WEBVTT

1
00:00:00.000 --> 00:00:00.000


2
00:00:28.480 --> 00:00:29.880
It

3
00:00:29.880 --> 00:00:34.740
there because the background was lumpy. He didn't get it but that's alright.

4
00:00:36.560 --> 00:00:41.140
I'm here trying to put the make on this beautiful young lady right here. Otherwise I wouldn't

5
00:00:41.140 --> 00:00:42.940
even be at this silly thing.

6
00:00:46.380 --> 00:00:52.360
I was invited here through my daughter who's an art student of Tom's. It's the first time

7
00:00:52.360 --> 00:00:54.980
I've been to a gallery and it's very interesting.

8
00:00:56.760 --> 00:01:02.480
Well what do you think about Tom Palazzolo's opening? I think it's a wonderful event. I

9
00:01:02.480 --> 00:01:07.460
think everyone here is very impressed by the work that they see. I think that his work

10
00:01:07.460 --> 00:01:12.720
is excellent. What exactly do you think his concerns are about these paintings?

11
00:01:13.080 --> 00:01:15.560
Don't talk about that. Just have this wine.

12
00:01:16.160 --> 00:01:17.900
Oh yeah, just the wine. That's a good idea.

13
00:01:17.900 --> 00:01:23.000
I think Palazzolo has a marvelous sense of humor.

14
00:01:23.180 --> 00:01:24.820
Rather theatrical, don't you think?

15
00:01:25.080 --> 00:01:31.280
Very theatrical and I think that comes out of his training in the Barnum and Bailey Circus

16
00:01:31.280 --> 00:01:36.640
Ringling Borders training. We've got twenty minutes, seconds.

17
00:01:37.060 --> 00:01:38.320
Twenty seconds left.

18
00:01:38.400 --> 00:01:40.620
Yes, what shall we talk about in twenty seconds?

19
00:01:50.680 --> 00:01:52.440
Be clever, quick.

20
00:01:52.880 --> 00:01:54.420
I already was clever, ask him.

21
00:01:55.340 --> 00:01:56.880
Jerry, you want to tell a joke or?

22
00:01:59.040 --> 00:02:00.360
Take your teeth out.

23
00:02:01.920 --> 00:02:03.360
I can take my teeth out.

24
00:02:04.060 --> 00:02:11.300
I'm very happy to be a part of this film. But the hardest thing about making this film

25
00:02:11.300 --> 00:02:18.200
for me was collaborating with Judy Hoffman on the finger food for the party tonight.

26
00:02:20.380 --> 00:02:22.260
These are all battery mics.

27
00:02:24.040 --> 00:02:24.660
Why are they there?

28
00:02:25.700 --> 00:02:26.360
It's been a while.

29
00:02:34.520 --> 00:02:37.180
Why don't you write that on the top of the sketch?

30
00:02:37.340 --> 00:02:38.700
We'll do.

31
00:02:38.700 --> 00:02:43.860
What? The saxophone, we saw it one scene from that.

32
00:02:44.160 --> 00:02:44.980
It looked really hot.

33
00:02:45.280 --> 00:02:47.900
Not really.

34
00:02:49.860 --> 00:02:52.220
When you go, Bill, do you want to live north?

35
00:02:52.740 --> 00:02:54.940
If I can't volunteer with you, he's a nice guy.

36
00:02:55.540 --> 00:02:57.780
Bill, where do you live now?

37
00:02:59.020 --> 00:03:02.520
I mean, how can you go and look at a bunch of bullshit?

38
00:03:03.780 --> 00:03:05.840
The painting and all that.

39
00:03:06.740 --> 00:03:12.800
I don't want to make it like the black patent leather shoes really reflect it.

40
00:03:13.800 --> 00:03:18.360
Those gutless cows, they dump all those poor people on their plane.

41
00:03:18.760 --> 00:03:20.580
It's a shame, you know.

42
00:03:28.840 --> 00:03:33.560
After ten years of the life of the mind, I've decided to relocate.

43
00:03:35.880 --> 00:03:38.020
The life of the eye?

44
00:03:38.560 --> 00:03:39.700
Of the spirit.

45
00:03:42.420 --> 00:03:44.800
That's all I have to say. Just cut it there.

46
00:03:47.380 --> 00:03:47.820
Relocation.

47
00:03:52.760 --> 00:03:55.100
Like, with the...

48
00:03:55.780 --> 00:04:00.180
Anyway, I've got to go out here and pass out some more of these things.

49
00:04:00.680 --> 00:04:04.000
Like all of the people who are involved with Black Light have been doing.

50
00:04:04.000 --> 00:04:08.300
They've just been so nice, the board of directors and all these other folks.

51
00:04:08.540 --> 00:04:13.100
Brenda Webb, Cleo Wilson, and the Lloyd A. Fry Foundation,

52
00:04:14.020 --> 00:04:17.260
and the Chicago Council on Fine Arts, and all these other folks.

53
00:04:17.420 --> 00:04:21.340
I'm just so happy and so proud to be here, and I think you're out of film for real now.

54
00:04:22.480 --> 00:04:23.680
And quit stepping on my shoes.

55
00:04:24.520 --> 00:04:27.060
See, I've got Bill Stamets doing this.

56
00:04:27.620 --> 00:04:30.980
And see, Bill's double-footed.

57
00:04:31.960 --> 00:04:32.940
I think you're out of...

58
00:04:32.940 --> 00:04:35.600
Hi, folks. It just went out again.

59
00:04:35.940 --> 00:04:36.700
Hold it on still.

60
00:04:37.000 --> 00:04:40.720
Anyway, for 1986, I hope we get 50 films, all features.

61
00:04:42.540 --> 00:04:43.960
Do you care? I do.