WEBVTT 1 00:00:00.000 --> 00:00:04.380 I'm sorry, I'm not sure if I can help you. 2 00:00:04.380 --> 00:00:04.380 3 00:00:04.740 --> 00:00:06.140 I'm sorry, I'm not sure if I can help you. 4 00:00:11.080 --> 00:00:12.480 I'm sorry, I'm not sure if I can help you. 5 00:00:12.480 --> 00:00:12.840 I'm sorry, I'm not sure if I can help you. 6 00:00:12.840 --> 00:00:42.820 I'm sorry, I'm not sure if I can help you. 7 00:00:50.340 --> 00:00:52.740 The world in which we live, 8 00:00:53.600 --> 00:00:57.080 so full of a number of things, passing quickly. 9 00:01:13.840 --> 00:01:19.280 Can we hold time, examine its dimensions? 10 00:01:20.740 --> 00:01:23.840 We try to fathom, to extend our senses, 11 00:01:25.520 --> 00:01:28.160 experience what we cannot directly see, 12 00:01:29.420 --> 00:01:30.880 enlarge our insights. 13 00:01:32.320 --> 00:01:37.300 Through photography and film, we become explorers. 14 00:01:50.260 --> 00:01:54.100 An image, worth how many words, 15 00:01:54.760 --> 00:02:00.160 opens the eyes to other worlds, sub-worlds and super-worlds, 16 00:02:00.180 --> 00:02:02.500 far away and very close. 17 00:02:03.540 --> 00:02:07.200 Worlds we do not know, though we know they exist. 18 00:02:07.920 --> 00:02:12.820 The camera records in visual poetry, scaled to our senses. 19 00:02:12.820 --> 00:02:13.900 We can see through our grasp. 20 00:02:24.360 --> 00:02:28.840 In the microcosm, fantasy is reality. 21 00:02:30.160 --> 00:02:34.160 How many universes are there in a fingernail, 22 00:02:34.760 --> 00:02:36.020 or a drop of water? 23 00:02:37.720 --> 00:02:40.280 We are intimate observers of the invisible, 24 00:02:40.280 --> 00:02:45.560 sub-world where man is an outsized alien. 25 00:02:48.260 --> 00:02:50.040 The design of the amino acid, 26 00:02:52.260 --> 00:02:53.980 the landscape of a fly's tongue, 27 00:02:55.180 --> 00:02:56.860 the sleeping sickness carrier, 28 00:02:59.340 --> 00:03:02.060 a silicone, pollen, 29 00:03:05.740 --> 00:03:07.000 the growth of a crystal. 30 00:03:07.000 --> 00:03:11.580 And then there is the texture of a metropolis. 31 00:03:14.380 --> 00:03:19.060 The camera probes and reveals in a way other communication forms cannot. 32 00:03:20.280 --> 00:03:24.500 What is too small, too large, too far away, 33 00:03:25.000 --> 00:03:29.380 too fast, too slow, too hidden, too complex, 34 00:03:30.140 --> 00:03:35.520 is subject to scrutiny, time, contracted or expanded. 35 00:03:38.180 --> 00:03:44.300 Motion, speeded, slowed, flowing, frozen, simultaneous, 36 00:03:45.200 --> 00:03:48.280 manipulated to catch processes in life. 37 00:03:49.120 --> 00:03:51.300 Nature. Science. 38 00:04:13.540 --> 00:04:15.940 Surface is penetrated, 39 00:04:16.260 --> 00:04:19.000 a deeper, darker labyrinth, 40 00:04:19.000 --> 00:04:21.040 exposed to the light of examination. 41 00:04:43.920 --> 00:04:47.440 A new rhythm stirs our world, 42 00:04:47.940 --> 00:04:52.120 its visual counterpart symbolized in the technology of laboratories. 43 00:04:53.140 --> 00:04:56.540 Imperceptible patterns of matter and energy are documented. 44 00:04:57.340 --> 00:05:01.040 The camera dissolves the walls of the sedentary classroom 45 00:05:01.040 --> 00:05:05.100 and fuses students with discovery. 46 00:05:38.680 --> 00:05:41.400 The camera is 47 00:05:41.400 --> 00:05:41.400 48 00:05:41.400 --> 00:05:44.880 The camera is the most powerful of all the cameras. 49 00:05:44.880 --> 00:05:46.640 The camera is the most powerful of all the cameras. 50 00:05:47.440 --> 00:05:48.800 The camera is the most powerful of all the cameras. 51 00:05:48.800 --> 00:05:49.980 The camera is the most powerful of all the cameras. 52 00:05:49.980 --> 00:05:55.520 The camera is the most powerful of all the cameras. 53 00:05:55.520 --> 00:05:56.600 The camera is the most powerful of all the cameras. 54 00:05:57.280 --> 00:05:58.500 The camera is the most powerful of all the cameras. 55 00:06:06.620 --> 00:06:08.060 The camera is the most powerful of all the cameras. 56 00:06:08.060 --> 00:06:11.900 The camera is the most powerful of all the cameras. 57 00:06:11.900 --> 00:06:13.560 The camera is the most powerful of all the cameras. 58 00:06:13.560 --> 00:06:15.060 The camera is the most powerful of all the cameras. 59 00:06:15.100 --> 00:06:20.860 The camera is the most powerful of all the cameras. 60 00:06:27.900 --> 00:06:30.140 Space and time are captive, 61 00:06:30.800 --> 00:06:33.060 catch and hold the fleeting moment, 62 00:06:33.060 --> 00:06:37.080 lock it into memory and into history. 63 00:06:39.680 --> 00:06:43.440 Events blurred by time live again through the photograph, 64 00:06:44.460 --> 00:06:47.440 graphic evidence in the log of human affairs, 65 00:06:48.240 --> 00:06:50.960 history made immediate. 66 00:06:56.440 --> 00:07:00.560 Other lands, other cultures, branches of the family of man. 67 00:07:00.560 --> 00:07:05.680 Though we are not there, we see, we feel. 68 00:07:09.420 --> 00:07:19.820 We absorb by experience, total involvement, light, color, form, motion, strike a response, kinetic emotion. 69 00:07:21.080 --> 00:07:25.980 The magic of film and photography brings the remote to the everyday. 70 00:07:26.920 --> 00:07:31.380 So many ways to say, so many things. 71 00:07:32.200 --> 00:07:40.720 Captures the eye, stretches our perception, brings closer meaning and truth, new realities. 72 00:07:42.140 --> 00:07:45.820 We see for ourselves, seeing is believing. 73 00:07:48.480 --> 00:07:53.500 This is the power of the camera and the art which flows from it. 74 00:07:53.500 --> 00:07:56.960 This is learning. 75 00:08:23.500 --> 00:08:28.680 This is the power of the camera and the art which flows from it. 76 00:08:28.700 --> 00:08:33.040 This is the power of the camera and the art which flows from it.