WEBVTT

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My name is Dean St. John and I'm from Elgin, Illinois.

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I'm a senior about to graduate and I just about got through quite a bit of track when

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I first came to Northwestern because I came from a family whose income was approximately

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$17,000 a year, so quite often we had trouble eating, more or less getting some of the extravagant

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things that some of the people I met in Northwestern got.

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So when I came here and saw people who were having incomes of like $40,000 a year, I was

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like shocked and offended somewhat because I just had never come in contact with that

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before.

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So it took me a while to come around, not to their way of thinking, but to an acceptance

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of sort of putting up with it and dealing with the fact that I can't pay tuition anymore,

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etc., etc.

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So I'm furious at Northwestern at the moment.

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I don't think that for the incredible amount of money I was given the kind of education

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I had hoped to get, I was given more of an education in how to deal with people who were

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socially different from me rather than an academic education.

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Although that was there, there wasn't enough of that.

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So it was too much social amount of academics for my taste.

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But I had fun working with all this equipment that I never had ever seen before.

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That was the best part about it, working with equipment I couldn't have.

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When I first got to Northwestern, in the film

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division, the group was incredibly tightly knit.

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It was like all the faculty and all the graduate students spent an immense amount of time

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together.

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Dana Heidsten got to school about 8.30 in the morning and he and the other Master of

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Fine Arts students just spent all their time together.

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It was a very intense experience.

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The late afternoon you'd knock off and you'd go over to Dana's and drink beer and play

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darts.

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Dana had this large house and Patty Winell also lived there.

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There were always a lot of people going in and out and hanging out and everything.

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This interaction went on constantly.

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Patty Winell was the kind of person who loved this kind of continuous politicking of people.

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We were totally at war with the other division in the department, which was the radio television

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side at that point.

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To the point where people practically spit when they mention video or television, it

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was considered really an inferior form and people didn't work in it.

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You had no regard for the people who did.

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Everyone was into very heavily theoretical and structuralist influenced avant-garde film.

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That was the norm.

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It kept going on that way.

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It built up a huge energy.

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At the same time, I was glad that I lived in Chicago and was separate from it in some

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ways.

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It was a very heady experience.

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It was very intense.

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It was also very neurotic.

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I think people got ripped off a lot in the process.

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I think the people who lived that environment had a lot of negative feelings about it in

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the long run.

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I think it was real exploitive of women because some of these faculty were sleeping with the

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women graduate students.

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It created a lot of distrust among the women.

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It created a structure where it was real hard sometimes for the following year.

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They hired a woman production teacher, Michelle Citron.

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She's taught the course since then and traded it off with some other faculty.

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At that point, Michelle was then the second woman in the department.

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Before that, there was just one woman, Lynn Gardley, and she was seen by the other faculty

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as just a faculty wife, which was real unfortunate.

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Over a period of time, I think things changed.

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The culmination of that, particularly women graduate students getting together and some

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of the undergraduates, and also the department secretaries being part of that, there was

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issues in the department, an awareness of issues of sexual politics and some room to

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talk about it.

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That created a change.

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It created a dynamic that I think was real threatening to the men, to some of the undergraduates

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who got very upset with it, who were making things like slasher films, films that enacted

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their obvious fears of what was going on in terms of their own life in the department.

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It was a situation where suddenly there were more women involved in filmmaking, more women

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involved in production, and they were making demands.

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They were making demands on the guys to change, and the men found that threatening.

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No whitewash conference!

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No whitewash conference!

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I don't know, but it's interesting.

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I don't know, but it's interesting.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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I'm going to kill you.

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Save the party!

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Save the party!

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Save the party!

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Save the party!

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Save the party!

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Save the party!

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Save the party!

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Save the party!

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Save the party!

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Save the party!

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Save money!

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Save money!

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Save money!

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Save money!

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Save money!

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Save money!

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Save money!

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Save money!

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Save money!

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Save money!

