WEBVTT 1 00:00:11.880 --> 00:00:13.280 You 2 00:00:35.460 --> 00:00:36.200 Oh 3 00:00:54.240 --> 00:00:57.240 Uncle Tom there's some folks here to see you 4 00:00:58.870 --> 00:01:03.870 Come on there we've been like a player the party's just getting started 5 00:01:03.870 --> 00:01:11.030 Bill Bailey told me to show you right in Bill wants to tell you all about his trouble 6 00:01:14.050 --> 00:01:17.990 I was on my way to Nashville just to see my gal Irene 7 00:01:18.630 --> 00:01:21.550 When I was up and halted by a state police siren 8 00:01:22.690 --> 00:01:23.490 I 9 00:01:23.490 --> 00:01:27.690 Telled him a smile and offered to smoke pulling things to stall 10 00:01:27.690 --> 00:01:30.190 But he talked to judge 11 00:01:30.190 --> 00:01:32.490 jail and a jury 12 00:01:35.470 --> 00:01:40.690 Don't like that locked up said I've been taking away for life 13 00:01:42.430 --> 00:01:49.650 Want to stay around do the town and marry me a wife bomba telling the news 14 00:01:51.350 --> 00:01:54.150 Seeing a jailhouse blue 15 00:01:55.250 --> 00:02:03.610 Now says I mr. Lawman about this borrowed car I had no intention of taking it very far 16 00:02:03.610 --> 00:02:07.570 And buddy I wasn't speeding it's more like a crawl 17 00:02:09.450 --> 00:02:11.930 Not that's about all 18 00:02:11.930 --> 00:02:15.350 Oh you say to you it sure does look funny 19 00:02:15.350 --> 00:02:19.050 Of course the truck in this car is filled up with money 20 00:02:20.050 --> 00:02:26.530 That money don't amount to much at all that's just a long-term loan that's about all 21 00:02:30.190 --> 00:02:37.210 Don't like that locked up said up for taking away for life 22 00:02:37.210 --> 00:02:44.410 Want to stay around do the town and marry me a wife bomba telling the news 23 00:02:46.130 --> 00:02:48.390 Sing in jailhouse blue 24 00:02:50.330 --> 00:02:52.090 My face is familiar 25 00:02:53.070 --> 00:02:55.110 You say you've seen it where? 26 00:02:56.210 --> 00:02:57.750 On the courthouse wall 27 00:02:58.770 --> 00:03:00.850 Well, what's it doing there? 28 00:03:01.950 --> 00:03:08.430 I'm not demanding that picture on the wall. That's just a striking resemblance. That's about all 29 00:03:08.430 --> 00:03:12.790 My friend I was on my way just to court my little honey 30 00:03:12.790 --> 00:03:18.150 And if you could let me go I'll give you a trunk full of money 31 00:03:18.790 --> 00:03:26.390 I'd buy every ticket to the policeman's ball. You say you never seen me that's about all 32 00:03:26.390 --> 00:03:31.790 Don't like that locked up said up for taking away for life 33 00:03:33.390 --> 00:03:41.210 Want to stay around do the town and marry me a wife bomba telling the news 34 00:03:42.170 --> 00:03:44.210 Sing in jailhouse blue 35 00:03:46.110 --> 00:03:47.870 Say officer 36 00:03:49.210 --> 00:03:55.210 These strong steel bands don't you have some looser ones you could slip around my hand 37 00:03:57.330 --> 00:03:59.210 I'm telling the news 38 00:04:00.610 --> 00:04:03.350 Sing in jailhouse blue 39 00:04:04.490 --> 00:04:10.450 I'm so sad a good ball. Oh, that's about all 40 00:04:11.330 --> 00:04:17.650 That's about all that's about all 41 00:04:23.850 --> 00:04:26.490 Really in bad shape right mr. Bill 42 00:04:26.490 --> 00:04:32.510 You could say that that fella wasn't fortunate Roy, but it's right fitting and proper that all you folks showed up here at the big old 43 00:04:32.510 --> 00:04:36.910 American barn dance and golly I'm talking for the Polk County boys Tennessee Ernie 44 00:04:36.910 --> 00:04:43.230 B-week King and his great band the Candy Mountain girls and just a whole big barn full of happy-go-lucky youngsters 45 00:04:43.230 --> 00:04:50.850 But before we get some more shenanigans going on I want mr. Sponsor to slip in here with a few mighty important words 46 00:04:52.830 --> 00:04:58.550 Friends we've dusted off the old piano here at the old American barn dance. We thought maybe you'd like to hear some ragtime music 47 00:04:58.550 --> 00:05:00.870 We've got our piano player Gene Agel here 48 00:05:00.870 --> 00:05:05.870 By the way, we recorded this for our CA Victor too, so you'll be hearing of it ready 49 00:05:50.430 --> 00:05:51.830 Oh 50 00:06:29.450 --> 00:06:30.850 I 51 00:06:43.630 --> 00:06:45.030 I 52 00:07:29.450 --> 00:07:30.850 I 53 00:07:42.310 --> 00:07:42.710 I 54 00:07:42.710 --> 00:07:45.070 Noticed one thing I don't know if you did what I did 55 00:07:45.070 --> 00:07:48.270 We've been getting a whole lot of applause from our good pals the court men 56 00:07:48.810 --> 00:07:53.710 I want to tell you and I'd like to tell Bill Bailey to that if we could get him up here to sing the song 57 00:07:53.710 --> 00:07:55.430 I do my share 58 00:07:58.230 --> 00:08:04.970 Yes, it's a very good idea Pee-wee I think that that idea gets a house majority voter up barn 59 00:08:05.930 --> 00:08:10.190 We ought to call it. We'll have the court men come up here and 60 00:08:10.190 --> 00:08:14.790 Sing one. Well if everyone were gathered at the old country church, this would be one you to hear 61 00:08:14.790 --> 00:08:20.710 I'm gonna ride in the chariot in the morning Lord our courtmen 62 00:08:20.710 --> 00:08:21.950 I'm 63 00:08:41.270 --> 00:08:47.670 Ready my sister 64 00:08:47.670 --> 00:08:50.030 Are you ready for the journey? 65 00:08:50.310 --> 00:08:51.030 Oh, yes. 66 00:08:51.190 --> 00:08:52.810 Do you want to see a Jesus? 67 00:08:53.290 --> 00:08:53.710 Oh, yes. 68 00:08:53.750 --> 00:08:55.170 I'm waiting for the chair, 69 00:08:55.170 --> 00:08:56.350 because I'm ready to go. 70 00:08:56.370 --> 00:08:57.970 I'm going to ride the chariot 71 00:08:57.970 --> 00:08:59.010 in the morning, Lord. 72 00:08:59.030 --> 00:09:00.610 I'm going to ride the chariot 73 00:09:00.610 --> 00:09:01.650 in the morning, Lord. 74 00:09:01.650 --> 00:09:02.670 I'm getting ready for 75 00:09:03.350 --> 00:09:06.930 the judgment day, my Lord, my Lord. 76 00:09:06.970 --> 00:09:08.710 Are you ready, my brother? 77 00:09:08.890 --> 00:09:09.590 Oh, yes. 78 00:09:09.610 --> 00:09:11.170 Are you ready for the journey? 79 00:09:11.450 --> 00:09:12.230 Oh, yes. 80 00:09:12.230 --> 00:09:13.870 Do you want to see a Jesus? 81 00:09:14.070 --> 00:09:14.730 Oh, yes. 82 00:09:14.750 --> 00:09:16.150 I'm waiting for the chair, 83 00:09:16.150 --> 00:09:17.890 because I'm ready to go. 84 00:09:18.070 --> 00:09:23.230 I never can forget that day, 85 00:09:23.710 --> 00:09:25.550 riding the chariot to see my Lord, 86 00:09:25.830 --> 00:09:30.950 when all my sins were taken away. 87 00:09:31.790 --> 00:09:33.450 Riding the chariot to see my Lord, 88 00:09:33.530 --> 00:09:34.810 I'm going to ride the chariot 89 00:09:34.810 --> 00:09:35.690 in the morning, Lord. 90 00:09:35.710 --> 00:09:37.050 I'm going to ride the chariot 91 00:09:37.050 --> 00:09:37.830 in the morning, Lord. 92 00:09:37.830 --> 00:09:40.470 I'm getting ready for the judgment day, 93 00:09:40.470 --> 00:09:42.310 my Lord, my Lord. 94 00:09:42.310 --> 00:09:43.770 I'm going to ride the chariot 95 00:09:43.770 --> 00:09:44.790 in the morning, Lord. 96 00:09:44.790 --> 00:09:46.350 I'm going to ride the chariot 97 00:09:46.350 --> 00:09:47.190 in the morning, Lord. 98 00:09:47.310 --> 00:09:49.470 I'm going to ride in the chariot 99 00:09:49.470 --> 00:09:52.170 to see my Lord, 100 00:09:52.350 --> 00:09:56.750 to see my Lord. 101 00:10:01.330 --> 00:10:02.590 Wonderful, wonderful. 102 00:10:02.810 --> 00:10:04.990 See, that sure does bring back 103 00:10:04.990 --> 00:10:05.950 fond memories. 104 00:10:07.530 --> 00:10:09.910 I imagine you've used this system 105 00:10:09.910 --> 00:10:11.070 one time or another, 106 00:10:11.170 --> 00:10:12.210 where you tie a string 107 00:10:12.210 --> 00:10:13.030 around your finger 108 00:10:13.030 --> 00:10:14.090 to remember something. 109 00:10:14.090 --> 00:10:15.430 If you're like me though, 110 00:10:15.550 --> 00:10:16.470 every time I tie a string 111 00:10:16.470 --> 00:10:17.290 around my finger, 112 00:10:17.410 --> 00:10:18.370 why, I forget what I put 113 00:10:18.370 --> 00:10:19.310 the string there for. 114 00:10:19.610 --> 00:10:21.350 Except I think this boy right here, 115 00:10:21.610 --> 00:10:23.610 Neil Burruss, has the real system. 116 00:10:23.650 --> 00:10:25.270 He says that he's going to tie 117 00:10:25.270 --> 00:10:26.930 the string around your finger. 