WEBVTT

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Okay, Margaret, do you want to just say your name so we can hear out the sound levels?

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Margaret Keneally.

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How do you spell that?

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Margaret?

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Keneally.

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How do you spell it?

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C-O-N-N-E-E-L-Y.

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Keneally.

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Thank you.

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Margaret, why don't you?

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Can I keep this or not?

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Oh, sure.

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Yeah.

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We don't see that.

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Look at Nancy.

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We don't see it.

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You can move a little closer.

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Oh.

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There you go.

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All right.

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You know, if you could, why don't you tell me about when you first got into the film

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business and what you were doing, what the rest of your life was at the time when you

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first got into the film.

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You know what?

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I can't hear you too good, Nancy.

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When did you first get into film?

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When did you first begin getting interested in film?

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By moot.

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Do you remember what year it was?

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About 1949.

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All right.

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1949.

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What were the circumstances?

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What were you doing at the time?

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Well, I was walking along the street to come to a movie store where I could buy a movie

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camera.

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So I went into this Bell and Howell place.

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I think it was Montclair.

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And I got a $25 Firestone 8mm camera.

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And as I was waiting for it to be wrapped up, I happened to see a Metro movie club newsletter.

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And I asked the girl if I could have one.

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She says, oh yes, by all means, you'll learn a lot from that.

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So I looked at it and I wanted to come to that movie club.

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So I hurried home and got a babysitter for my two boys.

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And luckily, my husband worked evenings and that was when I would go to the club.

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And I did that for about six months.

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Margaret, why were you interested in the club?

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Why were you going to get a camera in the first place?

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Do you remember?

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Oh yes.

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When I was very young, like about fifteen, I happened to have a boyfriend who invited

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me over to his home on a Sunday afternoon.

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And the mother and the father were, oh they were so nice.

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The father had a library that was put by three different walls just all full of books.

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And he said to me, is there anything you'd like to know more about that you don't?

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I said, oh yes, lots of things.

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And he said, what?

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For instance, I said, well I'd like to know more about tigers.

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But most of all, I'd like to know more about a movie camera.

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And he says, you would?

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I said, yes I would.

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So after we had dinner, he said, how would you like to go to the Museum of Science and Industry?

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I said, I don't know, but it sounds pretty good.

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And he said, well we're going to go there.

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And we went to the museum.

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The father, the mother, and the boy, his name was Jack, and his sister's name was Dorothy.

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And we went to the museum.

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And mostly, right away, he took me into a Paris exhibit where it had all different kinds of movement of cameras.

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And I was just utterly fascinated by it.

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And then Jack's father said, okay, we go home now.

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And we went home.

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And he said, you stay a little later because the sun is out.

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And I didn't know what he wanted the sun to be out for.

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But he said, he came down and he had a camera.

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And he had a tripod.

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I didn't know why he put it on the tripod, that he didn't want the camera to move.

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Well, he said, okay.

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And he lined all his family up.

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And he said, now you take the camera, and you look through here, and then you push the button.

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And I thought, oh, I must be taking a picture.

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And so I took a couple of pictures.

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Then they started to walk around and come frontwards this way.

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As they come to the camera, I could see the picture was getting bigger and bigger and bigger.

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And I said, hey, it better stop.

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But they said, no, turn it the other way.

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And I turned the other way.

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They went round and round.

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And then after that, he said, well, that's enough for today.

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Then I remember I kept thinking about it all the time.

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I was wondering when they were going to ask me to come back.

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And they did.

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And they showed me the films.

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And here it was, people moving and doing things.

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And it was so much better.

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There's a still camera.

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I said, boy, that's what I want.

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So that was why I was here this day, to buy.

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I had my money saved up to buy a movie camera.

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And I was going to take movies of my two sons.

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And that was about, well, now one of them is 64 and one is 62.

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So that was a long time ago.

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But then I decided with what I found out about the movies.

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But now I was going to be in charge of making my own movies.

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And I wanted to make it so that everybody else would like.

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Let me ask you something.

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When were you in charge of making your own home movies?

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No.

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Now I am.

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When was this?

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Was this when you went to get the first film?

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To the movie club.

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Oh, yes.

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At the movie club.

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Tell me a little bit more about the first,

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when you bought your first camera.

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Well, when I bought my first camera,

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I knew what kind of movies I wanted to take.

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Because I saw the same kind that was at the Metro movie club.

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If you have to stop and pause and think about it a little bit,

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that's actually better.

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Is it?

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Yeah.

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Oh, definitely.

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We're not looking for you just to say.

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So tell me again about the first time

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that you went to get your camera.

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What was going on?

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I went to get my film.

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When you went to get your first camera?

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Oh, well, when I first went to get my first camera,

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oh, wait a minute.

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That's OK.

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You were saying you wanted to shoot your kids.

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You wanted to film your kids.

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The Metro News that I was looking at

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had a program on that Wednesday night.

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And it said that Stan Yazbek, who was a friend of mine

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that I hadn't seen for many years,

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he was putting on the program.

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And I just wanted to go so bad that I hurried home,

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got a babysitter, and went to the club.

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And here I saw the kind of film.

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It was even better than the one that I

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had seen on that Sunday afternoon

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at my other friend's house.

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And he had made a story of his little girls and his wife

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and his sister.

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And it was a beautiful make-believe story.

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And they had costumes.

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And they were acting out.

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And I thought, oh, wouldn't that be great?

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I have two handsome young sons.

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And I'm sure they'd like that, too.

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So I.

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Can I ask you something?

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Who were the people that, when you first

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went to the Metro Club, your first time

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you went to the meeting, who were these other people?

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Their names?

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No, not their names, but were they just?

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The young people that I had met, the Stanley Yazbek

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who was going to put on the program that night

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of a story film with his family, these

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were the same kids that I went to high school with.

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And I was really surprised.

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And it was a pleasant surprise when

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I saw the kind of film he made.

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It was the kind that I would just dream about.

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So I went home.

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And on the way home, I was thinking about,

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how would I use my boys in a story that they would like,

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in a story that other people would like,

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a story that they would let me show at the Metro Movie Club,

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and one that I could enter in contests

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and just see how good I was.

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Because when you entered in the contest,

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you always got a jury seat that told you

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what you could have done better, what you shouldn't have done,

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what you should do.

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So it really was a good experience

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to get a film on the program, and a better one,

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when you had it judged as one of the winners.

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And that's what I did.

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So my first film that I made to show anybody else

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was called Safari.

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And we had gone to the, I really shot two films.

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And the big thing was it had to be inter-edited.

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With one film that we shot when we went to the Brookfield Zoo

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and met the director, who was most cooperative,

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and he sold me about 10 or 12 hats

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that the hunters wear when they go on Safari.

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And the kids were so delighted.

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Everybody wanted to be in it, but we could only

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let 10 people, 10 children in.

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So I had two of my YASBIC friends, little girls.

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They were very pretty, and they looked very nice in these hats.

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And so then there's a couple of kids

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that were in school with John, a couple that were in with Jim,

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and then the rest from our neighbors.

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And everybody wanted to be in.

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So we would take them not only for a picnic

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and bring them all lunch and everything,

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and if we didn't pay them, that's what they got paid in.

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And then also their mother and father

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got a copy of the film after the film was finished,

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which was maybe six or eight months,

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because I wanted to get everything in it.

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And at that time, even in the big theatrical theaters,

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they didn't have sound.

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People couldn't talk and make the sound.

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They had to make titles, black and white titles,

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and in between and say what the stars were saying.

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And it took longer to make the titles

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than it did to make the film.

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But then I would have to take another film.

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We took another day, and we had to go out

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in the Forest Preserve, which was close to our home.

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And we had another picnic in the woods.

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And then we went shooting with toy guns and toy cameras.

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And so first they would try to shoot.

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When they would hold up the gun and shoot,

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then I would cut and put a line or a couple lines

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or something on the other end from the other film.

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And then when you come, you see the monkeys

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dancing around, see the elephants.

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The director had let us take out the baby elephant.

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Only one girl was brave enough to want

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to get on top of the elephant.

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None of the boys wanted to do it.

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But this girl, she was a pretty forward girl.

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And today, or many years later, she

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became the mayor of Gary, Indiana.

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And her name was Sullivan.

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What was her first name?

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What?

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Kathleen?

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Let me ask you something.

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At that time, when you were making Safari,

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did you edit in the camera?

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Or did you take your shots and then edit later on?

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Oh, no, we edited it.

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Well, we edited the camera as far as we could.

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But the real good editing was done

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through a little movie editor and cutting

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and intercutting the films.

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And also, not only the film that we shot, but the titles.

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The titles were pretty important because there

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was no narration over.

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We had to do the same as the theatrical people.

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And I think it was Al Johnson or somebody.

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He was the first guy that really put the sound on while he

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was acting by singing.

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But we had to do that with our amateur films, too.

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That was one of the first ones.