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Save money!

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One, two, one, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one, two, one

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two, one, two, one, two, one, two, one, two, one, two

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don't lie, don't lie, don't lie, don't lie, don't lie, don't lie, don't lie, don't lie, don't lie, don't lie, don't lie, don't lie

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What do we want?

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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We want to see them with the power.

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Any comment?

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Any comment?

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I don't know what this is about so I cannot say much.

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Okay.

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Well, I was going to explain about how salaries work at Northwestern and faculty salaries

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in particular.

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We get this letter in May.

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Now salaries were late this year.

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Salary information was real late.

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And we get this letter in May that says, this is from the dean, but he quotes from a letter

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from the provost.

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He says, I think it's important that the faculty know that only people of outstanding demonstrated

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merit will receive salary increases of more than 8%.

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Faculty members who merit and receive salary increases of 10% or more should be assured

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that they are among the select scholars we want and need to keep.

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And so what did I get?

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I got 9%.

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Okay.

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Dear Chuck, I am now able to tell you that your salary for the 1981-82 academic year

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will be 21,250.

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As you know, annual increases are determined by merit.

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Believe me, the work you do is appreciated.

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So comparing what I got with what the other letter says, the policy letter says, I have

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two years to find another job.

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I have outstanding demonstrated merit, but they don't want or need to keep me.

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Basically, that's it.

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So every year you get one of these letters and it rates you, right?

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And it helps keep you in line and it helps you keep from messing around and goofing off

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and stirring up too much trouble.

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Last year I got 15% because they took that away from another teacher.

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They were punishing another member of the faculty, Film Division faculty, so they didn't

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give that guy an increase and they gave it instead to me and Michelle.

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Is that guy still there?

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Oh, yeah.

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I'll see, we're only punishing him for one year.

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Yeah, I think they straighten them out.

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Well, what if you straighten out next year, Trev?

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If I straighten out?

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00:15:21.860 --> 00:15:21.880
Yeah.

258
00:15:22.000 --> 00:15:22.460
I don't know.

259
00:15:22.620 --> 00:15:23.520
See, the pressure's on.

260
00:15:23.720 --> 00:15:25.160
Maybe you should cut your hair.

261
00:15:25.500 --> 00:15:25.860
I don't know.

262
00:15:25.860 --> 00:15:27.500
You think if I cut my hair I'd get more money?

263
00:15:27.520 --> 00:15:28.160
I'd change your beard.

264
00:15:28.420 --> 00:15:30.720
How about if I got a three-piece suit?

265
00:15:31.700 --> 00:15:32.440
Yeah, and a tie.

266
00:15:32.600 --> 00:15:34.060
You make your own ties anyway.

267
00:15:34.260 --> 00:15:35.340
Yeah, I don't know.

268
00:15:35.740 --> 00:15:38.700
And you should start drinking beer with the boys, you know.

269
00:15:38.700 --> 00:15:39.760
Drink beer with the boys.

270
00:15:39.800 --> 00:15:40.140
Yeah.

271
00:15:40.440 --> 00:15:41.340
Martini's with the Dean.

272
00:15:43.100 --> 00:15:44.860
Martini's with the Dean.

273
00:15:48.080 --> 00:15:50.340
Chuck, you want to keep your job, don't you?

274
00:15:51.420 --> 00:15:52.460
Don't you?

275
00:15:55.540 --> 00:15:57.960
Five, four, three, two, one.

276
00:15:59.360 --> 00:15:59.780
See this?

277
00:15:59.980 --> 00:16:00.840
What is it?

278
00:16:01.280 --> 00:16:02.340
Is this from Nicaragua?

279
00:16:02.720 --> 00:16:03.380
What is that?

280
00:16:03.460 --> 00:16:04.420
What is it going to tell me?

281
00:16:04.720 --> 00:16:06.900
He wants me to teach film down there?

282
00:16:07.480 --> 00:16:08.340
Here's some pictures.

