WEBVTT

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I believe you're no longer than anybody else.

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I know.

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The family's a mark.

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Did they bother you?

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Because they may, they may just have been, you know, the wrong kind of people.

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They said that, let's see, I was talking to one of the reporters and they said that they

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may have bothered you, you know, rather than, than helped.

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They wanted to talk about your history and they didn't do it very well, apparently.

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No.

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They did it badly.

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They never did, they never talked to me about my history because I didn't give it to them.

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Ah, that's it.

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I'm preserving that for myself.

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Good.

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I've got a lot of it written up.

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My folks, they, last man that came out here with the...

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Let me talk to you now so that you just tell me...

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Now you're gonna have to put, put your chair right over here.

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I am.

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That's what I want to do.

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But the thing is, I would like to...

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Well, you've got some outside on you.

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Your, your niece said that you have lived in Rogers Park pretty much all of your life,

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am I correct?

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Is this...

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Yeah.

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Yeah.

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And...

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I'm from the north side, Edgewater Rogers Park.

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Edgewater...

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She don't know anything about me.

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Very little.

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She said she didn't, she said that I should have to talk to you directly.

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Very little.

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Right.

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You know, it so happens that my brother's her father, Fritz Pollard.

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The, the ath, the famous athlete.

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Yes.

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And, ah, do I have my facts straight?

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Yeah, go ahead.

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Did he go to Brown University?

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He did.

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And then he was, ah, with, um, Robeson.

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No.

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Robeson?

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He wasn't...

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Paul Robeson?

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Listen.

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Tell me about it.

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No, he wasn't with Robeson.

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Yes.

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Robeson, he, Robeson came on there while he was in, at Brown.

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I think Robeson was, ah, not Colgate.

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R, R, R, R, R, R, R.

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Ah, I can't think of that, colleagues.

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I, I didn't...

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R.

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Well, Will, I'll, I'll, Rutgers.

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Is it Rutgers?

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What's that?

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Rutgers?

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No.

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Rutgers, yeah.

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Rutgers.

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It was Rutgers.

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Yeah.

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All right, but they were in the same football league together, am I correct, later on?

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Oh yeah, they played, you know, Rutgers played Brown and Brown played Rutgers.

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Right.

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But, ah, Fritz, ah, I think was there, he was in Brown before Robeson got to Rutgers.

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But Robeson was in Rutgers about a year afterwards.

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About a year afterwards, right.

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But, ah, Robeson was chosen All-American after Fritz.

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Now I want to tell you something.

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My brother was not Camp's choice, the first man of color.

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He was not.

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That's what they say, though, isn't it?

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No, he was not.

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Yeah.

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J.W. Lewis from Boston was.

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J.W.?

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J.W. Lewis from Boston was.

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But the selection of those players didn't take in all colleges.

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They were, it was confined to the Ivy League.

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Ivy League, I see.

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The Ivy League consisted of Princeton, Harvard, and Yale.

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So after all, nothing was said about it, you see.

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It had become popular, you see.

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But then, of course, that wouldn't be news because they didn't, it wasn't generally.

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But then he was.

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This man, Lewis, was in school with Theodore Roosevelt.

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And he was chosen.

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He was afterwards coached for Harvard.

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He played center on Harvard.

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He was afterwards coached.

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And his name was Lewis, right?

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Yeah, and he was a great fellow.

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And this all was around, let's say, the late 80s.

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The late 80s.

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That's remarkable.

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But, you know, they never said anything about white or colored duties.

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I've lived all through that.

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Right.

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I know.

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In all of my career, my business career, I was never mentioned about being a colored man.

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Right.

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You see, because my career was always white.

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I was an executive in white organizations all the way through.

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And I came up here.

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All of my friends, boyhood friends, all the way through until I was 20, 21 years old, were white kids.

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And I did the same thing that they did.

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Yes.

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You see.

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Let me ask you this.

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Now, you lived in this area all your life, pretty much edgewiringly.

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Yeah, sure.

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And 90 years, but I don't want you to...

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No.

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You and I are going to be out a few days.

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No, no.

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I said that you were going to see the article before it is published so that you can read it over.

