22.440
We joined forces to collaborate and began what might be considered the Chicago School,

99
00:12:23.040 --> 00:12:27.620
a successor to mural movements in the earlier part of this century.

100
00:12:37.160 --> 00:12:40.280
You live part of yourself in the murals.

101
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Even if they are erased, you become part of them, they become part of you.

102
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A mural is just a part.

103
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The process is ongoing.

104
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Beep, beep, beep.

105
00:13:41.920 --> 00:13:43.620
Why murals?

106
00:13:44.220 --> 00:13:48.420
With all the social and political problems that affect our community,

107
00:13:49.140 --> 00:13:50.580
why do we paint murals?

108
00:13:51.620 --> 00:13:54.400
Because murals show us who we are.

109
00:13:54.740 --> 00:13:58.640
Our leaders, our heroes, our legends.

110
00:13:59.720 --> 00:14:03.560
The past, the present and the future.

111
00:14:04.440 --> 00:14:07.260
It is important that history is taught to our children.

112
00:14:07.260 --> 00:14:12.320
There is very little here that reminds us of the heritage that we have left behind.

113
00:14:12.640 --> 00:14:16.360
Murals link us with our cultural traditions.

114
00:14:18.700 --> 00:14:21.260
We express ourselves through murals.

115
00:14:22.300 --> 00:14:28.140
These paintings represent a chorus of voices that speak of our experience.

116
00:14:29.140 --> 00:14:39.500
These voices of our community are the echo of many countries, many traditions, many generations.

117
00:14:40.280 --> 00:14:42.680
The old and the new.

118
00:14:43.780 --> 00:14:46.740
Murals are reflections of ourselves.

119
00:14:49.200 --> 00:14:57.600
The muralists, by the nature of this type of work, can articulate and guide the opinions of the people.

120
00:14:58.440 --> 00:15:07.560
They have the responsibility to create a consensus to change destructive beliefs and to unite people.

121
00:15:08.740 --> 00:15:15.300
To communicate with their audience, artists have to know the community very well.

122
00:15:15.300 --> 00:15:19.700
They have to know what images move people.

123
00:15:20.960 --> 00:15:26.400
Although they are not permanent, these murals can give spiritual and emotional strength.

124
00:15:27.080 --> 00:15:30.480
They can solve conflicts and social tensions.

125
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In 1970...

126
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In 1970...

127
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I was trying to mark just round and S, so I don't forget.

128
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Ok, I'm ready.

129
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In 1971 we had already considered...

130
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Oh, I'm sorry.

131
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Start again.

132
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Many changes here.

133
00:16:03.640 --> 00:16:10.040
In 1971 we considered ourselves a consolidated movement.

134
00:16:11.280 --> 00:16:18.440
We joined forces to collaborate and we started what can be called the Chicago School,

135
00:16:19.200 --> 00:16:24.380
successor of the early muralist movements of this century.

136
00:16:26.380 --> 00:16:28.740
Murals break the stereotype of the Latino.

137
00:16:28.740 --> 00:16:37.200
Their messages promote that we are nothing more than mariachis, enchiladas, piñatas and period.

138
00:16:38.620 --> 00:16:41.760
They show how complex our communities are.

139
00:16:42.920 --> 00:16:49.160
We are giants, we are the neighbor of the mestizaje, we are the race.

140
00:16:50.480 --> 00:16:58.000
We want to teach the whole city of Chicago that Latin art is not only the art of pre-Columbian America.

141
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It is also the art that we are creating right now, even in this country.

142
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One puts something of themselves in the murals, which lasts even after being erased.

143
00:17:17.460 --> 00:17:25.320
One becomes part of them and they become part of us.

144
00:17:26.320 --> 00:17:32.160
A mural is part of a great continuous process.

145
00:17:37.940 --> 00:17:40.060
Why murals?

146
00:17:41.100 --> 00:17:49.880
With all the social and political problems that affect our community, why do we paint murals?

147
00:17:50.820 --> 00:18:06.040
Because murals show us who we are, our leaders, our heroes, our legends, the past, the present and the future.

148
00:18:07.300 --> 00:18:10.880
It is important that history is taught to our children.

149
00:18:12.180 --> 00:18:15.880
There is very little here that reminds us of the heritage that we have left behind.

150
00:18:17.500 --> 00:18:22.060
Murals link us to our cultural traditions.

151
00:18:24.000 --> 00:18:26.160
We express ourselves through murals.