118 00:10:27.230 --> 00:10:28.330 Now, what do you mean by that? 119 00:10:28.390 --> 00:10:30.410 I kind of had Corky in mind here 120 00:10:30.410 --> 00:10:31.510 when I'm going to tie a string. 121 00:10:31.510 --> 00:10:33.670 You always got Corky in mind, boys. 122 00:10:33.670 --> 00:10:34.430 Say it. 123 00:10:36.250 --> 00:10:37.590 I'm going to tie 124 00:10:37.590 --> 00:10:38.630 a little string 125 00:10:38.630 --> 00:10:41.130 around your finger. 126 00:10:41.130 --> 00:10:44.130 Tell you that you're tied to me. 127 00:10:45.110 --> 00:10:47.410 I'm going to lock your fickle heart 128 00:10:47.410 --> 00:10:50.290 and weave you apart, dear. 129 00:10:50.430 --> 00:10:53.130 Cause I'll throw away the key. 130 00:10:54.090 --> 00:10:56.950 If you forget just who you gave 131 00:10:56.950 --> 00:10:58.430 your heart to, 132 00:10:58.670 --> 00:11:00.610 this string will start to 133 00:11:00.610 --> 00:11:02.070 help your memory. 134 00:11:03.010 --> 00:11:05.470 I'm going to tie a little string 135 00:11:05.470 --> 00:11:08.090 around your finger. 136 00:11:08.090 --> 00:11:12.090 Tell you that you're tied to me. 137 00:11:20.070 --> 00:11:21.110 Good morning, Neil. 138 00:11:21.310 --> 00:11:23.510 I had a feeling that I just 139 00:11:23.510 --> 00:11:26.310 could never trust you. 140 00:11:26.490 --> 00:11:29.850 With all my true love from the start, 141 00:11:30.230 --> 00:11:31.910 I thought that you, dear, 142 00:11:32.130 --> 00:11:35.050 might forget and leave me setting. 143 00:11:35.050 --> 00:11:39.310 So blue and with a broken heart, 144 00:11:39.630 --> 00:11:44.230 so maybe string will easily remind you 145 00:11:44.230 --> 00:11:47.890 cause I find you have no memory. 146 00:11:48.650 --> 00:11:51.090 I'm going to tie a little string 147 00:11:51.090 --> 00:11:53.810 around your finger. 148 00:11:54.150 --> 00:11:57.690 Tell you that you're tied to me. 149 00:11:59.050 --> 00:11:59.490 Wonderful! 150 00:12:02.970 --> 00:12:05.230 And look where he goes right back to. 151 00:12:05.550 --> 00:12:08.230 We didn't interrupt him long, did we, gang? 152 00:12:08.670 --> 00:12:10.410 Say, Uncle Tom, step up here a minute. 153 00:12:10.690 --> 00:12:12.490 What do you think of that kind of 154 00:12:12.490 --> 00:12:14.630 shenanigans here we have by Neil Burruss? 155 00:12:14.730 --> 00:12:15.590 What did I think of it? 156 00:12:15.710 --> 00:12:16.110 Yeah. 157 00:12:17.390 --> 00:12:17.830 Mushin'. 158 00:12:17.830 --> 00:12:19.730 Oh, he's just old-fashioned. 159 00:12:19.870 --> 00:12:21.930 Yeah, you know what Uncle Tom used to call it. 160 00:12:22.130 --> 00:12:22.910 Spoonin', see? 161 00:12:23.170 --> 00:12:24.490 But I bet you we could set 162 00:12:24.490 --> 00:12:26.450 Uncle Tom's toes just to tap in 163 00:12:26.450 --> 00:12:28.550 if we were to throw some boogie in here. 164 00:12:29.170 --> 00:12:30.570 And I tell you what, 165 00:12:30.770 --> 00:12:32.550 if I were to call for the song 166 00:12:32.550 --> 00:12:33.910 Shotgun Boogie, 167 00:12:34.390 --> 00:12:36.510 who do you suppose I'd be calling on? 168 00:12:36.930 --> 00:12:37.830 Tennessee Ernie! 169 00:12:37.930 --> 00:12:39.430 You bet! Here he is! 170 00:12:42.990 --> 00:12:44.690 The egg stands in the corner 171 00:12:44.690 --> 00:12:45.870 where the barrels are straight. 172 00:12:46.210 --> 00:12:47.110 I looked out and the wind 173 00:12:47.110 --> 00:12:48.290 ran over the gate. 174 00:12:48.630 --> 00:12:49.950 The big fat rabbits are 175 00:12:49.950 --> 00:12:51.070 jumpin' in the grass. 176 00:12:51.270 --> 00:12:52.410 When will they hear my old 177 00:12:52.410 --> 00:12:53.550 shotgun blast? 178 00:12:53.950 --> 00:12:54.750 Shotgun boogie! 179 00:12:55.330 --> 00:12:57.610 I done saw your track. 180 00:12:58.510 --> 00:12:59.590 Look out, Mr. Rabbit, 181 00:12:59.650 --> 00:13:01.750 when I cock my hammer back. 182 00:13:03.290 --> 00:13:04.610 Well, over on the ridge 183 00:13:04.610 --> 00:13:05.810 is a scaly bark. 184 00:13:06.190 --> 00:13:07.090 Hickor nuts are big, 185 00:13:07.150 --> 00:13:08.350 you can see them in the dark. 186 00:13:08.530 --> 00:13:09.690 The big fat squirrels, 187 00:13:09.810 --> 00:13:10.650 they scratch and they fight. 