WEBVTT 1 00:00:06.760 --> 00:00:14.260 My name is Esleen Henderson and I'm going to demonstrate for you throwing on the potter's 2 00:00:14.260 --> 00:00:14.620 wheel. 3 00:00:15.840 --> 00:00:21.980 We call this throwing because in order to attach the lump of clay to the wheel head, 4 00:00:22.580 --> 00:00:29.640 we actually throw it down fairly firmly so that it really grabs the wheel. 5 00:00:33.060 --> 00:00:39.580 You will center a small lump of clay when we do our hand building because centering 6 00:00:40.380 --> 00:00:43.480 is the essence of living. 7 00:00:44.800 --> 00:00:50.360 We first must find the center of our lives and go out from the center. 8 00:00:50.360 --> 00:00:58.140 And so it is in working with clay on the wheel and by hand, usually by hand. 9 00:00:58.440 --> 00:01:04.140 We must first find the center of our being and then go out from there. 10 00:01:09.660 --> 00:01:17.100 The opening goes down to almost a half inch from the wheel head itself. 11 00:01:17.740 --> 00:01:21.040 From that we make the bottom of our shape. 12 00:01:21.920 --> 00:01:26.240 Then we come over and we come up at right angles. 13 00:01:26.300 --> 00:01:29.140 This gives us the wall or the side. 14 00:01:30.020 --> 00:01:32.580 And then we begin to lift the clay. 15 00:01:33.920 --> 00:01:35.260 We call it pulling. 16 00:01:41.120 --> 00:01:43.940 And there we have our shape. 17 00:01:47.680 --> 00:01:49.980 This would hold about two quarts. 18 00:01:50.720 --> 00:01:55.100 Now, because this is soft and there's not much we can do with it. 19 00:02:05.900 --> 00:02:10.560 If you have long fingernails, they may dig in. 20 00:02:10.660 --> 00:02:13.400 Make a hole in your little lump of clay. 21 00:02:13.580 --> 00:02:14.960 This is going to be a small hole. 22 00:02:15.840 --> 00:02:17.100 See that little hole? 23 00:02:17.500 --> 00:02:19.540 It's going and they walk around it. 24 00:02:19.660 --> 00:02:23.000 But we are going to rotate the lump of clay. 25 00:02:23.900 --> 00:02:27.520 Now, keep turning it. 26 00:02:27.920 --> 00:02:30.280 It's just as easy as it goes with both hands. 27 00:02:32.520 --> 00:02:34.960 Okay, is it beginning to look like a little hole? 28 00:02:35.560 --> 00:02:40.300 When you think you have stretched the clay out as much as you can, 29 00:02:40.440 --> 00:02:43.620 you know when you can feel when you're going to go through it, can't you? 30 00:02:44.340 --> 00:02:47.740 And don't do it in the room too much in the room. 31 00:02:48.800 --> 00:02:50.200 Take your time. 32 00:02:51.220 --> 00:02:51.960 Take your time. 33 00:02:52.720 --> 00:02:58.960 I'm going to show you upside down in tapas and it flattens the edge of each other. 34 00:02:59.400 --> 00:03:01.200 Another way to treat the edge. 35 00:03:02.500 --> 00:03:06.560 Ladies, I'm very pleased with what you've gotten with your pinch pots. 36 00:03:07.140 --> 00:03:09.580 I hope you've had fun, have you? 37 00:03:10.460 --> 00:03:11.420 Thank you. 38 00:03:14.020 --> 00:03:19.720 You may put this on your pot and we will put this away for posterity. 39 00:03:20.260 --> 00:03:24.080 And remember this as a pleasurable experience and a learned experience. 40 00:03:24.780 --> 00:03:26.020 Thank you very much. 41 00:03:26.820 --> 00:03:29.500 Oh, my, I'm an artist. 42 00:03:33.340 --> 00:03:34.240 Yo me llamo. 43 00:03:34.320 --> 00:03:36.500 I call myself Pascual Oliveira. 44 00:03:36.500 --> 00:03:41.320 This is the Spanish dance experience and I'm going to be sharing this experience with my partner 45 00:03:41.320 --> 00:03:44.480 and her name is Angela Del Moral and she comes from Spain. 46 00:03:44.920 --> 00:03:44.920 47 00:03:46.720 --> 00:03:51.300 We're going to take a tour of Spain showing you some of the regional, classical flamenco dances. 48 00:03:51.320 --> 00:03:53.180 We're going to show you how to play the castanets 49 00:03:53.180 --> 00:03:55.600 and we're also going to take you to a bullfight. 50 00:03:55.720 --> 00:03:56.740 So here we go to Spain. 51 00:04:43.340 --> 00:04:46.640 I'm going to demonstrate for you now the flamenco papateado. 52 00:04:46.800 --> 00:04:50.700 Papateado comes from the word tapato which means shoe in Spanish. 53 00:04:50.960 --> 00:04:53.680 This means to dance with the heels and the ball of your foot. 54 00:04:53.920 --> 00:04:55.620 Papateado in the flamenco style. 55 00:05:08.000 --> 00:05:08.480 Olé! 56 00:05:18.220 --> 00:05:18.700 Olé! 57 00:05:19.140 --> 00:05:19.620 Olé! 58 00:05:26.060 --> 00:05:28.200 I'll show you a little bit about the castanets. 59 00:05:28.300 --> 00:05:32.660 First of all, the castanets go on your thumbs very tight with the knot in the back. 60 00:05:32.660 --> 00:05:38.580 They're made out of four parts of wood or these are made out of the compressed fiberglass. 61 00:05:38.680 --> 00:05:43.120 The way you play the castanets is after they're placed on the thumbs very tightly and they spring open 62 00:05:43.120 --> 00:05:44.580 you play five beats. 