152
00:18:27.980 --> 00:18:33.320
These paintings represent a chorus of voices that speak of our experience.

153
00:18:34.760 --> 00:18:45.240
These voices of our great community are the echo of many countries, many traditions, many generations.

154
00:18:46.160 --> 00:18:48.160
The old and the new.

155
00:18:49.920 --> 00:18:53.920
Murals are reflections of ourselves.

156
00:18:56.360 --> 00:19:05.160
The muralists, through this kind of work, can articulate and guide the opinions of the people.

157
00:19:06.500 --> 00:19:14.160
They have the responsibility to create a consensus to change destructive beliefs and to unite people.

158
00:19:15.540 --> 00:19:23.420
To communicate with the public, artists must know the community very well.

159
00:19:24.100 --> 00:19:28.200
They must know what images move people.

160
00:19:29.640 --> 00:19:35.620
Although they are not permanent, these murals can give spiritual and emotional strength.

161
00:19:36.680 --> 00:19:40.780
They can solve conflicts and social tensions.

162
00:19:52.460 --> 00:19:53.800
The

163
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Ronnie Cuba

164
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and the singer of the orchestra, Ismael Quintana.

165
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mesela

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167
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170
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Batā

171
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Let's go to the mountains, to the mountains, to Guaranchal.

172
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Let's go to the mountains, Crehuante, Melu, Nama.

173
00:21:10.200 --> 00:21:14.840
Let's go to the mountains, to the mountains, to Guaranchal.

174
00:21:14.840 --> 00:21:19.120
Let's go to the mountains, Crehuante, Melu, Nama.

175
00:21:29.040 --> 00:21:33.580
Let's go to the mountains, to the mountains, to Guaranchal.

176
00:21:43.060 --> 00:21:44.460
Let's go to the mountains, I like the mountains better.

177
00:21:48.120 --> 00:21:52.860
Let's go to the mountains, to the mountains, to Guaranchal.

178
00:21:53.280 --> 00:21:56.840
Let's go to the mountains, I like the mountains better.

179
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This world is lost, and even if you are my friend,

180
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I can't fix it, I'm happy, I'm happy.

181
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Let's go to the mountains, to the mountains, to Guaranchal.

182
00:22:12.260 --> 00:22:15.900
Let's go to the mountains, I like the mountains better.

183
00:22:16.360 --> 00:22:21.140
Here in the big cities, there is a lot of connection,

184
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but there in the mountains, there is peace and fascination.

185
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Let's go to the mountains, to the mountains, to Guaranchal.

186
00:22:31.200 --> 00:22:35.020
Let's go to the mountains, I like the mountains better.

187
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It is said that little by little depression is approaching.

188
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If you don't enjoy it, my friend, don't drink it, it will make you drunk.

189
00:22:45.360 --> 00:22:49.020
Let's go to the mountains, to the mountains, to Guaranchal.

190
00:22:50.000 --> 00:22:53.620
Let's go to the mountains, I like the mountains better.

191
00:22:53.780 --> 00:22:59.000
Let's go to the mountains, to the mountains, to the mountains, to Guaranchal.

192
00:23:01.100 --> 00:23:06.960
Let's go to the mountains, I like the mountains better.

193
00:23:06.960 --> 00:23:08.660
Let's go to the mountains, to the mountains, to Guaranchal.

194
00:23:08.740 --> 00:23:12.280
Let's go to the mountains, I like the mountains better.

195
00:23:43.560 --> 00:23:46.320
Let's go to the mountains, to the mountains, to Guaranchal.

196
00:23:46.320 --> 00:23:46.400
Let's go to the mountains, to the mountains, to Guaranchal.

197
00:23:46.400 --> 00:23:48.480
Let's go to the mountains, to the mountains, to Guaranchal.

198
00:23:50.420 --> 00:23:51.880
Let's go to the mountains, to the mountains, to Guaranchal.

199
00:23:52.840 --> 00:23:55.640
Let's go to the mountains, to the mountains, to Guaranchal.

200
00:24:20.980 --> 00:24:25.620
Let's go to the mountains, to the mountains, to Guaranchal.

201
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202
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203
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204
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205
00:24:25.620 --> 00:24:30.620
Let's go to the mountains, to the mountains, to Guaranchal.

206
00:24:40.440 --> 00:24:45.380
Let's go to the mountains, to the mountains, to Guaranchal.

207
00:24:45.380 --> 00:24:49.060
Let's go to the mountains, to the mountains, to Guaranchal.