188 00:13:10.730 --> 00:13:12.750 I'll be on that ridge before daylight. 189 00:13:13.890 --> 00:13:14.850 Shotgun boogie! 190 00:13:15.390 --> 00:13:17.430 I don't need but one shot. 191 00:13:18.390 --> 00:13:19.670 Look out, bushy tail, 192 00:13:19.890 --> 00:13:22.750 tonight you'll be the fight. 193 00:13:25.430 --> 00:13:27.070 When I met a pretty gal, 194 00:13:27.070 --> 00:13:28.410 she was tall and thin. 195 00:13:28.630 --> 00:13:29.510 I asked her what she had, 196 00:13:29.650 --> 00:13:30.930 she said a Fox 410. 197 00:13:31.170 --> 00:13:32.110 I looked her up and down 198 00:13:32.110 --> 00:13:33.350 and said, boy, this is love. 199 00:13:33.570 --> 00:13:34.570 We headed for the brush 200 00:13:34.570 --> 00:13:36.150 to shoot a big fat dove. 201 00:13:36.630 --> 00:13:37.430 Shotgun boogie! 202 00:13:38.390 --> 00:13:39.950 Boy, the feathers flew. 203 00:13:41.090 --> 00:13:42.290 Look out, Mr. Dove, 204 00:13:42.330 --> 00:13:45.610 when she draws a bead on you. 205 00:13:45.970 --> 00:13:47.350 I sat down on a log, 206 00:13:47.390 --> 00:13:48.510 took her on my lap. 207 00:13:48.530 --> 00:13:49.510 She said, wait a minute, 208 00:13:49.710 --> 00:13:51.050 bud, you've got to see my cap. 209 00:13:51.110 --> 00:13:52.490 He's got a 16 gauge 210 00:13:52.490 --> 00:13:53.810 to hold down like a rifle. 211 00:13:53.810 --> 00:13:55.110 Don't want a man 212 00:13:55.110 --> 00:13:56.670 that's a gonna trifle. 213 00:13:56.830 --> 00:13:58.270 Shotgun boogie! 214 00:13:58.790 --> 00:14:00.870 Draws a bead so fine. 215 00:14:01.590 --> 00:14:02.710 Look out, big boy, 216 00:14:02.710 --> 00:14:06.470 he's loaded all the time. 217 00:14:08.890 --> 00:14:10.230 What I called on her, 218 00:14:10.230 --> 00:14:11.210 papped like a gentleman, 219 00:14:11.230 --> 00:14:11.990 ordered, he said, 220 00:14:12.130 --> 00:14:13.090 no brush hunter's 221 00:14:13.090 --> 00:14:14.110 gonna get my daughter. 222 00:14:14.510 --> 00:14:15.610 He cocked back the hammer 223 00:14:15.610 --> 00:14:16.750 right on the spot. 224 00:14:16.910 --> 00:14:18.170 When the gun went off, 225 00:14:18.210 --> 00:14:19.530 I outrun the shot. 226 00:14:19.990 --> 00:14:20.970 Shotgun boogie! 227 00:14:20.970 --> 00:14:23.690 I want it with bells. 228 00:14:24.550 --> 00:14:25.910 I'll be back, little gal, 229 00:14:25.930 --> 00:14:29.770 when your packie runs out of shells. 230 00:14:30.350 --> 00:14:30.910 Hey! 231 00:14:33.390 --> 00:14:34.790 What's up, everybody? 232 00:14:34.790 --> 00:14:34.790 233 00:14:34.990 --> 00:14:36.150 funny-haired Tennessee Ernie 234 00:14:36.150 --> 00:14:37.150 with his real famous 235 00:14:37.150 --> 00:14:38.130 shotgun boogie. 236 00:14:38.370 --> 00:14:39.770 You know, I may be reaching 237 00:14:39.770 --> 00:14:40.690 for this a little bit, 238 00:14:40.690 --> 00:14:41.790 but here's a message 239 00:14:41.790 --> 00:14:43.110 that's aimed to you, 240 00:14:43.230 --> 00:14:46.030 loaded all the way with value. 241 00:14:54.810 --> 00:14:56.210 Folks, Tennessee Ernie 242 00:14:56.210 --> 00:14:56.770 and Bill Bailey, 243 00:14:56.770 --> 00:14:58.110 I get themselves some cider. 244 00:14:58.210 --> 00:14:59.890 We'd like to have you join us 245 00:14:59.890 --> 00:15:01.030 as the Candy Mountain 246 00:15:01.030 --> 00:15:01.890 Girls sing a song. 247 00:15:02.290 --> 00:15:03.590 That's Mary Jane 248 00:15:03.590 --> 00:15:05.770 and Sandy and Corky 249 00:15:05.770 --> 00:15:06.750 sort of get in the mood 250 00:15:06.750 --> 00:15:08.510 with It's My Lazy Day. 251 00:15:10.290 --> 00:15:12.610 Well, I might have gone fishing, 252 00:15:13.570 --> 00:15:15.310 got to thinking it over. 253 00:15:16.150 --> 00:15:18.750 The road to the river 254 00:15:18.750 --> 00:15:20.950 is a mighty long way. 255 00:15:20.950 --> 00:15:24.110 It must be the season, 256 00:15:24.510 --> 00:15:26.070 nor rhyme or no reason. 257 00:15:26.970 --> 00:15:29.410 Just taking it easy. 258 00:15:29.970 --> 00:15:32.190 It's my lazy day. 259 00:15:32.490 --> 00:15:34.130 I'm finding it easy 260 00:15:34.950 --> 00:15:36.950 to mind my own business. 261 00:15:37.550 --> 00:15:40.730 I'm keeping my nose out 262 00:15:40.730 --> 00:15:42.870 of everyone's way. 263 00:15:43.470 --> 00:15:46.130 I'm hiring old people 264 00:15:46.130 --> 00:15:47.990 and taking orders. 