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The other thing that I wanted to ask you then is, did you go, did Fritz and you go to the same schools and so on, that type of thing, or what?

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Did I go where?

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Did Fritz and you go to the same schools then, or not?

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Did who?

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Your brother.

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Oh, yes.

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You went to the same school.

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Yeah.

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And then did you go east to school, or did you stay here and go?

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No, I stayed here.

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I see.

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Yeah.

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And then you went...

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I went to Lakeview High School.

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Lakeview High School.

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Yeah.

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And then you became a reporter.

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Did you not?

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Did you become a reporter, or were you an advertising originally?

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I had to say.

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An advertising.

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I was in advertising when few people knew anything about it.

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Tell me when, will you?

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About that.

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About?

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A fella lived right over here.

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His name was Snyder.

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Al Styler was a bright fella.

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And he was a natural literary man.

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And he liked me pretty well as a kid.

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When he was in the eighth grade in Rogers Park schools, he had a little newspaper.

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That was the first paper in Rogers Park.

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I forget what they called it.

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I think they called it the Rogers Park Herald.

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Well, Al never went any farther than grammar school.

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And he went from there to the Metropolitan Business College, and he studied shorthand.

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Yes.

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And after he got good at his work, he got in the old Chicago, he did both.

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He was a columnist.

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He saw possibilities in the advertising field.

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He used to talk to me, I was going up all about it.

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And he's a great friend of my father's.

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You see my father operating the barber shop here.

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Everybody knew about him.

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Did he also come from Mexico, Missouri, or did I have that mixed up?

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The idea is where did you get that?

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You told me on the phone.

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Did I?

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No, he's from Missouri.

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He was in Mexico, Missouri.

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He operated a barber shop in Mexico, Missouri, in the Ringo house, a big fine palace.

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It was a big hotel, wasn't it?

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Big hotel.

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Yes.

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And he came here early.

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He came here intending to go to Evanston, but didn't.

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You're getting all of that, are you?

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Yes, I just want to make sure that this is working.

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That's all.

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You just go on talking now.

183
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And the...

184
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Yeah, we're all right.

185
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We're fine.

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He came up...

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He came here to go to Evanston's because of the schools.

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And he got here.

189
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He didn't like Evanston.

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I don't need to tell you the reasons why.

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And we settled down in the Edgewater and eventually came here.

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Been here ever since.

193
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His family was all raised here.

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What was his first name?

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John W. Pollard.

196
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And your middle initial...

197
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J.

198
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Yes.

199
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After him?

200
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Yes, I suppose.

201
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My name was supposed to be Lewis.

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Let me see.

203
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Wait a minute.

204
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Anyway, the name...

205
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The father was a religious man.

206
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He wanted his kids to have religious names, and so he didn't like the name that the intendant

207
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gave me, so he changed it to Luther.

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Very good.

209
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Very good.

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Tell me this.

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You ask me questions.

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Yes, I will.

213
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Now, you mentioned Mr. Snyder, Al Snyder.

214
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Yes.

215
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And now you said that he had gone to a stenographer school and he had learned also...

216
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He had gone to business school.

217
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Now, then did you form some sort of partnership with him in advertising or what?

218
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No.

219
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He was always talking to me about advertising.

220
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And he finally set up an office.

221
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I was about 18, 19 years old, just out of high school.

222
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And I went to work for him and...

223
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Charles H. Marsh and Company.

224
00:11:10.960 --> 00:11:11.940
Charles H. Marsh.

225
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Marsh and Company.

226
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His partner was Henry P. Williams.

227
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He was one of the best known ad writers in this locality.

228
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And I remained there with Snyder and Marsh until Snyder established a big agency called

229
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Snyder Johnson Advertising Agency with offices in the old Ellsworth Building.

230
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In the Ellsworth Building.

231
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232
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Marsh was a mighty fine fella.

233
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And I helped him in many ways and he let me do everything.

234
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So I learned copywriting.

235
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Very good.

236
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Very proficient, especially in writing sales letters.

237
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Yes.

238
00:12:27.400 --> 00:12:36.780
Now, finally, Irving A. Rockwell.

239
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A Rogers Park man who was in the office furniture business and systems.