208
00:24:50.080 --> 00:24:55.480
Let's go to the mountains, to the mountains, to Guaranchal.

209
00:24:55.540 --> 00:24:55.600
Let's go to the mountains, to the mountains, to Guaranchal.

210
00:24:58.020 --> 00:25:02.580
Para el monte me voy, porque contento estoy.

211
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Para el monte me voy, porque contento estoy.

212
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Para el monte me voy, porque contento estoy.

213
00:25:20.220 --> 00:25:24.300
Para el monte me voy, porque contento estoy.

214
00:25:32.980 --> 00:25:37.460
Para el monte me voy, porque contento estoy.

215
00:25:37.720 --> 00:25:41.900
Para el monte me voy, porque contento estoy.

216
00:25:43.580 --> 00:25:44.480
Para el monte me voy, porque contento estoy.

217
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Guaranchal forRayan, leave this place.

218
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Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

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223
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ready

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The

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the

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the

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the

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the

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the

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the

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the

232
00:29:19.840 --> 00:29:19.860
the

233
00:29:19.860 --> 00:29:19.880
the

234
00:29:19.880 --> 00:29:20.000
the

235
00:29:20.000 --> 00:29:20.040
the

236
00:29:20.140 --> 00:29:20.200
the

237
00:29:20.200 --> 00:29:20.220
the

238
00:29:20.220 --> 00:29:22.460
the

239
00:29:22.460 --> 00:29:24.220
the

240
00:29:32.300 --> 00:29:33.700
the

241
00:29:33.700 --> 00:29:33.700


242
00:29:33.700 --> 00:29:34.220
the

243
00:29:35.020 --> 00:29:35.040
the

244
00:29:35.040 --> 00:29:35.040


245
00:29:35.040 --> 00:29:35.040


246
00:29:35.040 --> 00:29:35.040


247
00:29:35.040 --> 00:29:35.040


248
00:29:38.700 --> 00:29:40.100
the

249
00:29:40.100 --> 00:29:41.080
the

250
00:30:12.060 --> 00:30:14.100
that Eddie Palmeira has for you.

251
00:30:15.300 --> 00:30:18.480
Well, now, as I know there are many here who like it.

252
00:30:18.640 --> 00:30:20.920
Well, here is Cachito Pauleiro.

253
00:30:34.860 --> 00:30:39.140
Now that Mama is not here,

254
00:30:39.840 --> 00:30:43.580
give me a little Cachito Pauleiro.

255
00:30:51.080 --> 00:30:55.120
Now that Mama is not here,

256
00:30:55.840 --> 00:30:58.920
give me a little Cachito Pauleiro.

257
00:31:06.940 --> 00:31:11.040
Now that Mama is not here,

258
00:31:11.740 --> 00:31:15.140
give me a little Cachito Pauleiro.

259
00:31:15.460 --> 00:31:19.180
And now that Mama is not here,

260
00:31:19.180 --> 00:31:23.520
give me a little Cachito Pauleiro.

261
00:31:23.780 --> 00:31:27.340
Now that Mama is not here,

262
00:31:27.860 --> 00:31:30.640
give me a little Cachito Pauleiro.

263
00:31:31.180 --> 00:31:35.400
And you will see that I will put you in the shell,

264
00:31:35.980 --> 00:31:39.480
take a little Cachito, try it and you will see.

265
00:31:39.560 --> 00:31:43.040
Now that Mama is not here,

266
00:31:43.840 --> 00:31:46.500
give me a little Cachito Pauleiro.

267
00:31:55.240 --> 00:31:59.140
Now that Mama is not here,

268
00:31:59.940 --> 00:32:02.800
give me a little Cachito Pauleiro.

269
00:32:02.800 --> 00:32:03.240
Now that Mama is not here,

270
00:32:03.240 --> 00:32:03.240


271
00:32:03.240 --> 00:32:05.040
And you will see that I will put you in the shell,

272
00:32:05.040 --> 00:32:11.220
take a little Cachito, try it and you will see.

273
00:32:11.380 --> 00:32:14.880
Now that Mama is not here,

274
00:32:14.880 --> 00:32:18.860
give me a little Cachito Pauleiro.

275
00:32:18.940 --> 00:32:22.160
Give me a little Cachito Pauleiro.

276
00:32:22.280 --> 00:32:24.020
Now that Mama is not here,

277
00:32:24.300 --> 00:32:25.360
give me a little Cachito...