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But after that, later on, they had sound on the camera

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with magnetic sound.

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And once they got that, every one

261
00:14:56.060 --> 00:15:00.080
of my 16-millimeter films, which I had gone to,

262
00:15:00.460 --> 00:15:01.620
I'd become a sixth.

263
00:15:01.620 --> 00:15:04.440
By this time, I had won enough awards

264
00:15:04.440 --> 00:15:10.700
and got enough experience that I had now had a Bollocks camera.

265
00:15:11.120 --> 00:15:12.540
And that was the best.

266
00:15:13.200 --> 00:15:15.080
Well, OK, let me take you back a little bit.

267
00:15:15.240 --> 00:15:18.980
So you made your first film, Safari, for the Metro Club,

268
00:15:19.140 --> 00:15:19.160
right?

269
00:15:19.160 --> 00:15:19.600
Yes.

270
00:15:20.300 --> 00:15:21.740
How did it go over?

271
00:15:22.600 --> 00:15:25.640
I first prized in an 8-millimeter class.

272
00:15:26.860 --> 00:15:31.440
Then they had 16-millimeter class and 16-millimeter sound.

273
00:15:31.760 --> 00:15:32.560
Were you surprised?

274
00:15:33.320 --> 00:15:34.680
Well, I was surprised.

275
00:15:35.000 --> 00:15:38.960
But I tried real hard because I wanted to make sure

276
00:15:38.960 --> 00:15:41.480
I was important in this club.

277
00:15:42.320 --> 00:15:43.740
I liked the people.

278
00:15:43.880 --> 00:15:45.120
I liked what they were doing.

279
00:15:45.220 --> 00:15:46.800
I loved what they were doing.

280
00:15:47.740 --> 00:15:50.620
And I wanted to do it as good as they did.

281
00:15:51.860 --> 00:15:53.220
And it was pretty hard.

282
00:15:53.380 --> 00:15:57.240
Some of them, there was one man who was really great.

283
00:15:57.440 --> 00:15:58.380
His name is Carl Fraser.

284
00:15:59.240 --> 00:16:02.700
And he was about the best 16-millimeter film.

285
00:16:03.340 --> 00:16:04.880
And he had great stories.

286
00:16:06.320 --> 00:16:10.680
And then Stan Yazbek, my young friend from high school,

287
00:16:12.980 --> 00:16:15.480
nobody could touch him with the 8-millimeter.

288
00:16:15.480 --> 00:16:20.480
But when I was going to go to 16, to shoot 16-millimeter,

289
00:16:21.140 --> 00:16:23.520
he also wanted to go to 16.

290
00:16:23.920 --> 00:16:25.700
So we both went out together.

291
00:16:26.460 --> 00:16:28.360
It was this time it was about $700

292
00:16:29.080 --> 00:16:32.840
for a new projector that would play the sound.

293
00:16:33.580 --> 00:16:41.440
And then all he had to do for the sound was shoot it

294
00:16:41.440 --> 00:16:43.860
and turn on the.

295
00:16:43.860 --> 00:16:45.680
You had to have film.

296
00:16:48.020 --> 00:16:51.380
It had a track, the track that would run.

297
00:16:51.840 --> 00:16:55.300
And then here on the other side was another,

298
00:16:55.300 --> 00:16:57.580
a brown magnetic tape.

299
00:16:57.600 --> 00:16:58.480
And that was the sound.

300
00:16:58.560 --> 00:17:03.000
You had to have a magnetic sound tape and a tape reader

301
00:17:03.000 --> 00:17:08.160
on your projector as well as your camera.

302
00:17:08.880 --> 00:17:11.660
And it was great because you didn't

303
00:17:11.660 --> 00:17:15.520
have to make any more of those titles.

304
00:17:16.720 --> 00:17:17.500
Right, right.

305
00:17:18.160 --> 00:17:22.380
So you actually wanted to prove yourself with.

306
00:17:22.420 --> 00:17:22.680
Pardon?

307
00:17:22.940 --> 00:17:27.380
You wanted to prove yourself with the Metro Club, right?

308
00:17:27.480 --> 00:17:30.300
I wanted to be accepted as a movie maker.

309
00:17:32.500 --> 00:17:34.760
And that was the only way to do it.

310
00:17:35.260 --> 00:17:37.700
Where do you think this came from, this drive

311
00:17:37.700 --> 00:17:38.360
that you had?

312
00:17:38.680 --> 00:17:39.160
The what?

313
00:17:39.260 --> 00:17:40.740
Where do you think this drive came?

314
00:17:40.740 --> 00:17:42.600
Why did you want, where do you think,

315
00:17:42.900 --> 00:17:49.020
why do you think you wanted to excel so much in the movies

316
00:17:49.020 --> 00:17:50.380
with these people?

317
00:17:52.120 --> 00:17:53.340
I'm not sure.

318
00:17:53.700 --> 00:17:54.560
What did you say?

319
00:17:55.320 --> 00:17:56.620
Take this talk this way.

320
00:17:56.800 --> 00:17:58.080
I have an earache.

321
00:17:58.400 --> 00:17:59.040
No, that's OK.

322
00:18:00.500 --> 00:18:04.820
Where do you think this drive came from in you

323
00:18:04.820 --> 00:18:08.980
to excel so much in film?

324
00:18:10.920 --> 00:18:13.580
Well, from the first time I saw the people moving,

325
00:18:14.200 --> 00:18:17.460
people that I've shot in Jack's father's camera,

326
00:18:18.020 --> 00:18:21.820
the people that I shot, I would see them move and dance

327
00:18:21.820 --> 00:18:22.920
and everything.

328
00:18:24.540 --> 00:18:25.800
And I wanted to do that.

329
00:18:25.820 --> 00:18:27.780
But I thought I could even do better.

330
00:18:27.800 --> 00:18:29.940
I can make a story and then make people

331
00:18:29.940 --> 00:18:31.300
want to look at my film.

332
00:18:31.960 --> 00:18:34.600
And the boys will be happy to see how they look.

333
00:18:35.340 --> 00:18:36.700
And they really were.

334
00:18:36.780 --> 00:18:38.060
We would have a party.

335
00:18:38.060 --> 00:18:42.320
And they would come over and we'd have ice cream and cake.

336
00:18:43.840 --> 00:18:45.700
Now the movies go on.

337
00:18:45.840 --> 00:18:47.780
Of course, we always started out with popcorn

338
00:18:47.780 --> 00:18:56.560
because that's what they had in the big theatrical movie

339
00:18:56.560 --> 00:19:00.300
houses, that you buy your popcorn for $0.05,

340
00:19:00.460 --> 00:19:02.320
a big bag like that.

341
00:19:02.640 --> 00:19:03.280
Not anymore.

342
00:19:05.000 --> 00:19:09.900
OK, so you, Safari, you used title cards.

343
00:19:10.740 --> 00:19:12.920
And eventually, what was your first movie

344
00:19:12.920 --> 00:19:14.740
that you shot Meg Sound with?

345
00:19:14.940 --> 00:19:15.560
Do you remember?

346
00:19:15.560 --> 00:19:16.420
This shot what?

347
00:19:16.580 --> 00:19:17.680
That you shot Sound.

348
00:19:18.020 --> 00:19:18.920
What was the first?

349
00:19:19.140 --> 00:19:20.860
The first one I shot Sound.

350
00:19:23.640 --> 00:19:27.700
Yeah, I don't, I remember practicing a lot with Sound

351
00:19:27.700 --> 00:19:31.720
before I would do a movie.

352
00:19:31.920 --> 00:19:32.640
In what way?

353
00:19:32.640 --> 00:19:35.580
The first movie, I think it was.

354
00:19:36.880 --> 00:19:38.180
Margaret, how did you practice?

355
00:19:38.340 --> 00:19:39.780
What do you mean by you practiced?

356
00:19:39.920 --> 00:19:41.260
I would shoot film.

357
00:19:42.400 --> 00:19:46.640
I would maybe have my son get up there and sing a little song.

358
00:19:47.340 --> 00:19:48.720
And I'd just see how it worked.

359
00:19:49.240 --> 00:19:53.220
And then somebody doing something.

360
00:19:55.600 --> 00:19:57.060
And animals, animals.

361
00:19:57.320 --> 00:19:58.920
I had kitties.

362
00:19:59.400 --> 00:20:00.660
I had Siamese kitties.

363
00:20:00.660 --> 00:20:02.160
And then I had another kitty.

364
00:20:02.460 --> 00:20:05.880
And I made one film with the animals.

365
00:20:06.340 --> 00:20:10.220
And then you have to wait for them to do what you want.

366
00:20:10.540 --> 00:20:12.020
Or you have to trick them into it.

367
00:20:12.260 --> 00:20:17.720
For instance, on one film, I never finished it.

368
00:20:18.500 --> 00:20:21.380
Because I couldn't find one of the films.