240
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Yes.

241
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Had watched me.

242
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He was a great friend of my father's.

243
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And he had a growing business.

244
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Big business.

245
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I guess the largest of its kind in the United States.

246
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He never had an advertising man.

247
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So he, like a shot out of the sky, put me in charge of the advertising of the Rockwell Warbys company.

248
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The Rockwell Warbys.

249
00:13:16.040 --> 00:13:19.040
The Rockwell Warbys company had three or four names.

250
00:13:19.200 --> 00:13:19.440
Yes.

251
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That Warbys came from down in Indiana where they maintain a factory.

252
00:13:26.600 --> 00:13:29.180
And they made furniture, did you say?

253
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Office furniture.

254
00:13:30.600 --> 00:13:31.420
Now, wait a minute.

255
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Then he was back of me.

256
00:13:40.120 --> 00:13:47.560
Then, let's see, I got the idea of system.

257
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I figured that it was easier to interest a man in system or a business in system than to sell them filing cabinets.

258
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You would talk system to them first and put the filing cabinets in afterwards.

259
00:14:13.920 --> 00:14:18.260
Can you tell me about what year this would be?

260
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Those years?

261
00:14:19.380 --> 00:14:19.880
Yes.

262
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1902.

263
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About 1902, yes.

264
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Very good.

265
00:14:24.320 --> 00:14:44.740
And it became, there was another outfit from Muskegon that was operating systems instead of office furniture called the Shaw Walker Company.

266
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They went to town with it.

267
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I don't know.

268
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They expected they had the idea of system before I did.

269
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But I didn't know anything about it.

270
00:15:01.500 --> 00:15:16.600
Anyway, I was with the Rockwell Warbys company until business trouble, mining investments on the part of Rockwell got his attention.

271
00:15:16.600 --> 00:15:21.600
And the business was going down.

272
00:15:24.820 --> 00:15:27.720
It was eventually sold.

273
00:15:29.280 --> 00:15:29.680
I forget.

274
00:15:30.400 --> 00:15:31.820
I went to school with the news.

275
00:15:34.560 --> 00:15:41.220
The Baker Voter Company, I think it was that.

276
00:15:41.360 --> 00:15:41.860
I don't know.

277
00:15:44.620 --> 00:15:55.900
I got out, of course, and I had to sort of freelance for a while around town.

278
00:15:57.560 --> 00:16:12.900
I had a little advertising agency located at, first at 119 Dearborn Street.

279
00:16:12.940 --> 00:16:16.000
That's right where the Boston store used to be.

280
00:16:16.120 --> 00:16:17.160
119 Dearborn.

281
00:16:17.520 --> 00:16:17.600
Yes.

282
00:16:17.600 --> 00:16:21.860
Then I moved up with Snyder.

283
00:16:21.860 --> 00:16:23.800
He got out of his business.

284
00:16:23.840 --> 00:16:26.300
He lost his business too.

285
00:16:26.880 --> 00:16:28.080
And he was freelancing.

286
00:16:28.160 --> 00:16:35.840
And I went into an office at 180 North Dearborn Street with Snyder and a fellow by the name of Quinn.

287
00:16:36.600 --> 00:16:42.340
I think we rented from a woman, Duesenbury.

288
00:16:42.780 --> 00:16:43.380
Duesenbury.

289
00:16:43.560 --> 00:16:45.680
Duesenbury, an old, old family.

290
00:16:45.880 --> 00:16:46.220
Yes.

291
00:16:46.220 --> 00:16:49.380
I don't know the other name, but Duesenbury.

292
00:16:49.560 --> 00:16:50.700
She's an old family.

293
00:16:50.800 --> 00:16:52.840
She sold all kind of books.

294
00:16:57.800 --> 00:17:19.160
Then I finally landed with B. Subbot & Sons, a leaf tobacco manufacturer, because I'd had some experience in writing the catalogs for another leaf tobacco house.

295
00:17:19.160 --> 00:17:23.160
I was there for two years, maybe three years.

296
00:17:24.060 --> 00:17:26.380
That's getting long, about 1908.

297
00:17:26.980 --> 00:17:27.660
1908.