63 00:05:44.760 --> 00:05:47.920 One, two, three, four and five. 64 00:05:47.980 --> 00:05:51.900 Once you've perfected these five beats, in Spanish it's called a carretilla, 65 00:05:52.120 --> 00:05:53.920 it will eventually sound like this. 66 00:05:54.020 --> 00:05:55.920 One, two, three, four and five. 67 00:06:44.140 --> 00:06:54.760 And that's it! 68 00:07:02.660 --> 00:07:25.800 La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la 69 00:07:25.800 --> 00:07:41.020 la la la la la la la la la la la la la la la la la la la la la la la la a 70 00:07:41.020 --> 00:07:46.020 Buenas dias, señoras y señores, vamos a ser muñecos de porqueria. 71 00:07:47.160 --> 00:07:54.760 Good morning ladies and gentlemen, my name is Tom Joris. I'm a sculptor and I make art from junk. 72 00:08:42.240 --> 00:08:51.920 I'd like to explain a little about is how I go about doing these things. 73 00:08:51.920 --> 00:08:54.180 First of all, how do I get my inspiration? 74 00:08:56.100 --> 00:09:01.200 Well, actually what I do is I look for the shape of what I'm going to make. 75 00:09:04.580 --> 00:09:08.420 But I have to find the shape that comes closest to it. 76 00:09:08.440 --> 00:09:10.960 That's why I use this part of the bike for the neck. 77 00:09:11.760 --> 00:09:17.160 This is why I use the shovel, because when you cut a shovel apart, it does look like the wing, doesn't it? 78 00:09:17.420 --> 00:09:20.380 And over here are some old pliers. 79 00:09:20.900 --> 00:09:24.160 So it doesn't actually really, it doesn't make a difference what I make. 80 00:09:24.160 --> 00:09:26.300 I make as long as that shape is there. 81 00:09:26.760 --> 00:09:37.180 That's why, when I started making this grasshopper, I looked for the shape that was closest to a grasshopper. 82 00:09:37.460 --> 00:09:38.780 And that was the body. 83 00:09:39.500 --> 00:09:41.740 And then everything else just naturally fell in line. 84 00:09:42.100 --> 00:09:46.360 We have a little more work to do on this, and then it'll be done, and I'm going to pass it around to you so you can see. 85 00:09:46.580 --> 00:09:48.560 And we'll begin a smaller one there, okay? 86 00:09:54.540 --> 00:09:55.420 Right there. 87 00:10:08.760 --> 00:10:10.020 Charlie, come on. 88 00:10:10.560 --> 00:10:12.860 Come on, let Charlie in here. We're going to pick Charlie. 89 00:10:13.280 --> 00:10:17.920 We're going to name it Charlie, and then put it in the yard, and we're going to watch it hop around. 90 00:10:19.280 --> 00:10:20.060 Make a bird. 91 00:10:20.320 --> 00:10:21.400 Make a bird? Okay. 92 00:10:26.140 --> 00:10:28.160 We can't leave Charlie outside. 93 00:10:29.100 --> 00:10:32.420 We'll get a pedestal and put Charlie on a pedestal inside. 94 00:10:37.260 --> 00:10:41.660 My name is Valuxa, and the name of my program is The Whole World Singing. 95 00:10:42.180 --> 00:10:46.480 I do Afro-Brazilian songs, and this is a sample, it's a solo song about a train. 96 00:11:24.980 --> 00:11:31.920 And for your life you don't need a train. 97 00:11:37.000 --> 00:11:50.420 Up and up I am a sailor, and I am not a sailor because you are, because you are, because you are. 98 00:11:55.500 --> 00:12:04.860 Bamba, bamba, bamba, bamba, bamba, bamba, bamba. 99 00:12:24.160 --> 00:12:53.620 In the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by, in the air or by 100 00:12:53.620 --> 00:12:54.520 high 101 00:13:23.620 --> 00:13:25.940 Bamba, bamba. 102 00:14:01.100 --> 00:14:05.980 First, we're going to present a program of the mind. 103 00:14:13.300 --> 00:14:18.880 Hello, my name is T. Daniel. What I do is a performance of mind. 104 00:14:42.080 --> 00:14:44.340 I'm going to perform a performance of mind. 105 00:14:46.980 --> 00:14:48.260 I'm going to perform a performance of mind. 106 00:14:53.620 --> 00:14:55.620 I got it. 107 00:15:24.360 --> 00:15:29.000 I'm going to take this opportunity to show you how you can do mind. 108 00:15:29.560 --> 00:15:32.620 The easiest thing to learn is the wall. 109 00:15:41.520 --> 00:15:44.200 Now, you have to be able to do it with both hands. 110 00:15:51.000 --> 00:15:51.480 Good. 111 00:15:52.620 --> 00:15:59.500 When you go home, upstairs or in the back, find a mirror and watch yourself do it in the mirror. 112 00:15:59.600 --> 00:16:00.940 Most of you are doing it. 113 00:16:01.080 --> 00:16:06.280 One of the things that you have to be careful about is to make sure that both hands go to the same place. 114 00:16:06.580 --> 00:16:11.800 It doesn't look very good if you make it to the wall and you place one hand here and one hand here. 115 00:16:13.400 --> 00:16:16.100 Both hands have to go to the same place. 116 00:16:18.160 --> 00:16:22.940 Now, except this evening when you go to eat and you don't want to leave the room, 117 00:16:23.520 --> 00:16:28.220 you can turn and when you get to the door frame, just bump into the wall and make it. 118 00:16:28.580 --> 00:16:30.000 Go back for seconds. 119 00:16:32.320 --> 00:16:33.860 Thank you very much. 120 00:17:16.900 --> 00:17:19.700 Thank you.