369
00:20:22.700 --> 00:20:30.760
Anyhow, I wanted the kitty to walk along the street

370
00:20:30.760 --> 00:20:35.000
and look in the house and see another little kitty.

371
00:20:36.080 --> 00:20:37.600
She had a happy home.

372
00:20:38.020 --> 00:20:42.100
And then you look another one and another group of kitties.

373
00:20:42.180 --> 00:20:44.260
And they had, oh, such a happy home.

374
00:20:44.340 --> 00:20:46.000
And then they had little kitties.

375
00:20:46.080 --> 00:20:47.320
And everybody was happy.

376
00:20:47.480 --> 00:20:50.340
But this kitty, my kitty, that was walking along,

377
00:20:50.340 --> 00:20:51.620
and it was snow.

378
00:20:52.220 --> 00:20:57.040
And then there was footprints in the snow, my kitty walking

379
00:20:57.040 --> 00:20:58.100
and looking in.

380
00:20:58.120 --> 00:21:01.180
She's looking for somebody who doesn't have a kitty who

381
00:21:01.180 --> 00:21:02.400
would take her in.

382
00:21:03.640 --> 00:21:12.640
So finally, each house seemed to be filled until finally she

383
00:21:12.640 --> 00:21:15.400
came to a place in the snow where

384
00:21:15.400 --> 00:21:20.320
there was an outdoor crib for Christmas where they would have

385
00:21:20.320 --> 00:21:22.880
baby Jesus and Joseph and Mary.

386
00:21:23.360 --> 00:21:28.900
And then my little kitty crawled up with it for the footprints

387
00:21:28.900 --> 00:21:31.780
right up to the thing and got into the crib

388
00:21:31.780 --> 00:21:37.520
by the little baby Jesus and put his little head down

389
00:21:37.520 --> 00:21:38.460
and went to sleep.

390
00:21:38.860 --> 00:21:41.040
And the way that I got the kitty to watch,

391
00:21:41.300 --> 00:21:43.800
to walk where I wanted them to walk,

392
00:21:44.220 --> 00:21:46.800
I had a little can of baby shrimps.

393
00:21:46.960 --> 00:21:50.300
And you put a shrimp here and a shrimp there and one there.

394
00:21:50.320 --> 00:21:53.540
The kitty would eat the shrimp and walk to the next one,

395
00:21:53.580 --> 00:21:54.220
to the next one.

396
00:21:54.440 --> 00:21:57.460
And I could make my kitty go wherever I wanted

397
00:21:57.460 --> 00:21:58.600
and whatever he did.

398
00:21:59.060 --> 00:22:02.100
And then finally ended up in the little crib.

399
00:22:02.400 --> 00:22:07.100
What the ending was that the little kitty put his head down,

400
00:22:07.180 --> 00:22:08.720
went to sleep, and they found the home.

401
00:22:09.980 --> 00:22:11.900
But I always thought that would have been a good one.

402
00:22:12.500 --> 00:22:16.100
And I had the crib scenes all shot and everything.

403
00:22:18.000 --> 00:22:23.980
I seem to have lost some of the ones where he was traveling.

404
00:22:24.120 --> 00:22:26.480
And I had some very funny things.

405
00:22:26.560 --> 00:22:29.960
Have him chase the little mouse or chat.

406
00:22:29.960 --> 00:22:31.640
But we never did find out what it was.

407
00:22:31.660 --> 00:22:34.340
We just could see the tail go, rrrrr.

408
00:22:35.480 --> 00:22:38.600
And then my kitty would try to jump for him and get him.

409
00:22:38.960 --> 00:22:41.760
You were probably one of the first animal handlers.

410
00:22:42.180 --> 00:22:42.500
What?

411
00:22:42.500 --> 00:22:46.140
You know, in movies, animal handlers make a lot of money.

412
00:22:46.420 --> 00:22:46.780
Oh, yeah?

413
00:22:46.800 --> 00:22:48.020
It's the same thing you're doing.

414
00:22:48.360 --> 00:22:49.000
Oh, yeah.

415
00:22:49.000 --> 00:22:52.540
I always had kitties until about two months ago

416
00:22:52.540 --> 00:22:54.540
when my last kitty died.

417
00:22:55.480 --> 00:22:57.060
But I think that would have been a good one.

418
00:22:58.760 --> 00:23:01.800
The things that won in a contest were

419
00:23:01.800 --> 00:23:05.900
things that were very different than nobody ever had it before.

420
00:23:06.340 --> 00:23:09.780
Now, like that, nobody ever had won like that.

421
00:23:11.320 --> 00:23:16.520
But that was the best way they get to win.

422
00:23:17.260 --> 00:23:20.180
And then the kids, of course, the kids were really,

423
00:23:20.420 --> 00:23:22.880
nobody had the wild animals out.

424
00:23:23.020 --> 00:23:26.020
And they played ring around the rosy with one

425
00:23:26.020 --> 00:23:29.400
of those baby apes.

426
00:23:29.580 --> 00:23:32.200
I don't know what it was, but they got all running around.

427
00:23:33.180 --> 00:23:35.200
And the little baby animals, they

428
00:23:35.200 --> 00:23:38.220
loved to be with the children out of their cages.

429
00:23:38.920 --> 00:23:41.380
And I thought I was very lucky in getting

430
00:23:41.380 --> 00:23:44.020
the cooperation of that director.

431
00:23:44.180 --> 00:23:46.620
And of course, you couldn't do it now.

432
00:23:47.100 --> 00:23:47.100


433
00:23:47.220 --> 00:23:47.760
Yeah.

434
00:23:48.260 --> 00:23:49.520
Well, OK.

435
00:23:49.760 --> 00:23:54.400
So at what point, I know right away

436
00:23:54.400 --> 00:23:57.160
you began getting awards at the Metro Club.

437
00:23:57.160 --> 00:23:58.220
Wait, I can't hear you.

438
00:23:58.400 --> 00:24:01.560
Right away you began getting awards at the Metro Club.

439
00:24:01.560 --> 00:24:01.920
Oh, yeah.

440
00:24:01.920 --> 00:24:06.620
For your first film, Safari, you got a lot of awards for that.

441
00:24:06.620 --> 00:24:15.220
When did you start feeling that you were really good,

442
00:24:15.620 --> 00:24:18.160
and that you had control over the craft?

443
00:24:18.560 --> 00:24:19.200
At what point?

444
00:24:19.340 --> 00:24:20.060
Do you remember that?

445
00:24:20.100 --> 00:24:21.080
That I had control.

446
00:24:21.100 --> 00:24:23.100
That you had control over filmmaking,

447
00:24:23.660 --> 00:24:25.000
over making these stories?

448
00:24:25.860 --> 00:24:27.480
Or did you feel like it right away?

449
00:24:27.700 --> 00:24:29.640
Or was it something gradual that?

450
00:24:30.380 --> 00:24:34.320
No, I think I always felt, well, in school,

451
00:24:34.320 --> 00:24:37.480
journalists, even when I was in third grade,

452
00:24:37.660 --> 00:24:38.380
I would win.

453
00:24:38.860 --> 00:24:43.280
When they would have a contest for writing the Christmas

454
00:24:43.280 --> 00:24:46.740
story for third graders up to sixth graders.

455
00:24:47.220 --> 00:24:50.160
And that was when I lived in a little town called West

456
00:24:50.160 --> 00:24:50.980
Liberty, Iowa.

457
00:24:51.520 --> 00:24:54.620
And would you believe that I was a third grader,

458
00:24:54.800 --> 00:24:58.480
and I made a film, and it won.

459
00:24:58.700 --> 00:24:59.920
It was about Christmas.

460
00:24:59.920 --> 00:25:01.500
And Santa Claus is reindeer.

461
00:25:01.780 --> 00:25:09.300
He couldn't carry his sleigh through the sky.

462
00:25:09.880 --> 00:25:12.420
And he didn't know what to do.

463
00:25:12.700 --> 00:25:18.700
But then finally, one of his toy planes

464
00:25:19.840 --> 00:25:25.980
said, Santa Claus, we will take your toys

465
00:25:25.980 --> 00:25:29.020
and deliver them in our airplane.

466
00:25:29.020 --> 00:25:36.780
And I had a lot of scenes in it.

467
00:25:37.800 --> 00:25:39.920
But most of them were toys.

468
00:25:40.760 --> 00:25:45.100
But then I was lucky that I was out one day,

469
00:25:45.160 --> 00:25:49.400
and here was a big airplane going through.

470
00:25:49.580 --> 00:25:52.740
And nobody ever saw an airplane back in those days.

471
00:25:53.120 --> 00:25:56.260
When I was in third grade, nobody ever

472
00:25:56.260 --> 00:25:58.320
had an airplane going over their heads.

473
00:25:58.320 --> 00:25:59.800
But this time I did.

474
00:26:00.300 --> 00:26:01.720
And I was real lucky.

475
00:26:02.380 --> 00:26:05.380
I told the teacher I really saw an airplane go over.