298
00:17:28.560 --> 00:17:33.520
And I had a vacation and I went to Montreal, Canada.

299
00:17:34.780 --> 00:17:40.340
I expected to leave the country.

300
00:17:44.520 --> 00:17:54.760
While in Montreal, Canada, I had to do something my evenings, so I went to a moving picture concern.

301
00:17:55.140 --> 00:17:59.580
Prior to that, I had seen very few moving pictures.

302
00:18:02.460 --> 00:18:09.040
At that time, in this section, all the theater-going people would never go into a movie house.

303
00:18:09.040 --> 00:18:10.120
Right.

304
00:18:10.580 --> 00:18:11.420
They wouldn't go.

305
00:18:15.100 --> 00:18:17.000
Well, I won't say that.

306
00:18:19.780 --> 00:18:31.080
Now then, I said to myself, there must be some spot for an advertising man.

307
00:18:34.180 --> 00:18:40.580
And I consulted all the magazines to see if I could see any ads in it.

308
00:18:40.580 --> 00:18:46.980
I couldn't see where the advertising man was going to cut in, where advertising could help at any time.

309
00:18:46.980 --> 00:18:48.840
I didn't know what they could advertise.

310
00:18:50.420 --> 00:18:57.940
I saw one quarter page ad, I think, of Muncie's Magazine, placed by Carl Lemley.

311
00:18:58.560 --> 00:19:01.040
Yes. He was then in Chicago, wasn't he?

312
00:19:01.040 --> 00:19:02.720
Yeah, he was Chicagoan.

313
00:19:02.820 --> 00:19:04.240
He came, though, from Oshkosh.

314
00:19:04.240 --> 00:19:11.000
He was, oh, he was a Chicago man.

315
00:19:11.400 --> 00:19:13.020
I'll tell you more about him.

316
00:19:13.560 --> 00:19:14.020
Good.

317
00:19:15.720 --> 00:19:20.480
So, I up and came back to Chicago.

318
00:19:22.760 --> 00:19:31.280
Fortunately, in answer to an ad that I placed in the Chicago Tribune,

319
00:19:31.760 --> 00:19:41.240
I got a call from a sales representative of a small moving picture projector.

320
00:19:45.020 --> 00:19:46.400
You want some water?

321
00:19:46.760 --> 00:19:47.700
No, no, thank you.

322
00:19:47.900 --> 00:19:48.620
What's that for?

323
00:19:49.020 --> 00:19:50.180
While we were coffee.

324
00:19:54.280 --> 00:19:56.960
And it was called the Iconograph.

325
00:19:56.960 --> 00:20:11.800
All the advertising fellows in Chicago was after that advertising to push the sale of that machine.

326
00:20:13.380 --> 00:20:18.460
Little toy, Sears Roebuck had cataloged it.

327
00:20:18.660 --> 00:20:19.740
Iconograph at school?

328
00:20:19.820 --> 00:20:21.320
Yeah, they cataloged it.

329
00:20:21.320 --> 00:20:25.140
And this sales representative, his name was Ruble.

330
00:20:25.500 --> 00:20:26.160
Ruble.

331
00:20:26.160 --> 00:20:28.360
Ru-B-E-L.

332
00:20:29.920 --> 00:20:30.980
I placed it there.

333
00:20:32.080 --> 00:20:42.520
And he got the Chicago Film Exchange to back him up.

334
00:20:47.340 --> 00:20:58.000
After that, I had come along and talked to him and finally he selected me of all the fellows that went to him.

335
00:20:58.160 --> 00:21:00.160
I don't know why, but for some reason.

336
00:21:01.800 --> 00:21:05.840
So we set up an office to sell that machine.

337
00:21:07.120 --> 00:21:07.680
Projector.

338
00:21:07.800 --> 00:21:08.680
It was a projector.

339
00:21:08.680 --> 00:21:09.200
Yeah.

340
00:21:09.780 --> 00:21:23.360
And I inaugurated the name, Moving Pictures in Your Own Home.

341
00:21:24.680 --> 00:21:28.960
And that was in the latter part of 1908.