265 00:15:47.990 --> 00:15:51.490 Just taking it easy. 266 00:15:51.770 --> 00:15:54.050 It's my lazy day. 267 00:15:54.630 --> 00:15:56.250 I'm asking old questions. 268 00:15:56.850 --> 00:15:58.730 Ain't giving advice. 269 00:16:00.030 --> 00:16:01.990 Ain't dating old boyfriends. 270 00:16:03.070 --> 00:16:05.010 Ain't wanting to play. 271 00:16:05.510 --> 00:16:07.230 Just want to look stupid. 272 00:16:08.350 --> 00:16:11.070 Don't want to meet cupids. 273 00:16:11.170 --> 00:16:12.990 Just taking it easy. 274 00:16:13.710 --> 00:16:15.970 It's my lazy day. 275 00:16:15.970 --> 00:16:18.530 Yes, I might have gone fishing, 276 00:16:19.610 --> 00:16:21.910 got to thinking it over. 277 00:16:22.330 --> 00:16:24.850 The road to the river 278 00:16:24.850 --> 00:16:27.350 is a mighty long way. 279 00:16:27.710 --> 00:16:29.670 It must be the season, 280 00:16:30.750 --> 00:16:32.230 nor rhyme or no reason. 281 00:16:33.230 --> 00:16:35.610 Just taking it easy. 282 00:16:36.150 --> 00:16:38.490 It's my lazy day. 283 00:16:39.110 --> 00:16:41.450 Just taking it easy. 284 00:16:41.450 --> 00:16:46.070 Just taking it easy. 285 00:16:46.970 --> 00:16:53.250 It's my lazy day. 286 00:17:03.950 --> 00:17:06.190 Golly, the Candy Mountain Girls. 287 00:17:06.430 --> 00:17:08.410 Candy, or Sandy rather. 288 00:17:08.610 --> 00:17:09.650 Candy Mountain Girls 289 00:17:09.650 --> 00:17:11.370 by Sandy Corky and Mary Jane. 290 00:17:11.750 --> 00:17:13.230 That really put us in a fine mood. 291 00:17:13.370 --> 00:17:14.530 And you know, Pee Wee King 292 00:17:14.530 --> 00:17:16.250 kind of sneaked up here to me. 293 00:17:16.250 --> 00:17:17.370 And he told me about a song 294 00:17:17.370 --> 00:17:18.510 that he had to more or less 295 00:17:18.510 --> 00:17:20.210 carry through the same mood. 296 00:17:20.670 --> 00:17:22.090 And I was so happy 297 00:17:22.650 --> 00:17:24.230 when I learned what the title of it was 298 00:17:24.230 --> 00:17:25.570 because it's destined to be 299 00:17:25.570 --> 00:17:27.770 a standard song in good old America 300 00:17:27.770 --> 00:17:29.870 for as long as anybody's ever 301 00:17:29.870 --> 00:17:30.670 kicking around here. 302 00:17:30.870 --> 00:17:32.570 It's his third great big hit. 303 00:17:33.110 --> 00:17:34.550 First there was Tennessee Waltz, 304 00:17:34.630 --> 00:17:35.550 Bonaparte's Retreat, 305 00:17:35.590 --> 00:17:37.710 and now it's Slowpoke. 306 00:17:37.710 --> 00:17:39.210 Oh, how we like that. 307 00:17:41.530 --> 00:17:43.190 Come on Mr. RCA Victor. 308 00:17:49.530 --> 00:17:51.150 You keep me waiting 309 00:17:51.150 --> 00:17:52.950 till it's getting aggravating 310 00:17:52.950 --> 00:17:55.710 You're a slowpoke 311 00:17:56.650 --> 00:17:58.050 I wait and worry 312 00:17:58.050 --> 00:17:59.830 but you never seem to hurry 313 00:17:59.830 --> 00:18:02.710 You're a slowpoke 314 00:18:04.250 --> 00:18:06.710 Time means nothing to you 315 00:18:06.710 --> 00:18:09.870 I wait and then 316 00:18:12.390 --> 00:18:13.910 late again 317 00:18:13.910 --> 00:18:15.870 Eight o'clock, nine o'clock 318 00:18:15.870 --> 00:18:17.270 quarter to ten 319 00:18:17.270 --> 00:18:18.990 Why should I linger 320 00:18:18.990 --> 00:18:20.730 every time you snap your finger 321 00:18:20.730 --> 00:18:22.750 little slowpoke 322 00:18:24.210 --> 00:18:25.950 Why can't you hasten 323 00:18:25.950 --> 00:18:26.910 when you know that 324 00:18:26.910 --> 00:18:27.650 time's a-wasting 325 00:18:27.650 --> 00:18:30.750 You're a slowpoke here 326 00:18:31.550 --> 00:18:33.470 Why should I keep 327 00:18:33.470 --> 00:18:35.110 trying to change you 328 00:18:35.110 --> 00:18:37.990 It's not a thing to do 329 00:18:37.990 --> 00:18:39.690 I guess I'll have to learn 330 00:18:39.690 --> 00:18:43.050 to be a slowpoke too 331 00:19:41.090 --> 00:19:42.730 You keep me waiting 332 00:19:42.730 --> 00:19:44.570 till it's getting aggravating 333 00:19:44.570 --> 00:19:47.930 You're a slowpoke 334 00:19:47.930 --> 00:19:49.830 I wait and worry 335 00:19:49.830 --> 00:19:51.590 but you never seem to hurry 336 00:19:51.590 --> 00:19:55.110 You're a slowpoke 337 