476
00:26:06.120 --> 00:26:08.660
And so that's why I made up that story.

477
00:26:10.280 --> 00:26:16.300
And I got the best story for the Christmas play.

478
00:26:16.660 --> 00:26:18.600
I beat out the sixth graders.

479
00:26:19.420 --> 00:26:24.620
And then I made another one about a little tadpole.

480
00:26:24.820 --> 00:26:27.220
I had a little tadpole.

481
00:26:27.220 --> 00:26:29.240
And I used to go down by the brook

482
00:26:29.240 --> 00:26:32.780
and watch little tadpoles and then watch until they finally,

483
00:26:33.740 --> 00:26:35.080
I'd go another day.

484
00:26:35.580 --> 00:26:37.520
And finally, they'd turn into a little frog.

485
00:26:37.520 --> 00:26:40.100
They'd bump and come and become a frog.

486
00:26:40.720 --> 00:26:42.760
And I thought that was just amazing.

487
00:26:43.140 --> 00:26:44.800
So I wrote a story.

488
00:26:45.040 --> 00:26:54.320
I wrote a poem that told about how these little frogs come

489
00:26:54.320 --> 00:26:55.740
out of little tadpoles.

490
00:26:55.740 --> 00:27:00.640
Anyhow, my teacher, I had a third grade teacher there.

491
00:27:00.820 --> 00:27:03.560
Her name was Ms. I never forgot it, Ms. Wagner.

492
00:27:04.060 --> 00:27:05.460
She changed my whole life.

493
00:27:06.200 --> 00:27:07.940
But she took my poem and she said,

494
00:27:07.980 --> 00:27:09.420
Margaret, that is very good.

495
00:27:09.840 --> 00:27:13.240
She said, I am going to take it and send it

496
00:27:13.240 --> 00:27:14.580
with your permission.

497
00:27:15.040 --> 00:27:16.160
And gee, I felt important.

498
00:27:16.280 --> 00:27:17.880
The teacher is going to ask my permission

499
00:27:17.880 --> 00:27:20.900
to send it to the Child Life magazine

500
00:27:20.900 --> 00:27:28.920
and enter their contest for their journalist thing, stories

501
00:27:28.920 --> 00:27:31.260
and poems and everything.

502
00:27:32.180 --> 00:27:39.060
And lo and behold, way back when I was eight years old,

503
00:27:39.560 --> 00:27:42.800
that was really something.

504
00:27:43.780 --> 00:27:46.100
They sent me a $5 check.

505
00:27:46.920 --> 00:27:50.760
And I said, what good is a teacher?

506
00:27:50.760 --> 00:27:51.920
What is it, Ms. Wagner?

507
00:27:52.000 --> 00:27:53.240
What will I do with it?

508
00:27:53.500 --> 00:27:55.240
She said, I'll tell you what.

509
00:27:55.580 --> 00:27:58.920
I'll go to the bank with you and you can cash your check.

510
00:27:59.900 --> 00:28:02.280
And I thought, oh boy, I think I felt better

511
00:28:02.280 --> 00:28:05.300
about walking with that teacher to cash my check

512
00:28:06.400 --> 00:28:07.960
than getting the check.

513
00:28:09.120 --> 00:28:12.420
And then, of course, I didn't want

514
00:28:12.420 --> 00:28:14.960
to give the check to my father because my father would take

515
00:28:14.960 --> 00:28:16.940
it all and send it foolishly.

516
00:28:16.940 --> 00:28:21.240
So I bought some groceries for my mother

517
00:28:21.240 --> 00:28:25.020
and some candy for my brother and candy for my two sisters

518
00:28:25.020 --> 00:28:27.980
and candy for myself.

519
00:28:28.720 --> 00:28:32.280
And that was the biggest thing I ever did when I was that age.

520
00:28:33.800 --> 00:28:35.260
Oh, that's a great story.

521
00:28:35.400 --> 00:28:38.940
Yeah, well, I always was interested in stories.

522
00:28:39.480 --> 00:28:42.720
And I could make up stories that nobody knew anything about,

523
00:28:43.820 --> 00:28:45.420
like Santa Claus in the airplane

524
00:28:45.420 --> 00:28:48.160
and the little paddles coming out.

525
00:28:48.580 --> 00:28:54.340
Another time I had a great big turtle.

526
00:28:55.520 --> 00:29:01.900
And I had it in a wash tub.

527
00:29:02.300 --> 00:29:05.540
And then I put bricks on top and put the turtle on top.

528
00:29:06.760 --> 00:29:09.260
And then I was so happy with my turtle.

529
00:29:09.300 --> 00:29:11.100
I would catch him worms and everything.

530
00:29:11.700 --> 00:29:14.240
And then one day I brought out, one day

531
00:29:14.920 --> 00:29:18.880
I went to school and one of the kids said, gee,

532
00:29:19.240 --> 00:29:22.580
if you ever have a baby turtle, I would like to have one.

533
00:29:22.860 --> 00:29:23.740
I thought, oh, sure.

534
00:29:24.080 --> 00:29:26.040
So I got that idea then.

535
00:29:26.480 --> 00:29:28.580
And I went and talked around to my friends.

536
00:29:28.860 --> 00:29:30.580
And I promised everyone a turtle.

537
00:29:31.280 --> 00:29:34.060
About 20 kids, I promised them a turtle

538
00:29:34.060 --> 00:29:35.580
when my turtle had turtles.

539
00:29:36.400 --> 00:29:40.000
Well, the teacher got wind of this.

540
00:29:40.540 --> 00:29:42.160
And she said, Margaret, come up here.

541
00:29:42.160 --> 00:29:45.440
She said, how many turtles have you got?

542
00:29:46.080 --> 00:29:48.880
And I said, one, big one, like that.

543
00:29:49.360 --> 00:29:50.800
And she lays eggs.

544
00:29:51.020 --> 00:29:52.980
She already laid 20 eggs.

545
00:29:53.600 --> 00:29:57.220
And the teacher said, how many turtles have you got?

546
00:29:58.040 --> 00:30:00.740
I said, I just got one turtle, but I got a lot of eggs.

547
00:30:02.100 --> 00:30:04.660
And I promised them to all my friends,

548
00:30:05.040 --> 00:30:07.040
this wonderful one that would take care of it.

549
00:30:07.160 --> 00:30:07.840
You're good care.

550
00:30:08.700 --> 00:30:10.960
So that's when the teacher told me,

551
00:30:12.520 --> 00:30:13.760
if you only have one turtle,

552
00:30:14.080 --> 00:30:15.840
you aren't gonna have any little turtles.

553
00:30:16.140 --> 00:30:18.740
You have to have two big turtles.

554
00:30:22.600 --> 00:30:24.580
I tell you, that was really something.

555
00:30:25.620 --> 00:30:27.080
Because none of the eggs were fertile.

556
00:30:27.160 --> 00:30:28.640
None of them ever hatched.

557
00:30:29.880 --> 00:30:32.160
So you were from a very young age.

558
00:30:32.480 --> 00:30:34.160
You had stories going on in your head.

559
00:30:34.160 --> 00:30:38.400
You were creating stories from a very young age.

560
00:30:38.720 --> 00:30:40.780
Yes, yes, always made up things.

561
00:30:40.900 --> 00:30:41.940
I was made up things.

562
00:30:42.060 --> 00:30:42.760
Yes, I did.

563
00:30:43.440 --> 00:30:47.360
And when it came to a story for a teacher,

564
00:30:47.840 --> 00:30:50.820
I always was number one.

565
00:30:51.340 --> 00:30:52.600
Well, let me ask you this.

566
00:30:52.700 --> 00:30:57.680
And nobody helped me, except a teacher who would encourage me.

567
00:31:00.680 --> 00:31:01.240
That's it.

568
00:31:01.460 --> 00:31:03.920
So when you're, let's go back to the club.

569
00:31:04.900 --> 00:31:06.120
You're at the Metro Club.

570
00:31:07.140 --> 00:31:09.220
You've thought of a story you wanna do.

571
00:31:09.720 --> 00:31:12.060
How did you all structure it?

572
00:31:12.400 --> 00:31:15.860
Was there a structure to the production of the story?

573
00:31:16.460 --> 00:31:17.700
Was, were you the boss?

574
00:31:18.020 --> 00:31:19.400
Was somebody else the boss?

575
00:31:19.680 --> 00:31:21.160
Did you each have roles?

576
00:31:21.800 --> 00:31:23.240
How did you just wing it?

577
00:31:23.260 --> 00:31:25.700
I was always the boss of my own films.

578
00:31:26.420 --> 00:31:30.020
I never let us to know anyone else.

579
00:31:30.580 --> 00:31:32.860
And what we'd do, we'd call them the director.

580
00:31:33.660 --> 00:31:34.720
We have the director,

581
00:31:34.820 --> 00:31:36.460
and then we would have all the assistants,

582
00:31:36.580 --> 00:31:41.480
the sound man, you know, the script person.