342
00:21:30.140 --> 00:21:31.460
Moving Pictures in Your Home.

343
00:21:31.480 --> 00:21:31.960
Yeah, yeah.

344
00:21:32.120 --> 00:21:32.880
Very good.

345
00:21:33.120 --> 00:21:33.720
Oh, Lord.

346
00:21:34.040 --> 00:21:35.460
That was my idea.

347
00:21:36.240 --> 00:21:38.460
What about that March 28th?

348
00:21:39.680 --> 00:21:40.000
Wait a minute.

349
00:21:40.000 --> 00:21:40.800
I'll tell you.

350
00:21:40.800 --> 00:21:41.220
Okay.

351
00:21:43.500 --> 00:21:47.700
I'm building all the way up for you.

352
00:21:51.060 --> 00:21:58.860
We started to advertise that picture and I had fights with my advertising agency.

353
00:21:58.920 --> 00:22:01.200
I was so busy I couldn't handle it then.

354
00:22:01.200 --> 00:22:06.900
About whether to use Moving Pictures in Your Own Home or commercialize.

355
00:22:06.960 --> 00:22:08.820
I said no.

356
00:22:10.040 --> 00:22:12.460
You want to let it stay as it is.

357
00:22:13.040 --> 00:22:17.360
Well, we were smothered with business.

358
00:22:18.960 --> 00:22:22.420
That shows you how the picture business was at that time.

359
00:22:24.340 --> 00:22:25.920
People would send in orders.

360
00:22:26.140 --> 00:22:28.020
We advertised no money down.

361
00:22:28.020 --> 00:22:31.020
But they would send in orders with money in them.

362
00:22:31.980 --> 00:22:32.520
Amazing.

363
00:22:33.120 --> 00:22:34.220
Now, where did your ads appear?

364
00:22:34.220 --> 00:22:34.920
We used, huh?

365
00:22:35.000 --> 00:22:36.500
Where did your ads appear?

366
00:22:38.660 --> 00:22:41.180
In the Bladenlezer.

367
00:22:41.180 --> 00:22:42.220
In the what?

368
00:22:44.200 --> 00:22:44.200


369
00:22:44.700 --> 00:22:46.060
Principally those papers.

370
00:22:46.500 --> 00:22:48.820
Of course, we advertised in Popular Mechanics.

371
00:22:48.920 --> 00:22:49.960
For Popular Mechanics, too.

372
00:22:51.300 --> 00:22:53.180
I can't think of all of them.

373
00:22:53.360 --> 00:22:55.800
But anyway, the inquest came in there.

374
00:22:56.800 --> 00:23:07.680
Well, it got along in the spring of 1909.

375
00:23:08.780 --> 00:23:11.360
A big blow up in the picture business.

376
00:23:12.480 --> 00:23:16.840
The Patents Company was organized.

377
00:23:19.560 --> 00:23:30.240
And all of the nonmembers of that Moving Picture Patent Company were scared to death.

378
00:23:30.940 --> 00:23:43.660
They couldn't write films and they couldn't use the projectors at all because that was the crust that ruled them out.

379
00:23:43.980 --> 00:23:44.680
Yes.

380
00:23:46.000 --> 00:23:47.320
Here, a little glass.

381
00:23:50.560 --> 00:23:57.840
And this outfit is Chicago Film Exchange owned by the Lewis Brothers.

382
00:23:58.240 --> 00:23:59.000
Lewis Brothers.

383
00:24:00.200 --> 00:24:00.200


384
00:24:00.620 --> 00:24:03.480
Gary, I don't want any water. I don't drink water.

385
00:24:03.740 --> 00:24:04.360
Don't you?

386
00:24:04.720 --> 00:24:05.860
Maybe he does.

387
00:24:06.560 --> 00:24:07.580
Will you have a glass of water?

388
00:24:07.920 --> 00:24:09.840
No, I'll join him in one in a little while.

389
00:24:09.920 --> 00:24:11.280
We're talking over this.

390
00:24:14.680 --> 00:24:16.360
You don't see sick.

391
00:24:18.240 --> 00:24:21.380
Now, God, that was turkish.

392
00:24:25.340 --> 00:24:29.380
Oh, there was a big flare-up around here.