00:19:55.950 --> 00:19:58.570 Time means nothing to you 338 00:19:58.570 --> 00:20:01.650 I wait and then 339 00:20:03.570 --> 00:20:05.090 late again 340 00:20:05.090 --> 00:20:05.090 341 00:20:05.090 --> 00:20:05.090 342 00:20:05.090 --> 00:20:07.730 Eight o'clock, nine o'clock 343 00:20:07.730 --> 00:20:09.110 quarter to ten 344 00:20:09.110 --> 00:20:10.910 Why can't you hasten 345 00:20:10.910 --> 00:20:11.850 when you know that 346 00:20:11.850 --> 00:20:12.650 time's a-wasting 347 00:20:12.650 --> 00:20:14.710 You're a slowpoke 348 00:20:16.210 --> 00:20:17.850 Why should I linger 349 00:20:17.850 --> 00:20:19.590 every time you snap your finger 350 00:20:19.590 --> 00:20:22.990 You're a slowpoke dear 351 00:20:22.990 --> 00:20:25.190 Why should I keep 352 00:20:25.190 --> 00:20:26.990 trying to change you 353 00:20:26.990 --> 00:20:29.090 It's not a thing to do 354 00:20:29.630 --> 00:20:31.570 I guess I'll have to learn 355 00:20:31.570 --> 00:20:35.390 to be a slowpoke too 356 00:20:36.490 --> 00:20:37.510 Well, Red Stewart, 357 00:20:37.630 --> 00:20:38.830 it looks like that's it. 358 00:20:39.470 --> 00:20:39.950 Slowpoke. 359 00:20:42.410 --> 00:20:43.410 Well, I'll tell you, 360 00:20:43.430 --> 00:20:44.970 that was Red Stewart singing that, 361 00:20:44.970 --> 00:20:46.190 and I'm sure you're all familiar 362 00:20:46.190 --> 00:20:47.950 with that wonderful song, Slowpoke, 363 00:20:48.010 --> 00:20:49.530 not only from the radio 364 00:20:49.530 --> 00:20:50.450 and television, 365 00:20:50.450 --> 00:20:51.790 but also from the wonderful 366 00:20:51.790 --> 00:20:53.450 RCA Victor records of it 367 00:20:53.450 --> 00:20:54.350 that I know many of you 368 00:20:54.350 --> 00:20:56.010 have already run out 369 00:20:56.010 --> 00:20:56.910 and bought yourself 370 00:20:56.910 --> 00:20:57.870 a dozen or so of, 371 00:20:57.910 --> 00:20:59.210 or at least Pee-Wees hope in that. 372 00:21:01.630 --> 00:21:02.390 I'll tell you what, 373 00:21:02.410 --> 00:21:03.290 everything is more or less 374 00:21:03.290 --> 00:21:04.930 on the bright side of life around here. 375 00:21:04.930 --> 00:21:06.170 We have a bright little message 376 00:21:06.170 --> 00:21:07.990 I'd like to get home to you right now. 377 00:21:08.030 --> 00:21:08.570 In the meanwhile, 378 00:21:08.970 --> 00:21:10.210 if you'll look into this, 379 00:21:10.390 --> 00:21:11.990 I'll look into lining up some 380 00:21:11.990 --> 00:21:13.990 good old-fashioned banjo-picking 381 00:21:13.990 --> 00:21:16.010 for you by our Polk County boys. 382 00:21:16.130 --> 00:21:16.750 Is that a deal? 383 00:21:17.230 --> 00:21:18.070 Look here now. 384 00:21:30.850 --> 00:21:32.570 Long, long time ago 385 00:21:32.570 --> 00:21:34.490 is all you folks should know 386 00:21:34.490 --> 00:21:37.050 Uncle Noe built himself an ark 387 00:21:37.050 --> 00:21:39.610 For forty days and nights 388 00:21:39.610 --> 00:21:41.330 the rain was sure a fright 389 00:21:41.330 --> 00:21:44.010 The animal nearly tore the ark apart 390 00:21:44.010 --> 00:21:46.690 The duck went quack, the cow went moo 391 00:21:46.690 --> 00:21:48.050 The rooster cocked, it doodled, it didodled 392 00:21:48.050 --> 00:21:48.050 393 00:21:48.050 --> 00:21:48.050 394 00:21:48.050 --> 00:21:48.050 395 00:21:48.050 --> 00:21:48.050 396 00:21:48.050 --> 00:21:48.050 397 00:21:48.050 --> 00:21:48.050 398 00:21:48.050 --> 00:21:48.050 399 00:21:48.050 --> 00:21:48.050 400 00:21:48.050 --> 00:21:48.050 401 00:21:48.050 --> 00:21:48.050 402 00:21:48.070 --> 00:21:50.890 The old tomcats raged an awful row 403 00:21:51.550 --> 00:21:53.750 The little big squeal in the billy called Bad 404 00:21:53.750 --> 00:21:54.470 The bull thong said, 405 00:21:54.490 --> 00:21:55.450 Big rain will overhead 406 00:21:55.450 --> 00:21:57.870 Uncle Noe zocks him at us now 407 00:21:57.870 --> 00:22:00.410 All the horses and cattle 408 00:22:00.410 --> 00:22:02.370 and fowls in the air 409 00:22:02.370 --> 00:22:06.070 Even that long-haired jackass was there 410 00:22:06.070 --> 00:22:07.750 Quack, moo, howl said hoo 411 00:22:08.850 --> 00:22:09.450 Cuckadoodledoo 412 00:22:09.450 --> 00:22:11.690 All was that Uncle Noe's art 413 00:22:15.750 --> 