583
00:31:42.260 --> 00:31:45.900
We have, where's the script?

584
00:31:46.420 --> 00:31:48.720
The clapboard back there.

585
00:31:48.760 --> 00:31:51.280
Yeah, that's, do you wanna show that?

586
00:31:52.520 --> 00:31:53.620
We'll bring it out later.

587
00:31:53.820 --> 00:31:54.080
What?

588
00:31:54.180 --> 00:31:55.160
We'll bring it out later.

589
00:31:55.160 --> 00:31:56.540
We'll see it behind you.

590
00:31:57.000 --> 00:32:01.640
Well, that was, we would keep track of the different shots.

591
00:32:02.080 --> 00:32:05.080
We would act one, scene one,

592
00:32:07.620 --> 00:32:09.700
and that way we would know.

593
00:32:10.120 --> 00:32:12.440
We couldn't shoot a film all in one day,

594
00:32:12.660 --> 00:32:14.040
but you passed it.

595
00:32:15.560 --> 00:32:16.860
Did you write a script?

596
00:32:17.520 --> 00:32:19.600
I always wrote a script.

597
00:32:20.720 --> 00:32:23.060
Unless it was a very short story,

598
00:32:23.060 --> 00:32:29.920
and well, I knew what my kitty was gonna do,

599
00:32:30.440 --> 00:32:33.140
so I didn't have a script.

600
00:32:33.140 --> 00:32:35.840
I was the only one, only me and my kitty.

601
00:32:39.200 --> 00:32:40.960
Well, you were making these films,

602
00:32:41.640 --> 00:32:44.300
and some of the other club members

603
00:32:44.300 --> 00:32:45.660
would be in your film, right?

604
00:32:45.960 --> 00:32:46.540
Did what?

605
00:32:46.720 --> 00:32:49.500
Some of the other club members would be in your film.

606
00:32:49.680 --> 00:32:50.480
Oh, yes.

607
00:32:51.140 --> 00:32:51.140


608
00:32:51.140 --> 00:32:54.900
So what we would, what you would do is first

609
00:32:55.580 --> 00:32:57.200
get a good story,

610
00:32:58.340 --> 00:33:01.460
and then write it, break it up into parts

611
00:33:02.460 --> 00:33:05.940
that could be shot with the film.

612
00:33:11.500 --> 00:33:14.860
What you really could do is

613
00:33:15.540 --> 00:33:18.080
all the shots that were in the same place,

614
00:33:18.100 --> 00:33:19.260
you would shoot it once,

615
00:33:19.260 --> 00:33:23.960
and then you could, all the shots of another place,

616
00:33:24.840 --> 00:33:28.240
maybe would even be a different city or a different,

617
00:33:31.680 --> 00:33:32.800
different place,

618
00:33:33.720 --> 00:33:36.260
but it would be a lot easier to edit that way.

619
00:33:37.660 --> 00:33:39.080
So you shot out of sequence.

620
00:33:39.660 --> 00:33:40.220
Out of what?

621
00:33:40.400 --> 00:33:41.360
Out of sequence.

622
00:33:41.780 --> 00:33:44.140
You shot everything at one place and then.

623
00:33:44.140 --> 00:33:45.780
Yeah, yes, we would do that.

624
00:33:47.120 --> 00:33:48.240
If the film.

625
00:33:48.240 --> 00:33:48.740
Which is all professionals.

626
00:33:49.440 --> 00:33:51.020
How professionals usually,

627
00:33:51.140 --> 00:33:54.080
that's how they usually shoot their films.

628
00:33:55.700 --> 00:33:58.320
Well, I would read a lot of professional magazines

629
00:33:58.320 --> 00:33:59.860
and things like that too,

630
00:34:00.100 --> 00:34:03.820
and I would get ideas of what they did do,

631
00:34:04.260 --> 00:34:06.580
but especially editing and

632
00:34:09.980 --> 00:34:11.400
scripting and things like that.

633
00:34:11.540 --> 00:34:13.520
The story film was the most important to me,

634
00:34:13.540 --> 00:34:15.420
and that's always what I could do best,

635
00:34:15.420 --> 00:34:18.100
not only for myself, but for other people.

636
00:34:21.520 --> 00:34:23.140
Were there any disagreements?

637
00:34:23.280 --> 00:34:23.640
What?

638
00:34:23.900 --> 00:34:26.100
Were there any clashes of egos

639
00:34:26.100 --> 00:34:28.680
or disagreements in the club

640
00:34:31.240 --> 00:34:32.540
while making a film?

641
00:34:32.940 --> 00:34:34.020
About making a film?

642
00:34:34.500 --> 00:34:36.080
When it was a club project film,

643
00:34:36.740 --> 00:34:38.980
the one who was the director was the boss,

644
00:34:39.440 --> 00:34:41.380
and the one who was the director,

645
00:34:42.660 --> 00:34:44.780
I mean, technically, he was the boss,

646
00:34:44.780 --> 00:34:46.580
or she, and

647
00:34:48.840 --> 00:34:51.100
whatever the director said,

648
00:34:52.180 --> 00:34:56.200
the person in the club was supposed to do it.

649
00:34:57.360 --> 00:35:00.980
I don't remember any time that someone was

650
00:35:01.660 --> 00:35:04.720
called upon to play a part

651
00:35:04.720 --> 00:35:07.920
and not want it, and not want to do it,

652
00:35:08.360 --> 00:35:10.960
because if they could do it,

653
00:35:12.000 --> 00:35:12.800
somebody could say,

654
00:35:12.800 --> 00:35:15.000
well, we're going on vacation at that time.

655
00:35:15.380 --> 00:35:17.640
Well, then you have to

656
00:35:17.640 --> 00:35:20.880
coordinate everything so that it would all work

657
00:35:20.880 --> 00:35:22.660
at the same time,

658
00:35:23.660 --> 00:35:27.520
just like a job or a work or something.

659
00:35:29.040 --> 00:35:29.900
You had to...

660
00:35:29.900 --> 00:35:33.700
That was that important to everybody in the club

661
00:35:33.700 --> 00:35:35.760
that they did kind of

662
00:35:36.900 --> 00:35:41.100
give the same importance to this club activity

663
00:35:41.100 --> 00:35:43.040
as they would to their job, oftentimes.

664
00:35:43.040 --> 00:35:43.880
Oh, yes.

665
00:35:44.000 --> 00:35:47.920
It was, in fact, some of them felt it was more important.

666
00:35:48.900 --> 00:35:51.160
Some people would take off from their job

667
00:35:51.160 --> 00:35:53.500
or take off their vacation.

668
00:35:55.360 --> 00:35:57.820
Forget about their vacation, let's do the film.

669
00:35:59.020 --> 00:36:01.120
I remember one time, though,

670
00:36:02.520 --> 00:36:04.180
things that we liked to do,

671
00:36:04.900 --> 00:36:05.740
we would

672
00:36:07.840 --> 00:36:12.040
coordinate it with what we were going to do.

673
00:36:12.720 --> 00:36:13.460
For instance,

674
00:36:15.040 --> 00:36:16.980
we would try to make something nice

675
00:36:16.980 --> 00:36:18.380
go along with something harder.

676
00:36:19.700 --> 00:36:22.180
I remember one time we were doing a...

677
00:36:23.380 --> 00:36:25.020
It was July,

678
00:36:25.720 --> 00:36:29.500
and we were having a Metro Movie Club picnic,

679
00:36:30.040 --> 00:36:32.120
but we also were going to make a film,

680
00:36:32.120 --> 00:36:36.760
and this film was going to be when two of the children

681
00:36:37.400 --> 00:36:39.900
take a walk, and they go down by the river,

682
00:36:39.920 --> 00:36:41.020
and they see a tree,

683
00:36:41.960 --> 00:36:45.120
and somebody picks up a little

684
00:36:46.840 --> 00:36:47.400
lamp,

685
00:36:49.000 --> 00:36:50.940
and starts one of those little oil lamps,

686
00:36:51.460 --> 00:36:54.760
like the Aladdin and all those guys use,

687
00:36:55.080 --> 00:36:56.520
and they rub it like this,

688
00:36:56.800 --> 00:36:59.000
and all of a sudden the tree came

689
00:37:00.160 --> 00:37:02.640
and filled with beautiful ornaments,

690
00:37:03.840 --> 00:37:05.700
and they said, oh my gosh,

691
00:37:05.780 --> 00:37:07.560
let's go back and tell mom and dad.

692
00:37:08.040 --> 00:37:09.460
So they rubbed the little thing,

693
00:37:09.620 --> 00:37:11.100
and the ornaments went away,

694
00:37:11.640 --> 00:37:12.580
and then

695
00:37:14.000 --> 00:37:17.100
they went back to the table,

696
00:37:17.140 --> 00:37:18.180
and everybody was eating,

697
00:37:18.220 --> 00:37:20.800
and the kids wanted their mother and father to come

698
00:37:20.800 --> 00:37:23.580
to see the magic tree,

699
00:37:23.920 --> 00:37:24.960
and their mother says, no, no,

700
00:37:25.060 --> 00:37:26.900
you gotta eat your dinner here.

