You and Me

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explorer food and In the year 1897, two women are joined in common call to destroy Clinton Collins.

One is Laura Collins, who has opened a locked door and let a madwoman free.

The other is the crazed Jenny Collins, out of her cell at last, and hunting her prey with terrible purpose.

Jenny, where are you going? The old house.

Why are you going there? What can you say? But you can't go to the old...

I'm a loser And I'm not what I appear to be Of all the love I have won or have lost There is one love I should never have crossed She was a girl in a million, my friend I should have known she would win in the end I'm a loser And I love someone who means to me I'm a loser And I'm not what I appear to be Although I laugh and I act like a clown Beneath this mask I am wearing a crown My tears are falling like rain from the sky Is it for her or myself that I cry? I'm a loser And I love someone who means to me I'm a loser And I'm not what I appear to be The New World What have I done to deserve such a fate? I realize I have left it too late And so it's true, pride comes before a fall I'm telling you so that you won't lose all I'm a loser And I love someone who means to me I'm a loser And I'm not what I appear to be The New World The New World The New World Get in line in that processional Step into that small confessional They're the guy who's got religion I'll tell you if your sin's original If it is, try playing it safer Drink the wine and chew the wafer Two, four, six, eight Time to transubstantiate So get down upon your knees Fiddle with your rosaries Bow your head with great respect and Genuflect, genuflect, genuflect Make a cross on your abdomen When in Rome do like a Roman Ave Maria, gee, it's good to see you Getting ecstatic and sort of dramatic And a -doing the bad again around There is no divine justice For there is no God Set aside your fears The New World The New World You'll feel alone Sometimes I feel I am alone And lost Sometimes There's no divine Justice For there is no God There is no God Not for this I don't care How I love you Why don't we do it in the road Why don't we do it in the road Why don't we do it in the road Why don't we do it in the road No one will be watching us Why don't we do it in the road Why don't we do it in the road Why don't we do it in the road Why don't we do it in the road Why don't we do it in the road The.

That's You're under arrest.

What for? I'm poisoning a police officer.

Como I'm in love but I'm lazy, so won't you please come home? Oh, honey pie, my position is tragic.

Come and show me the magic of your Hollywood song.

You became a legend of the silver screen, and now that love is meeting it makes me weak in a knee.

Oh, honey pie, you are driving Atlantic, say the group's the Atlantic to be where you belong.

Honey pie, come back to me.

I like black, ooh la la.

I like this kind of Hawkeye music, Hawkeye music, play me too.

Will you be happy with me? Will the wind that blew her boat across the sea kindly send her sailing back to me? I like black, ooh la la.

I like black, ooh la la.

I like black, ooh la la.

I like black, ooh la la.

Hey Jude, don't make it bad.

Take a side song and make it better.

Remember, you're my love.

Let her under your skin, then you'll be in to make it better.

Better, better, better, better, better.

Oh, yeah, yeah, yeah, yeah, yeah.

Oh, yeah, yeah, yeah, yeah, yeah, yeah.

Hey, ha, ha, hey, ha.

Oh, come on, let's make a little mystery car.

Hey, ha, ha, hey, ha, hey, ha.

Roll up over the mystery door.

Roll up, roll up over the mystery door.

That's an invitation.

Roll up over the mystery door.

To make a reservation.

Roll up over the mystery door.

The magic mystery tour is waiting to take you away.

Waiting to take you away.

Roll up over the mystery door.

Roll up over the mystery door.

To make a reservation.

Roll up over the mystery door.

Oh, it's time to say goodbye.

Goodbye, dear time.

Now the sun turns out to be morning.

Good night, dear time.

Good night, sweet dreams.

Good night, good night.

Good night, sweet dreams.

Good night, sweet dreams.

Now the moon begins to shine.

Good night, sweet dreams.

Date Of Production

1970

Abstract

This collaborative student film follows a confused young man throughout his day, as he navigates various environments (church, neighborhood streets, parties, etc), never seeming to fit in. Beatles songs featured prominently throughout.

Format

16mm

Extent

950 feet

Color

B&W

Sound

Optical

Reel/Tape Number

1/1

Has Been Digitized?

Yes

Language Of Materials

English

Form

Amateur
Short

Subject

Youth
Teenagers
Parties
Religions
Religious services

Related Collections

SERIES: Young Chicago Filmmaker’s Festival

Main Credits

Newell, Paul (is producer)

Keifer, John (is producer)

Dasso, Bill (is producer)

Orr, Rob (is producer)

Newell, Paul (is director)

Additional Credits

Newell, Paul (is writer)

Dasso, Bill (is cinematographer)

Orr, Rob (is editor)

Orr, Rob (sound)

Participants And Performers

Newell, Paul (is actor)

Fugiel, John (is actor)

Fahey, Pat (is actor)

Lubek, Sue (is actor)

Cotter, Tim (is actor)

Coleman, Bob (is actor)

Dasso, Bill (is actor)

Fillmore, Millard (is actor)

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