WEBVTT

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The Loud Family.

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Margaret Mead said of that experiment,

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it is I believe as new and as significant as the invention of drama or the novel,

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a new way in which people can learn to look at life

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by seeing the real life of others interpreted by the camera.

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Hence this.

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Thanks.

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Last summer he was honored with a star in the Boulevard sidewalk,

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not just for his long career as Tonto,

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but because Jay Silverheels founded the Indian Actors Workshop

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to help those from all tribes to learn the craft he practiced.

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Silverheels always worried that without movies,

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white men in big cities would soon forget those who were there before them.

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He was 62.

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Terry Drake Water, CBS News, Hollywood.

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Al Dale, ABC News, Managua.

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The Loud Family.

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My God, they're considering, could it be that I've been deceived

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by my teachers and professors who have taught me evolution all of my life,

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then I turn around and deceive my own students,

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are teaching the same,

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and I ask you to consider today's students, could it be?

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Could it just possibly be?

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Could it be?

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¿157.6?

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¿157.8?

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And as the young eagles do their thing, we want to recognize some of the people who are

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part of the committee.

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Manayama, Muakil, was one of the originators of this parade.

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Loretta Kersley, who has handled all the public relations.

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Claudia Belal, another member of our committee.

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And others.

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I mean, a lot of adults lose that ability, but all children even rub their eyes to create

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an intense vacation of fireworks or explosions, you know, and that's the first, what I call

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the first level of seeing your self-thinking.

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And then you see what people would call abstract, which is why most adults forget it, you know,

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it won't help you get a job or anything to see abstractly, like they say.

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But what we are aware of is that amidst those abstractions, we can commission some memories

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or we're prompted by things that happen to remember grandmother or whatever.

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But what interests me more and seems very much neglected is the abstractions in themselves,

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which carry the true mood that a person is having.

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And then it becomes more the mood, because those shapes that children rub their eyes

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to create explosions.

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Do all the little numbers and letters on the backs of envelopes mean?

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The first of its kind ever performed on a creature like this.

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And if things go right, her vision should be completely restored.

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Maria is kept alive and fortunately sound asleep by a combination of water and anesthetic

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flowing through her gills.

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The surgeon...

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Taking off diseased tissue on the cornea.

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The eel has a double cornea and the outer cornea has got so much scar tissue on it that

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it's kind of eroded away and new tissue is unable to fill in the area where the...

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...that have a diseased cornea...

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...back here in the coral reef exhibit and they say she'll be as nasty as ever.

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Why surgery to save an eel's vision?

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We've got them all out.

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When he was in St. Louis, you know, he behaved himself real well and it was just the attitude.

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He was a likeable enough fellow, but he just was uncontrollable.

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Now do you want to tell us why you kept the blacks out of here?

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Well, it's our headquarters and if you want the news, you play it our way.

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If you don't, fine.

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Do you have any proof of any of this, what you're saying, that he was affiliated at all with your organization?

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Well, the proof is in the pudding, you know, he was in it.

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This our stuff?

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Well, hey, our stuff.

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Don't allow blacks.

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Come on, we back us a barf bag.

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This is for you.

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Okay, you want to be arrested for trespassing?

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Keep pushing in, okay?

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I got two coppers right here.

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I'm just going to wait a while.

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I should have arranged to quit right there.

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You have no concept how important your prayers are.

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Not just on the grounds of health now.

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Go into those museums and loathe the blacks.

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Arts intrinsically, to me at least, and I could go on about the whole history of them as such, are an encouragement to individuality, to individual inspiration.

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Now, it is true that states can take and use them as cultural artifacts, can frame them, can set them up in public squares in such an offensive way that, be the art weak, it can indeed be used for its absolutely opposite purpose.

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That is to become a monster to a ground which the people should rally.

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The state is always trying to make the painting a flag.

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And the poem, a hymn, certainly not a heard.

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But then on the other hand, I claim that the responsibility for the creation of the concept of the nude is national, not the work of the artist.

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It is true, it is the weakness in men's perception of women which have permitted that usage of those works that have now constitute the aesthetic of the nude.

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But it is the state that's primarily involved in that, and all you have to do is go and look.

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For instance, I give you a perfect example.

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Those rotting fish that Soutine painted.

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And then when he finished painting, it was ripped off his easel and clutched to his chest in terror that anyone would look at them so that there's paint on his chest, which in his chest becomes part of the aesthetic, so to speak, which academics have not dealt with.

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And then he would take his shirt buttons over to his Gran Modigliani to tenderly show him to see if this was worthy of not only the paintings but his own survival.

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And go look at them in museums surrounded, Soutine's particularly surrounded with the most ornate and garish solid gold frames of some shit.

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I know what that tactic is.

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Right.

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It's a reload.

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As Sergey Eisenstein was used, my beloved Sergey Eisenstein was used to beat all my films and me over the head with when I was young.

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So my films are now so being used to beat other young people over the head with.

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And I am being blamed for it.

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I should what? Die? And give them a better chance to do that.

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Now that's the game.

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You know, but actually I've devoted my whole life to light and to feeling it.

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I mean that's my joy, my obsession, that's my folly, that's my life.

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And so I don't feel superior any more than a lineman would that he knows not to stand in a bucket of water while dealing with electricity.

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I know certain things and I know them because I'm an artist.

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First of all, through feeling.

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I moved along the line of feeling.

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And then I think and think and think about it and then I have to set all that thinking aside.

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Sometimes kick it completely out and feel some more.

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And I feel this is a very bad light.

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Oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

157
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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

183
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oh,

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oh,

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oh,

186
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oh,

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oh,

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oh,

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oh,

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oh,

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201
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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

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oh,

218
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oh,

219
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oh,

220
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oh,

221
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oh,

222
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oh,

223
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oh,

224
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oh,

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