701
00:37:27.360 --> 00:37:28.540
So they ate their dinner.

702
00:37:28.540 --> 00:37:29.920
Now can we go, mom?

703
00:37:30.040 --> 00:37:30.620
Can we go?

704
00:37:30.880 --> 00:37:34.260
So finally, the mother takes the little,

705
00:37:34.260 --> 00:37:36.580
the kids, and they walk,

706
00:37:36.880 --> 00:37:38.800
they walk and they come to the tree,

707
00:37:39.220 --> 00:37:42.020
and they rub the little thing for the mother to see,

708
00:37:42.420 --> 00:37:46.500
and all the ornaments come on and light up,

709
00:37:47.080 --> 00:37:48.560
and then they say, oh, well,

710
00:37:48.660 --> 00:37:51.900
let's tell the park commissioner about this.

711
00:37:52.280 --> 00:37:54.880
So they go, and they get them,

712
00:37:55.840 --> 00:37:57.500
and they rub the little light,

713
00:37:57.500 --> 00:37:58.640
the little lamp,

714
00:37:59.100 --> 00:38:01.640
and they wouldn't go.

715
00:38:03.700 --> 00:38:04.280
So,

716
00:38:07.260 --> 00:38:09.320
I forgot what else we did to it,

717
00:38:09.440 --> 00:38:11.620
but it was the magic thing.

718
00:38:12.080 --> 00:38:16.760
The funny thing was about putting all the ornaments

719
00:38:16.760 --> 00:38:17.820
on the tree,

720
00:38:18.300 --> 00:38:18.860
and then

721
00:38:22.920 --> 00:38:25.040
taking them off and putting them on,

722
00:38:25.040 --> 00:38:27.620
but we didn't have to do all that,

723
00:38:27.680 --> 00:38:29.260
because we could do that in editing.

724
00:38:29.720 --> 00:38:31.060
We could cut the film,

725
00:38:31.720 --> 00:38:35.000
and use the same film that we put the lights on,

726
00:38:35.300 --> 00:38:36.580
just cut a piece off it,

727
00:38:36.640 --> 00:38:37.860
and hold it over here,

728
00:38:38.260 --> 00:38:39.520
put up a number,

729
00:38:40.980 --> 00:38:45.620
and then other spots where the thing was bare,

730
00:38:46.060 --> 00:38:46.900
you put that together.

731
00:38:46.900 --> 00:38:48.520
That was an editing job,

732
00:38:49.300 --> 00:38:51.780
but it could be done very well.

733
00:38:55.040 --> 00:38:58.220
Okay, do you wanna just take a rest here?

734
00:38:58.220 --> 00:38:59.120
You're doing great.

735
00:38:59.560 --> 00:39:00.880
Are you okay to keep going?

736
00:39:00.880 --> 00:39:01.900
Do you really think so?

737
00:39:01.900 --> 00:39:02.520
Yes, I do.

738
00:39:03.080 --> 00:39:03.300
Yes.

739
00:39:03.760 --> 00:39:06.140
Some of the really important things I forget.

740
00:39:06.940 --> 00:39:08.180
No, this is really,

741
00:39:08.320 --> 00:39:09.900
these are really great stories.

742
00:39:10.080 --> 00:39:11.320
Yeah, it's really interesting, Margaret.

743
00:39:11.460 --> 00:39:14.100
I mean, you're telling stuff that I haven't heard before, too,

744
00:39:14.100 --> 00:39:16.500
and I had some questions about stuff

745
00:39:16.500 --> 00:39:18.620
that maybe I'll ask afterwards,

746
00:39:19.040 --> 00:39:21.100
if you wanna take a drink of water or something.

747
00:39:21.960 --> 00:39:23.680
I got a question now that John's gone.

748
00:39:23.820 --> 00:39:24.180
Yeah.

749
00:39:24.180 --> 00:39:26.140
You wanna ask about the saga of the first and last?

750
00:39:26.800 --> 00:39:26.940
Yes.

751
00:39:27.500 --> 00:39:30.480
So tell me about making the saga of the first and last

752
00:39:31.200 --> 00:39:32.000
with John.

753
00:39:32.100 --> 00:39:32.840
What was that like?

754
00:39:34.300 --> 00:39:36.420
Well, let's see, we did it.

755
00:39:36.420 --> 00:39:37.300
We had to...

756
00:39:41.560 --> 00:39:43.400
Do you wanna know how we did it?

757
00:39:43.780 --> 00:39:46.780
Well, you actually made him smoke cigarettes, huh?

758
00:39:47.880 --> 00:39:49.560
Ha ha ha.

759
00:39:49.900 --> 00:39:50.900
Yeah, I guess.

760
00:39:51.120 --> 00:39:51.740
Not me.

761
00:39:51.740 --> 00:39:54.240
I had another friend, Ed Diller,

762
00:39:54.840 --> 00:39:59.100
and he wanted to do this with John.

763
00:40:00.300 --> 00:40:01.340
And I said, he says,

764
00:40:01.340 --> 00:40:04.480
I'd like to make a film with John with the birds and bees and stuff.

765
00:40:04.740 --> 00:40:08.420
I said, well, how about making one with...

766
00:40:11.580 --> 00:40:12.560
John's going out.

767
00:40:12.860 --> 00:40:16.460
You drive your car out, and you drop your cigarettes

768
00:40:16.460 --> 00:40:17.720
and let him pick them up,

769
00:40:17.720 --> 00:40:20.680
and then let him take them over

770
00:40:20.680 --> 00:40:23.160
and shoot a couple cans off of the bridge,

771
00:40:23.740 --> 00:40:27.420
and then he can try one of the cigarettes.

772
00:40:28.760 --> 00:40:31.420
And I'd like to use all the different filters

773
00:40:31.420 --> 00:40:32.700
after he gets sick.

774
00:40:33.700 --> 00:40:36.280
You know, we had red filters, green filters, purple filters,

775
00:40:36.440 --> 00:40:38.060
and he's over...

776
00:40:38.060 --> 00:40:39.000
Do you remember the film?

777
00:40:39.940 --> 00:40:44.040
Well, he thought that would be a good idea.

778
00:40:45.440 --> 00:40:46.900
He said he'd like to make it.

779
00:40:46.900 --> 00:40:49.980
He told me first he'd like to make a film with John

780
00:40:50.540 --> 00:40:51.920
because he liked John a lot.

781
00:40:52.140 --> 00:40:54.300
He and John used to go out and...

782
00:40:59.000 --> 00:40:59.640
catch...

783
00:40:59.640 --> 00:41:04.260
take pictures and catch insects and birds and everything.

784
00:41:04.320 --> 00:41:05.240
They just loved nature.

785
00:41:05.620 --> 00:41:08.100
They had been boy scouts, you know.

786
00:41:08.580 --> 00:41:10.220
And so...

787
00:41:12.060 --> 00:41:13.680
Then we went out.

788
00:41:15.420 --> 00:41:19.260
I drove the car, and Ed got out of the car

789
00:41:19.260 --> 00:41:20.980
and dropped his cigarettes,

790
00:41:21.420 --> 00:41:23.360
and then he got in again, and I drove away,

791
00:41:23.640 --> 00:41:24.540
nearly killed John.

792
00:41:25.700 --> 00:41:27.820
I wasn't used to Ed's car.

793
00:41:28.440 --> 00:41:31.960
And then when he got out,

794
00:41:33.360 --> 00:41:36.000
I did the filming and the filters,

795
00:41:36.420 --> 00:41:39.500
put the filters in front of my bollocks

796
00:41:39.500 --> 00:41:42.460
so that it looked like John was getting pretty sick.

797
00:41:44.260 --> 00:41:44.780
And...

798
00:41:44.780 --> 00:41:46.260
Had he ever smoked a cigarette before?

799
00:41:46.640 --> 00:41:46.640


800
00:41:47.720 --> 00:41:48.480
No, he never.

801
00:41:48.560 --> 00:41:49.860
And he never has since.

802
00:41:50.140 --> 00:41:50.960
That you know of?

803
00:41:51.720 --> 00:41:53.300
No, no, he told me.

804
00:41:53.700 --> 00:41:54.760
John tells me, huh?

805
00:41:55.100 --> 00:41:57.380
But you were willing to make your son smoke cigarettes

806
00:41:57.380 --> 00:41:59.080
in order to get a good movie, huh?

807
00:41:59.860 --> 00:42:00.640
Ha-ha!

808
00:42:01.080 --> 00:42:02.200
I guess I was.

809
00:42:02.540 --> 00:42:03.380
Ha-ha!

810
00:42:03.840 --> 00:42:05.040
And he was...

