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you

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you

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you

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you

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scene six you're rolling scene six take one roll two

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right

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you

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you

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you

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mom

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you

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you

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you

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you

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you

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you

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you

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you

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you

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you

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you

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scene seven take one

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yeah

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what are we going to name the mural after he finished

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oh yeah we have to come up with another name

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so I got one where he said everybody put none

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and we put them in a bucket and we take it out

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to go apart district workers

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yeah I thought of putting it up there on top of the toaster

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You should follow party history, man.

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What do you think?

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The side of it?

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Well, no.

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Right on the top.

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To the honor of their working class

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or to the working men of party history,

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because I remember, these all are traits.

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And how would you say, labor?

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About unity.

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Unity and people.

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You could put like a banner up there.

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And then write whatever it is that

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must be written in the banner.

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In the banner.

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In the banner, yeah.

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Maybe somebody hold a banner.

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It's an idea.

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It's put the Salgas in Pocos.

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Or East Coast Union.

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Something like that?

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That big one.

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Mm-hmm.

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I thought you could place it almost anywhere.

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Well, you can place it anywhere.

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But the idea is that this is the center of the picture.

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It would be nice to be on top of it.

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When everybody look at it, can read at the same time.

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What is the size of it?

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From there, you know.

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Like I said, you can keep working over and over

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on this stuff, because it all needs to be like the can

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and everything else needs to be retouched again.

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It's got holes, and we've got to make the lines.

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And then the symbols that we're going to put up on the top,

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like a snowflake or whatever.

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When I say we, I don't mean me.

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I mean, you know, a half of us.

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Because anybody listen to me, eh?

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What is he?

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Well, we'll give you a paintbrush.

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Huh?

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We'll give you a paintbrush.

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Ha-ha-ha.

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It's good.

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Well, most everybody can.

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He's brushing his hand one time,

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or another, or another, and this little.

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Even Escudero went up there in Iceland.

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Dennis.

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You've still got to do the windows,

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and then put some trees on there, you know,

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like it's supposed to be.

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By the way, where is Dennis?

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Dennis, I left him outside.

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We're supposed to bring him in, because he's part of the mirror.

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We might as well bring him in, and all those figures

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got to be like, you know, retouched to give more dimension.

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When you say dimension, what are you telling me?

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Explain.

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Not to look at his face.

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All right.

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It goes like 3D.

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Escuro aquí.

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I'm looking at it.

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Escurito por el lado.

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Ready?

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Métete en el retrato.

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Scene eight, take one.

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Métete acá para que gente, que tú también estás observando la hora.

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Yo, Hector, que se metan en el retrato, gente.

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Pero quítate el coche, porque van a decir, no,

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este concoño está mirando la hora, pues, se ve que fue,

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que fue, en tu lado.

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Vente, Hector.

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No, pero primero, yo miraba esa esquina ahí,

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y yo no veía más que el hander.

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You're talking Spanish, you've got to look at him, though,

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because I don't understand Spanish.

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When I look at the hander, I just say, what is that?

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But then you have to throw it, and then you can grab the concept

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of the truck.

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You remember you used to tell me, that's the truck,

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that's the truck, you only see the handle.

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You said that was the handle of the mower.

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That's what I thought up there, maybe you put two back up lights.

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And that, you have definitely, no, it's definitely got to be done,

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because when you first look at it, you cannot, you know,

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grab it, but then when you get more attentive,

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then you can get it.

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If you put the two lights in there and make it more distinctive,

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that it's a truck.

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And then some lights up there on the top of it.

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That one, we just was talking about, because before,

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I just looked at the handle, and I knew that was the handle

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of the truck, but I could see the truck.

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And then there's the handle, which is...

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Which is...

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But that's too wide.

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We need to get the guitarist, because when they're painting...

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Yes, because if he was painting, he would have done that.

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But the man said, you said, come on, because when you...

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Because when you...

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When you trip, you're too pretty.