00:22:17.670 At last the sun did shine 414 00:22:17.670 --> 00:22:19.750 Through the window bright and fine 415 00:22:19.750 --> 00:22:22.130 Uncle Noe thought it was time to land 416 00:22:22.690 --> 00:22:24.610 He couldn't open the door 417 00:22:24.610 --> 00:22:26.490 Left's hammer on the shore 418 00:22:26.490 --> 00:22:27.990 The animal roared and growled 419 00:22:27.990 --> 00:22:29.850 to beat the band 420 00:22:29.850 --> 00:22:31.750 The duck went quack, the cow went moo 421 00:22:31.750 --> 00:22:33.390 The rooster cocked, it doodled, it didodled 422 00:22:33.390 --> 00:22:36.090 The old tomcats raged an awful row 423 00:22:36.090 --> 00:22:38.650 The little big squeal in the billy called Bad 424 00:22:38.650 --> 00:22:39.450 The bull thong said, 425 00:22:39.530 --> 00:22:40.430 Big rain will overhead 426 00:22:40.430 --> 00:22:43.170 Uncle Noe zocks him at us now 427 00:22:43.170 --> 00:22:45.470 All the horses and cattle 428 00:22:45.470 --> 00:22:47.290 and fowls in the air 429 00:22:47.290 --> 00:22:50.810 Even that long-haired jackass was there 430 00:22:50.810 --> 00:22:52.610 Quack, moo, howl said hoo 431 00:22:53.790 --> 00:22:54.310 Cuckadoodledoo 432 00:22:54.310 --> 00:22:57.430 All was that Uncle Noe's art 433 00:23:08.170 --> 00:23:10.310 Them's my buddies, them's my boys, 434 00:23:10.450 --> 00:23:11.450 the Polk County boys. 435 00:23:11.470 --> 00:23:13.910 And I'll bet you, you got just as much kick out of that 436 00:23:13.910 --> 00:23:16.890 as I did and everybody did right here. 437 00:23:17.190 --> 00:23:18.410 Well, listen to this. 438 00:23:18.870 --> 00:23:19.850 B.W. King and his band 439 00:23:19.850 --> 00:23:21.650 working with me just like clockwork. 440 00:23:21.990 --> 00:23:24.910 It means it's time that we're gonna have to head for home. 441 00:23:25.530 --> 00:23:27.350 I would sincerely appreciate it, 442 00:23:27.350 --> 00:23:29.010 and I'm speaking for everybody here, 443 00:23:29.230 --> 00:23:31.550 if you'd say thanks to our sponsor 444 00:23:31.550 --> 00:23:34.150 by dropping in and paying him a call. 445 00:23:35.390 --> 00:23:36.910 So you know, one of the most worthwhile 446 00:23:37.610 --> 00:23:39.610 and pleasant experiences 447 00:23:39.610 --> 00:23:41.590 that we'll ever enjoy 448 00:23:41.590 --> 00:23:44.930 is having youngsters about the home. 449 00:23:45.870 --> 00:23:47.210 And we must never forget 450 00:23:47.210 --> 00:23:52.090 to take the time to enjoy that bit of happiness. 451 00:23:53.190 --> 00:23:54.410 We're running a little bit late, 452 00:23:54.570 --> 00:23:57.030 so until next time, we'll be looking for you. 453 00:23:57.090 --> 00:23:58.890 This is Bill Bailey saying so long, 454 00:23:59.330 --> 00:24:01.190 and God bless each and every one of you. 455 00:24:01.450 --> 00:24:02.030 Yes, sir! 456 00:24:02.830 --> 00:24:06.510 And between you, we're a land free body, dear Gerald. 457 00:24:07.290 --> 00:24:09.750 And a man of left left, a gentleman all around the street, 458 00:24:09.750 --> 00:24:12.270 hand over hand with a fair walk, man to man, 459 00:24:12.430 --> 00:24:14.130 and now long as he's not there, 460 00:24:14.570 --> 00:24:16.930 he'll have to all the bags he's been on the wall prom, 461 00:24:17.050 --> 00:24:18.210 and he'll only hear over and over. 462 00:24:19.030 --> 00:24:20.570 A first, double swing. 463 00:24:20.950 --> 00:24:22.910 First, enter the right of the ring with a right hand, 464 00:24:22.910 --> 00:24:24.050 curve with a right hand and round, 465 00:24:24.170 --> 00:24:25.890 and back to the honey with a left hand and round. 466 00:24:26.710 --> 00:24:28.330 Hard to endure with a right hand and round, 467 00:24:28.490 --> 00:24:30.330 and now you're home with a left hand and round. 468 00:24:30.850 --> 00:24:32.550 And a left hand curve with a right hand and round, 469 00:24:32.750 --> 00:24:34.390 and bird in cage round and round. 470 00:24:35.310 --> 00:24:36.350 Bird in cage round. 