811
00:42:05.040 --> 00:42:06.900
But then, without his cooperation,

812
00:42:07.040 --> 00:42:08.400
he thought that was pretty funny.

813
00:42:08.400 --> 00:42:13.180
And he liked the film when it was done.

814
00:42:14.700 --> 00:42:17.840
But I had taken a lot of films of Jimmy, too.

815
00:42:17.880 --> 00:42:21.560
Jimmy, we did a lot of filming with the Boy Scouts.

816
00:42:21.680 --> 00:42:25.780
We went up to Camp Danbeard and the Wassepie.

817
00:42:26.380 --> 00:42:27.120
Were you a Boy Scout?

818
00:42:27.200 --> 00:42:27.920
No, you're...

819
00:42:27.920 --> 00:42:28.840
No, I was a Boy Scout.

820
00:42:28.920 --> 00:42:29.620
Were you?

821
00:42:30.080 --> 00:42:31.300
Jimmy's a Golden Eagle.

822
00:42:31.980 --> 00:42:33.160
No, Eagle Scout.

823
00:42:33.540 --> 00:42:34.460
I'm a Golden Eagle.

824
00:42:35.020 --> 00:42:37.820
They don't have Golden Eagle Girl Scouts anymore.

825
00:42:37.820 --> 00:42:39.820
But they do...they have...

826
00:42:40.900 --> 00:42:43.300
Eagle Scout, Jimmy was the first one

827
00:42:43.300 --> 00:42:44.820
that thanked our sisters over here.

828
00:42:45.140 --> 00:42:46.020
He and another friend.

829
00:42:46.380 --> 00:42:48.340
You took some films of the Boy Scouts, right?

830
00:42:48.360 --> 00:42:48.780
He what?

831
00:42:48.980 --> 00:42:50.460
You took some films of the Boy Scouts.

832
00:42:50.500 --> 00:42:51.600
Oh, yes.

833
00:42:52.240 --> 00:42:54.560
I was the only woman that was allowed

834
00:42:54.560 --> 00:42:56.740
at the Boy Scout camp without their husband.

835
00:42:58.420 --> 00:43:00.940
And so I stayed in the nurses' quarter.

836
00:43:03.460 --> 00:43:05.980
So I went out every time they went out.

837
00:43:05.980 --> 00:43:09.380
Especially we took a lot of pictures of them

838
00:43:09.380 --> 00:43:11.060
on their canoeing on the water.

839
00:43:11.360 --> 00:43:12.840
And they turned their canoe over,

840
00:43:13.260 --> 00:43:14.960
and then they'd have to upright it.

841
00:43:17.160 --> 00:43:20.420
Then there were days when they went out

842
00:43:22.020 --> 00:43:23.460
for the nature badge.

843
00:43:24.000 --> 00:43:25.660
A lot of the badges I would take,

844
00:43:25.660 --> 00:43:29.300
the things that were required to pass the merit badges,

845
00:43:29.920 --> 00:43:31.920
I filmed them for the Boy Scouts

846
00:43:31.920 --> 00:43:33.880
and I turned them all over to them.

847
00:43:33.880 --> 00:43:41.220
But we also had a group making fiberglass canoes,

848
00:43:41.320 --> 00:43:42.560
making their own canoes.

849
00:43:43.620 --> 00:43:47.560
And Jimmy, we did that about two blocks over here,

850
00:43:47.920 --> 00:43:52.360
in one of the guys' garages.

851
00:43:52.920 --> 00:43:57.000
And they had a heat heat in a little hot stove.

852
00:43:57.100 --> 00:43:59.800
They had to heat up the stuff and pour it and melt it

853
00:43:59.800 --> 00:44:01.080
and pat it around.

854
00:44:01.080 --> 00:44:05.400
And then we made the canoes.

855
00:44:05.600 --> 00:44:07.180
I don't think that was required,

856
00:44:08.080 --> 00:44:09.920
but was it required, Jim?

857
00:44:11.800 --> 00:44:12.240
No.

858
00:44:14.140 --> 00:44:14.860
Fell asleep.

859
00:44:17.160 --> 00:44:20.720
Okay, so you made some movies with John and Jim,

860
00:44:21.000 --> 00:44:24.020
and then there came the time when you made Fairy Princess.

861
00:44:24.120 --> 00:44:25.740
That was with your niece, right?

862
00:44:25.900 --> 00:44:26.380
Yes.

863
00:44:26.380 --> 00:44:29.600
Now, was that your first 16 millimeter sound film?

864
00:44:32.180 --> 00:44:32.880
Yes, it was.

865
00:44:34.040 --> 00:44:35.120
Yes, it was, I believe.

866
00:44:36.000 --> 00:44:38.740
And also maybe the first animated film that you made.

867
00:44:38.740 --> 00:44:39.400
Yes, it was.

868
00:44:39.620 --> 00:44:43.000
So tell me about how you got the idea of making a sound film

869
00:44:43.000 --> 00:44:45.860
and an animated film and put all of these parts together.

870
00:44:46.020 --> 00:44:50.060
Well, I was very much interested in Jack Riddell's animation,

871
00:44:50.520 --> 00:44:53.360
but he had animation of flowers, so it was beautiful.

872
00:44:53.360 --> 00:44:58.080
And he told me how to do it.

873
00:44:58.380 --> 00:45:02.300
So I would have it set up here in this room

874
00:45:02.300 --> 00:45:05.900
and put a little background all around.

875
00:45:07.000 --> 00:45:09.880
And all these little dolls, we would dress them up

876
00:45:09.880 --> 00:45:14.360
in different shining costumes that were very photogenic.

877
00:45:15.340 --> 00:45:21.700
And then you would move one little doll about one inch

878
00:45:21.700 --> 00:45:27.040
and then shoot, and then another one about an inch

879
00:45:27.040 --> 00:45:27.920
and then shoot.

880
00:45:28.580 --> 00:45:37.420
But you had to do it 24 times for about an inch.

881
00:45:40.420 --> 00:45:43.700
And I was up until about 2 o'clock in the morning

882
00:45:44.400 --> 00:45:45.680
trying to get the dolls,

883
00:45:46.840 --> 00:45:50.580
get the number of emotions that I needed.

884
00:45:53.400 --> 00:45:54.780
And so finally I got enough.

885
00:45:54.880 --> 00:45:56.420
In fact, I had more than enough.

886
00:45:56.960 --> 00:46:07.120
I even put some more of the dolls dancing on another film.

887
00:46:08.040 --> 00:46:09.620
Which film was that?

888
00:46:09.700 --> 00:46:10.100
Pardon?

889
00:46:10.420 --> 00:46:14.200
Which film was that that you put the more, the extra dancing?

890
00:46:14.200 --> 00:46:21.200
It was part of a Christmas film where I had my nephew

891
00:46:21.200 --> 00:46:23.880
and my two little nieces together.

892
00:46:24.100 --> 00:46:25.100
They're brothers and sisters.

893
00:46:25.480 --> 00:46:28.660
And they're just sitting there like, oh boy, oh boy, you know.

894
00:46:28.940 --> 00:46:30.480
And the dolls are dancing around.

895
00:46:32.900 --> 00:46:36.240
But it took a long time to do the narration on.

896
00:46:37.220 --> 00:46:39.200
And at that time nobody ever did it.

897
00:46:39.240 --> 00:46:42.000
Of course, now they got everything so easy,

898
00:46:42.000 --> 00:46:46.880
which was very different than at that time.

899
00:46:49.160 --> 00:46:55.220
And I think one reason it did win was it had a good,

900
00:46:55.500 --> 00:46:57.560
it was supposed to be a family,

901
00:46:58.900 --> 00:47:04.960
the best family film in the PSA competition in ACL.

902
00:47:12.480 --> 00:47:18.220
And Harris Tuttle, he was the vice president of Kodak at that time.

903
00:47:18.420 --> 00:47:23.020
And he sponsored a great big trophy, about this big,

904
00:47:23.460 --> 00:47:24.660
for the best family film.

905
00:47:25.820 --> 00:47:28.580
And it was a national and international competition.

906
00:47:28.680 --> 00:47:30.320
And it won at that time.

907
00:47:32.140 --> 00:47:34.940
You must have been pretty proud of yourself to have won that.

908
00:47:36.160 --> 00:47:38.060
Yeah, yeah, yeah.

909
00:47:38.200 --> 00:47:41.200
I was happy with the results.

910
00:47:43.260 --> 00:47:47.960
But then they started me judging, me being a judge.

911
00:47:48.140 --> 00:47:50.980
You know, once you were a good filmer,

912
00:47:51.280 --> 00:47:57.480
then you were asked to judge some of these very prestigious competitions.

913
00:47:58.180 --> 00:48:01.020
And some of the fancy trophies that they got,

914
00:48:01.120 --> 00:48:02.840
I got some of them over there.

915
00:48:04.940 --> 00:48:08.900
Looks like an anchor to me, but it says by Kodak,

916
00:48:10.000 --> 00:48:13.020
it's a sterling silver Kodak thing.