393
00:24:32.520 --> 00:24:33.480
The Motion Picture Patents?

394
00:24:33.780 --> 00:24:36.280
The Motion Picture Patents Company.

395
00:24:37.280 --> 00:24:46.540
There was Vitagraph, Biograph, New York City.

396
00:24:46.720 --> 00:24:47.280
Kaelin?

397
00:24:48.420 --> 00:24:49.520
They were members.

398
00:24:50.200 --> 00:24:51.560
Lubin in Philadelphia.

399
00:24:53.020 --> 00:24:54.320
They're another member.

400
00:24:58.280 --> 00:24:58.760
SNA?

401
00:25:00.340 --> 00:25:02.880
Pathe Frere. Pathe Brothers.

402
00:25:04.800 --> 00:25:07.520
Paris, Gaumont of Paris.

403
00:25:07.840 --> 00:25:13.260
They were all members of the Motion Picture Patents Company.

404
00:25:14.480 --> 00:25:20.260
Now, there was Carl Lemley who was having a hard time at that time.

405
00:25:20.640 --> 00:25:21.980
He was on the fence.

406
00:25:25.220 --> 00:25:27.880
Well, our concern was a very wealthy concern.

407
00:25:29.060 --> 00:25:31.200
That is the Chicago Film Company.

408
00:25:31.200 --> 00:25:35.380
They took it upon themselves to fight that Patents Company.

409
00:25:36.080 --> 00:25:39.620
They did fight it and eventually went out.

410
00:25:44.200 --> 00:25:44.820
They...

411
00:25:44.820 --> 00:25:46.200
It was then...

412
00:25:46.840 --> 00:25:49.500
Now, I may be a little ahead of my story.

413
00:25:50.460 --> 00:25:52.200
It was then...

414
00:25:57.820 --> 00:26:01.860
That newspaper article published on the...

415
00:26:01.860 --> 00:26:03.200
Happened out the...

416
00:26:03.200 --> 00:26:07.040
In favor of the Patents Company came out.

417
00:26:07.980 --> 00:26:12.060
A follow-up of the name of Frederick D. Starr.

418
00:26:12.720 --> 00:26:18.900
I think he was an anthropologist or something from this University of Chicago.

419
00:26:19.320 --> 00:26:20.720
He wrote a nice article.

420
00:26:22.080 --> 00:26:26.720
He didn't mention the company, but he favored them.

421
00:26:31.420 --> 00:26:32.420
Well...

422
00:26:32.420 --> 00:26:40.020
That was just prior to my article, The Moving Picture War.

423
00:26:44.420 --> 00:26:44.720
I...

424
00:26:45.420 --> 00:26:47.000
It was very good.

425
00:26:47.000 --> 00:26:50.460
Looked in the future of Moving Pictures.

426
00:26:51.100 --> 00:26:53.680
I wish you could get a copy of it. I have not.

427
00:26:56.140 --> 00:26:57.540
And then I'll tell you.

428
00:26:58.080 --> 00:27:00.000
It was published...

429
00:27:01.360 --> 00:27:04.720
March the 28th, 1909.

430
00:27:06.080 --> 00:27:07.620
In one of the horse papers.

431
00:27:08.340 --> 00:27:11.000
I think the name of the paper was...

432
00:27:11.580 --> 00:27:12.560
Harold Examiner?

433
00:27:13.160 --> 00:27:13.680
No.

434
00:27:15.220 --> 00:27:16.700
Was the Examiner.

435
00:27:17.400 --> 00:27:19.680
You see, the Harold Examiner was...

436
00:27:20.380 --> 00:27:23.260
The horse paper took out... bought over the Harold.

437
00:27:23.900 --> 00:27:25.480
That was later on, wasn't it?

438
00:27:25.560 --> 00:27:27.600
It was a messenger or the...

439
00:27:27.600 --> 00:27:28.340
Examiner.

440
00:27:28.820 --> 00:27:29.380
Examiner.

441
00:27:29.400 --> 00:27:30.420
It was the Examiner, right?

442
00:27:30.600 --> 00:27:31.240
You're right.