471 00:24:36.350 --> 00:24:38.610 The old number, hop out and throw on men. 472 00:24:39.110 --> 00:24:39.530 Oh, no! 473 00:24:40.390 --> 00:24:42.470 Throw hop out, left down and all around, 474 00:24:42.570 --> 00:24:43.810 bring your old hand to the hand. 475 00:24:45.450 --> 00:24:47.990 First one, then the next, and now you're huddling out 476 00:24:47.990 --> 00:24:50.410 and getting mixed from age pretty tall. 477 00:24:52.170 --> 00:24:54.650 Second couple, swing and get out. 478 00:24:54.790 --> 00:24:56.670 Now you go, tip out to the right, 479 00:24:56.810 --> 00:24:58.690 flip to the right, head lady with the right hand round. 480 00:24:59.430 --> 00:25:01.090 I'm fired away to the left, hand round. 481 00:25:01.190 --> 00:25:02.970 Yeah, tip lady with the right hand round. 482 00:25:03.650 --> 00:25:05.490 And now you're on the left hand round. 483 00:25:05.490 --> 00:25:07.870 Far left hand girl with the right hand round, 484 00:25:08.030 --> 00:25:10.210 back to the far right of the left hand round. 485 00:25:10.630 --> 00:25:13.070 30 to cage, cage around, 30 weeks. 486 00:25:13.730 --> 00:25:15.310 We walk on the main street, 487 00:25:15.390 --> 00:25:16.250 and I'm throwing the spin. 488 00:25:16.250 --> 00:25:18.270 Walking through the night, I'm falling down. 489 00:25:18.710 --> 00:25:21.250 I'm coming out, left hand, left hand lady, 490 00:25:21.610 --> 00:25:23.650 right hand, give her a little baby, grab the key. 491 00:25:23.850 --> 00:25:26.230 Now we go, 30 to girls, and go slow. 492 00:25:27.190 --> 00:25:29.550 30 to girls, be slow, we're going to the square dance, 493 00:25:29.570 --> 00:25:30.470 go to the mall. 494 00:25:31.170 --> 00:25:32.870 Now there's the old way to do, 495 00:25:32.870 --> 00:25:34.590 now show the right hand, show the left hand. 496 00:25:35.190 --> 00:25:38.150 Touch it out, right hand girl with the right hand round. 497 00:25:39.090 --> 00:25:40.490 I hear a little left hand round, 498 00:25:40.710 --> 00:25:42.370 I'm the lady with the right hand round. 499 00:25:42.990 --> 00:25:44.950 And now you're on the left hand round. 500 00:25:45.570 --> 00:25:47.350 Left hand girl with the right hand round. 501 00:25:48.150 --> 00:25:49.650 Now you're on the left hand round, 502 00:25:49.870 --> 00:25:51.430 burning the cage around and around. 503 00:25:52.230 --> 00:25:54.890 I burn up out, throw fire, call them, call them, 504 00:25:54.910 --> 00:25:55.710 go on and get them. 505 00:25:56.790 --> 00:25:57.410 Come on, come on, come on, come on. 506 00:25:57.410 --> 00:25:59.430 Let's go, left hand man, hold out, 507 00:25:59.610 --> 00:26:01.490 right hand on the man with the first one, 508 00:26:01.750 --> 00:26:02.290 man with red. 509 00:26:02.790 --> 00:26:04.810 Now meet your gal, give her a kiss, 510 00:26:05.090 --> 00:26:07.310 promenade your girl with the man with the promenade, 511 00:26:07.350 --> 00:26:10.610 turn around and go for the last couple of swings. 512 00:26:11.090 --> 00:26:13.090 For the gentle round, bring the right hand girl 513 00:26:13.090 --> 00:26:14.170 with the right hand round. 514 00:26:14.890 --> 00:26:16.730 And now your honey with the left hand round. 515 00:26:17.450 --> 00:26:19.290 I'm the lady with the right hand round. 516 00:26:19.890 --> 00:26:21.910 And now your honey with the left hand round. 517 00:26:22.550 --> 00:26:24.170 I'm the left hand girl with the right hand round. 518 00:26:24.410 --> 00:26:26.530 And burn the cage and I'll go around and around. 519 00:26:27.530 --> 00:26:29.010 I burn up out, throw fire, 520 00:26:29.150 --> 00:26:31.310 engage the girls, call them, get them. 521 00:26:31.910 --> 00:26:33.370 Go up out, left hand man, 522 00:26:33.370 --> 00:26:35.250 hold out, right hand on the man. 523 00:26:35.950 --> 00:26:38.430 Hurry up girls, don't be late when you're found 524 00:26:38.430 --> 00:26:40.830 in promenade street, promenade street, promenade. 525 00:26:43.850 --> 00:26:45.970 Everybody swing, swing, swing all day. 526 00:26:46.190 --> 00:26:48.810 All join hands and I'll find circle left. 527 00:26:51.070 --> 00:26:52.130 And now the right. 528 00:26:53.610 --> 00:26:55.310 Promenade, you know where it's deep, 529 00:26:55.390 --> 00:26:57.590 but there's a certain gap in my head, yes. 530 00:26:58.910 --> 00:26:59.190 Yeah. 531 00:27:00.470 --> 00:27:00.670 Yeah. 532 00:27:01.250 --> 00:27:02.370 Yeah. 533 00:27:03.570 --> 00:27:04.730 Yeah. 534 00:27:04.730 --> 00:27:05.850 Yeah.