917
00:48:13.640 --> 00:48:19.820
And they had one judge from Toronto, that was Jack Waddell,

918
00:48:20.140 --> 00:48:26.960
and one judge from New York City, that was Stuart Dobbs, Rose Dobbs' husband.

919
00:48:27.720 --> 00:48:30.000
I think Rose helped her a lot on that one, though.

920
00:48:31.100 --> 00:48:33.740
And then it was me from Chicago.

921
00:48:33.740 --> 00:48:37.000
And we, oh, it was some week.

922
00:48:37.860 --> 00:48:39.960
All week we watched films.

923
00:48:41.360 --> 00:48:42.680
And there are other judges.

924
00:48:44.180 --> 00:48:46.740
We were the movie judges for International.

925
00:48:49.020 --> 00:48:52.240
And there were other judges for the still photographers,

926
00:48:52.520 --> 00:48:54.140
large prints, small prints.

927
00:48:55.600 --> 00:49:00.960
A large print was 16 by 20, and a small print was 5 by 7 or 8 by 10.

928
00:49:00.960 --> 00:49:03.900
And they had different judges for each group.

929
00:49:06.120 --> 00:49:12.420
And they sent us our airline tickets on American Airlines.

930
00:49:12.800 --> 00:49:17.940
And then we stayed at the best hotel in Rochester for a week.

931
00:49:18.400 --> 00:49:20.180
And then all our meals we had.

932
00:49:21.040 --> 00:49:22.640
But we didn't get paid.

933
00:49:23.360 --> 00:49:27.160
But I always thought what we got was a lot better than paying.

934
00:49:28.980 --> 00:49:31.160
Besides, you get to meet all your best friends,

935
00:49:32.760 --> 00:49:39.280
and some of them who became good friends because of the different competitions.

936
00:49:40.720 --> 00:49:43.720
And often at the competitions you would meet the same judges

937
00:49:43.720 --> 00:49:48.980
as you had last year or the year before or next year.

938
00:49:48.980 --> 00:49:58.040
And it was always really a great thing to judge a prestigious competition.

939
00:49:59.760 --> 00:50:06.380
And many other countries like Spain, of course England.

940
00:50:06.500 --> 00:50:14.660
England was very prominent and a very good one to get your films into.

941
00:50:15.620 --> 00:50:17.640
Before, they even judged.

942
00:50:18.860 --> 00:50:22.580
They disqualified a lot of them.

943
00:50:23.180 --> 00:50:27.060
Otherwise they have 300 films or something.

944
00:50:27.480 --> 00:50:28.900
That's too much for a judge.

945
00:50:29.120 --> 00:50:31.240
So they kind of screen them out.

946
00:50:32.440 --> 00:50:34.140
Toronto did that too.

947
00:50:34.520 --> 00:50:38.220
I judged for Toronto about 12 times altogether.

948
00:50:45.180 --> 00:50:45.940
Oh yes.

949
00:50:47.460 --> 00:50:48.180
That's right.

950
00:50:49.280 --> 00:50:51.060
And see which one's won.

951
00:50:52.780 --> 00:50:54.380
What's the kind you're going to make?

952
00:50:59.660 --> 00:51:04.180
They would give me ideas, but then I would add my ideas to it

953
00:51:04.180 --> 00:51:06.340
that I felt made them better.

954
00:51:07.280 --> 00:51:08.780
That's conceited, isn't it?

955
00:51:09.100 --> 00:51:11.880
But that's how I felt about it.

956
00:51:14.660 --> 00:51:20.260
I hear that artists borrow or they steal.

957
00:51:20.580 --> 00:51:20.980
Oh yeah.

958
00:51:22.200 --> 00:51:23.220
Whatever works best.

959
00:51:23.640 --> 00:51:30.140
Yes, but it was a great thing to go to the conventions too.

960
00:51:30.540 --> 00:51:39.260
Because when you had conventions you had a choice of maybe five to seven programs going on at one time.

961
00:51:39.260 --> 00:51:43.800
But of course the movie makers always went just to the movies.

962
00:51:45.120 --> 00:51:49.260
And many, many times I was program chairman for the internationals.

963
00:51:50.220 --> 00:51:54.400
And so I always knew which were the best films out.

964
00:51:55.500 --> 00:52:02.220
And that makes it not only interesting to see those films, but to see the makers

965
00:52:02.220 --> 00:52:04.520
and to hear what else they had to say.

966
00:52:04.540 --> 00:52:06.600
Because everyone was different.

967
00:52:06.600 --> 00:52:08.920
Nobody seemed to be the same.

968
00:52:09.980 --> 00:52:14.340
And there wasn't anything like you'd say a copycat.

969
00:52:15.120 --> 00:52:18.380
You just copy what he did because he won.

970
00:52:19.580 --> 00:52:21.600
You just didn't, nobody ever did that.

971
00:52:22.140 --> 00:52:25.160
Everybody wanted to be original as they can.

972
00:52:25.860 --> 00:52:26.720
And they were.

973
00:52:27.720 --> 00:52:35.560
One of the most original films of yours I think is the Chicago City to See in 63 film?

974
00:52:36.760 --> 00:52:37.120
Yes.

975
00:52:37.120 --> 00:52:40.980
Where did you get the idea to make that one? It was for a convention.

976
00:52:41.200 --> 00:52:42.260
From a poem.

977
00:52:43.040 --> 00:52:48.080
A poem was The City to See in 63.

978
00:52:50.020 --> 00:52:52.880
And it was in the PSA journal.

979
00:52:53.880 --> 00:52:57.300
And then I changed it around a lot.

980
00:52:58.340 --> 00:53:00.300
And there was a competition.

981
00:53:01.440 --> 00:53:07.240
Well, the big convention this year was to be in Los Angeles.

982
00:53:07.680 --> 00:53:14.520
And the president said, have someone in the Chicago area make a film

983
00:53:14.520 --> 00:53:20.500
and we'll have a competition for the films to see which one will win.

984
00:53:22.520 --> 00:53:36.240
To be shown at Los Angeles when the Chicago Fair is next.

985
00:53:38.160 --> 00:53:40.000
So, I hope I got that right.

986
00:53:42.320 --> 00:53:49.080
Anyhow, there were quite a few films from Chicago and everybody thought they were going to win.

987
00:53:49.580 --> 00:53:54.860
But it was a big surprise to me to find out that my film won.

988
00:53:55.440 --> 00:53:58.480
And I made it to a poem.

989
00:54:05.620 --> 00:54:07.340
Was it a poem that you wrote?

990
00:54:07.880 --> 00:54:09.400
No, no.

991
00:54:10.320 --> 00:54:11.560
I was a friend of mine.

992
00:54:14.580 --> 00:54:15.980
I forgot who wrote it.

993
00:54:16.220 --> 00:54:20.140
But I had a change of some of the words to make it fit.

994
00:54:21.300 --> 00:54:22.540
I did that.

995
00:54:23.300 --> 00:54:25.300
And then I directed the film.

996
00:54:27.800 --> 00:54:35.580
You have to measure out how much film you want to, what scene it is.

997
00:54:35.580 --> 00:54:47.820
And then like the film, another film I made, Silver Bells, you make all the words

998
00:54:47.820 --> 00:54:55.540
and then you fit your footage to how much you need to show on the film

999
00:54:55.540 --> 00:55:00.080
that shows just exactly what you wanted to say.

1000
00:55:01.300 --> 00:55:06.880
Feet are walking and feet going up to church steps or something like that.

1001
00:55:10.160 --> 00:55:15.460
So in the case of City to See in 63, you had the poem and the soundtrack first

1002
00:55:15.460 --> 00:55:18.840
and then you went and got the footage to match that?

1003
00:55:19.040 --> 00:55:20.160
Yes, yes.

1004
00:55:20.800 --> 00:55:23.060
That's how we did it.

1005
00:55:24.360 --> 00:55:25.700
Who narrated that?

1006
00:55:25.840 --> 00:55:27.100
It was a big editing.

1007
00:55:27.660 --> 00:55:28.400
Oh, I'm sorry.

1008
00:55:29.480 --> 00:55:30.660
Charles Sadelli.

1009
00:55:30.880 --> 00:55:30.960
Sorry.

1010
00:55:33.960 --> 00:55:36.360
Who narrated the City to See?

1011
00:55:38.500 --> 00:55:40.640
See, the film was done first.

1012
00:55:41.160 --> 00:55:45.080
And then the narration was Dr. Cochran.

1013
00:55:45.500 --> 00:55:48.380
And he was a very funny, comical guy.

1014
00:55:49.060 --> 00:55:51.100
He could make anything sound great.

1015
00:55:51.540 --> 00:55:57.060
And like Nancy said, she looked at it and it got a lot better with the sound.

1016
00:55:57.060 --> 00:56:01.380
But I think every film is better with the sound unless it's lousy sound.