443
00:27:34.860 --> 00:27:35.980
That article...

444
00:27:35.980 --> 00:27:37.420
Was treated as an ad.

445
00:27:37.540 --> 00:27:40.120
I don't know how that happened. I was very busy.

446
00:27:40.120 --> 00:27:42.800
I was a writer, though. It was a great deal.

447
00:27:44.380 --> 00:27:46.660
Anyway, there's some good stuff in it.

448
00:27:47.020 --> 00:27:47.760
I will get it.

449
00:27:47.760 --> 00:27:48.180
You'll see.

450
00:27:48.180 --> 00:27:48.980
I will get it.

451
00:27:49.140 --> 00:27:52.460
You'll see. And in fact, I recall it.

452
00:27:52.900 --> 00:27:54.080
I can't.

453
00:27:54.340 --> 00:27:57.540
But I... you know...

454
00:27:57.540 --> 00:28:02.240
Moving Picture Houses were just little jumps around about that time.

455
00:28:04.640 --> 00:28:06.660
Now, I want to change this tape right now.

456
00:28:06.660 --> 00:28:07.260
All right.

457
00:28:10.120 --> 00:28:14.120
Today will probably be a hand-writen type of practice for most of the folks...

458
00:28:15.580 --> 00:28:16.140
...because...

459
00:28:16.140 --> 00:28:19.120
...someone has been doing a lot of other film on this...

460
00:28:20.020 --> 00:28:23.120
...over a time period of this track...

461
00:28:23.720 --> 00:28:24.440
...a month ago.

462
00:28:25.780 --> 00:28:29.260
The conclusion of one tire test, we received a typical time for Allen,

463
00:28:29.400 --> 00:28:32.520
with the Johnny Mike special, of 174.8.

464
00:28:32.540 --> 00:28:36.160
That stands at this time as the official record for this track.

465
00:28:36.800 --> 00:28:41.160
We could very soon see that record...

466
00:28:42.720 --> 00:28:45.620
...shattered, but probably not today...

467
00:28:45.620 --> 00:28:48.320
...because, as I say, it will be a handling type of practice.

468
00:28:49.440 --> 00:28:54.720
Moving a tire onto the track right now, being pulled by a Poland Husky 1257.

469
00:28:57.700 --> 00:29:00.020
Kevin Barlant on Sydney, Australia.

470
00:29:00.860 --> 00:29:04.200
Tire number 26, Kevin Barlant on Sydney, Australia.

471
00:29:15.700 --> 00:29:18.380
The big car is built by Jerry Eichert...

472
00:29:20.000 --> 00:29:22.400
...and is called the Jerry Eichert Special.

473
00:29:22.820 --> 00:29:24.660
Jerry Eichert is from Newport Beach, California.

474
00:29:26.020 --> 00:29:30.200
And, unless I have a title on my sheet, that is a turbocharged Chevy.

475
00:29:31.120 --> 00:29:34.820
And I would anticipate that's the only turbocharged Chevy that you will see.

476
00:29:34.900 --> 00:29:36.100
Do I hear it from Chevy now?

477
00:29:36.140 --> 00:29:36.140


478
00:29:36.140 --> 00:29:36.140


479
00:29:36.140 --> 00:29:37.140
Is that what I heard there?

480
00:29:39.360 --> 00:29:43.900
If you slide it out of number, there will be, in practice, and qualifying.

481
00:29:44.540 --> 00:29:45.660
Unless they can't all make it race.

482
00:29:45.800 --> 00:29:52.140
But we have entered 33 turbocharged Ford engines, 20 turbocharged Off-East.

483
00:29:53.120 --> 00:29:54.100
The one Chevy.

484
00:29:54.860 --> 00:29:57.720
There's a turbocharged Rambler engine back there somewhere.

485
00:30:00.120 --> 00:30:01.240
I'm sure there's a Rambler there.

486
00:30:04.220 --> 00:30:08.700
So those of you who have glasses are the lucky ones right now.

487
00:30:08.900 --> 00:30:12.980
You can watch the minute, detailed preparation of this vehicle.

488
00:30:19.060 --> 00:30:20.660
All right, on the track right now.