283
00:16:09.140 --> 00:16:11.160
Pictures, pictures.

284
00:16:15.840 --> 00:16:25.380
They want me to come in July and show movies and give a few conferences,

285
00:16:26.440 --> 00:16:30.160
but that would be beneficial for the public in general.

286
00:16:30.440 --> 00:16:31.860
Oh, and they've got a stamp.

287
00:16:31.940 --> 00:16:32.540
See this stamp?

288
00:16:32.580 --> 00:16:34.260
I've got to get a stamp made up, Chuck,

289
00:16:34.500 --> 00:16:37.500
because they won't believe anything I do unless I have a stamp.

290
00:16:37.500 --> 00:16:40.100
Every time you sign your name, you have to have your own stamp.

291
00:16:40.120 --> 00:16:41.500
They've invited you down there.

292
00:16:41.520 --> 00:16:42.260
Isn't this great?

293
00:16:42.260 --> 00:16:42.960
It's wonderful.

294
00:16:43.480 --> 00:16:44.080
Aha.

295
00:16:44.420 --> 00:16:45.520
This is great.

296
00:16:46.040 --> 00:16:46.940
It'll tie air.

297
00:16:47.240 --> 00:16:48.340
They've seen a super-ocho.

298
00:16:48.480 --> 00:16:50.020
They'll send trial sandonista.

299
00:16:50.380 --> 00:16:51.420
They're trabajadores.

300
00:16:52.140 --> 00:16:53.120
Oh, boy.

301
00:16:53.940 --> 00:16:58.480
The super-a workshop of the Central Sandinist Group of Workers

302
00:16:58.480 --> 00:17:00.240
has recently started its work,

303
00:17:00.240 --> 00:17:03.980
and they want me to show some movies and give some conferences,

304
00:17:03.980 --> 00:17:08.020
which will not only benefit students but the whole public.

305
00:17:09.020 --> 00:17:10.580
But they also want me to bring information.

306
00:17:11.000 --> 00:17:12.020
And here's some pictures.

307
00:17:13.220 --> 00:17:13.840
Show the pictures.

308
00:17:13.880 --> 00:17:14.660
These are the pictures.

309
00:17:15.580 --> 00:17:24.460
This is the inauguration of the workshop,

310
00:17:24.860 --> 00:17:28.520
and there's Commandante Mondesto, Minister of Planning,

311
00:17:29.060 --> 00:17:31.180
Jaime Balcazar from the United Nations,

312
00:17:31.180 --> 00:17:35.720
and Alfonso Camusio da Gron left, Director of the project.

313
00:17:36.480 --> 00:17:38.020
Now here they're putting up the sign.

314
00:17:38.580 --> 00:17:41.340
Two people are preparing for the inauguration.

315
00:17:42.140 --> 00:17:43.580
Well, Julia, congratulations.

316
00:17:43.820 --> 00:17:44.620
I think that's wonderful.

317
00:17:44.800 --> 00:17:45.720
Well, look at this.

318
00:17:46.340 --> 00:17:48.460
You can actually bring the Jim Criss in person now.

319
00:17:48.980 --> 00:17:49.480
July.

320
00:17:49.620 --> 00:17:51.500
Shit, that's not much time left, is there?

321
00:17:54.520 --> 00:17:57.680
Oh, this is a long...

322
00:17:57.680 --> 00:18:00.740
He says don't have any illusions about what you're going to find here

323
00:18:00.740 --> 00:18:02.560
in terms of what we've got.

324
00:18:03.380 --> 00:18:05.600
Well, I think you can bring all this stuff down that we talked about.

325
00:18:05.760 --> 00:18:07.700
Sure, I should have bought some more of those cameras.

326
00:18:07.880 --> 00:18:08.540
That might have been $80.

327
00:18:09.580 --> 00:18:12.400
Well, I guess this one isn't going to stay in our house for very long.

