WEBVTT

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Do you have anything to say about this phenomenon?

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What brings you to our planet?

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Do you enjoy our schools?

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What?

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Look at this guy.

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It's Grah!

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Do you visit other planets often?

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No, they must have been.

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Dylan!

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Man Ray!

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Now come on, don't tell me you never saw this.

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Look, I got it!

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Look at the hell it is!

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We're coming back.

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Yay!

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We needed that.

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Oh, this is funny.

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Just the grand school.

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Just the grand school.

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Wait, wait, wait.

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I'm sorry.

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Hello Bill.

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Alright guys.

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What a beautiful picture.

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Alright, thank you.

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What channel is this?

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It's a grass channel.

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Hold it.

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I feel scared.

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Take it away.

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We don't want to shoot this.

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Okay, but...

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for drivers hundred miles away of the highway u.

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WITH

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sie

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That

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is

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기분

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Detroit

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He

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was

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the

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I'm getting really good color.

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That's pretty easy.

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Look at the little two on my grass here, baby.

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There's one individual, a stand among them.

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Keep the drug away!

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Oh, I don't have any.

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I gotta think about this.

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But, it's great.

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It's a very nice feeling.

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It's relaxed.

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I didn't really feel self-conscious or anything.

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I'm wearing a grass suit.

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Oh, wow.

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I feel a bit...

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My shoes.

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For me, to say that it's art is an excuse.

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It's a comfortable excuse for me.

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For me, it goes beyond art.

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Because I'm trying to reach people out of the boundaries of art.

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And get them a kind of message about the environment.

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And about their bodies and the world and everything.

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So, I don't think we need to put a stamp on it.

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Whether it's sculpture or theater or whatever.

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I don't think we need to put a stamp on it.

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Because I'm trying to reach people out of the boundaries of art.

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And about their bodies and the world and everything.

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And about their bodies and the world and everything.

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Because I'm trying to reach people out of the boundaries of art.

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And about their bodies and the world and everything.

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Because I'm trying to reach people out of the boundaries of art.

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There's another person I would like to mention.

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Who very quietly but very persistently and patiently over the years.

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Gave the inspiration to this project.

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Helped the promotion of it.

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Helped with the press.

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And helped with the public awareness of the project.

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And that's Mrs. Ava Pape from New York.

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Distinguished art critic.

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Ava was a lady who very early on talked with me about the idea of doing something in the way of a sculptural park.

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And I do want to recognize her contribution.

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Creative talent on this earth that I know of.

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And my friend Michael Heiser.

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Come up here Mike and give him your own style.

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Good to have you.

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Difficult for me to add much about the project in general.

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Why so?

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Into the microphone.

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That's been a very interesting job.

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And interesting to me because it wasn't...

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Turn the mic down.

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The production of this work was never impeded by the fact that it was such a large project.

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That had so many people and institutions, government, state agencies.

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The person like myself.

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Edmund Thornton.

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A lot of people, a lot of directions.

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Lots of different interests.

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There's a reclamation project here primarily.

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My work is an adjunct to the...

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Obviously an adjunct to the original purpose which is to reconstitute this part of the world again.

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And I think they were very successful in doing that.

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And I've seen this property go from a poisoned surface to a place that now supports capable of doing it again better.

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And we never will.

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But anyway I'd like to thank everybody for giving me the opportunity to do this and work with them.

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And the names, you know, it's hard to run through the list.

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They're all special and they all performed and worked very, very hard.

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The contractor, Strunk, Blonker.

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Thanks very much Mike and Ed.

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We'll hear now from...

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Well now that's going to...

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Maybe in an elevator?

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We'll have to see what the Department of Conservation does when they take this project over to see what they do.

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What's the final bill on the project?

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A million... Sue, what did we spend? A million dollars here?

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A million dollars.

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I might add that that's no more than we would have spent without the sculptures.

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Thank you all.

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Thank you.

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Thank you.

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Thank you.

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Thank you.

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Thank you.

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Thank you.

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Thank you.

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Thank you.

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Thank you.

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Thank you.

151
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Thank you.

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Thank you.

