WEBVTT

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Once upon a time, around the turn of the century, Mr. and Mrs. Hammond had a son, Lawrence.

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And Lawrence was an inventor.

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He invented all kinds of things.

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A lot of them worked very well.

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Some of them didn't.

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One of those that did work well was a funny little thingamajig that looked like this.

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Terrific, what?

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He found if he spun it next to a magnetized rod, it made an electric current, which, when amplified through a speaker, made a tone like this.

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Hammond!

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We're trying to sleep down here!

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Beautiful, what?

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Anyway, he built a similar thingamajig and it sounded like this.

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But when he put them together, they produced a third tone.

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Hammond!

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You're going to get yours!

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There was no stopping him now.

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He took a piano and threw everything away but the keyboard, which he used to turn them on.

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Then he invented tone bars to control the thingamajigs.

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These amazing little bars blended the tones together to produce all kinds of different sounds.

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Lawrence figured he could produce about 253 million different tones.

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Without ever going out of tune.

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Lawrence had a damn reinvention but he didn't know what to call it.

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Hammond, will you quit banging on that organ?

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So he called it an organ.

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Good name, Lawrence.

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The electronic organ industry was born and America was waiting with open arms.

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Radio was first to pick up on the new sound.

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Will Sergeant Prescott find true happiness with Roy the Wonder Dog?

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Will Little Nell outrun the choo-choo train?

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And what about Uncle Bill's ingrown toenail?

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Then along came Tico Tico and the Hammond organ became an international star.

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Pretty soon it was Hammond music to skate by.

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Hammond music to dance by.

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And Hammond music to amaze your friends by thanks to the world's first spinnet organ.

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For people with two left hands Hammond invented the chord organ.

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Then came another crazy invention nobody thought would last, television.

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Music

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Years later for those who couldn't reach the pedals or shouldn't Hammond introduced the auto chord.

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The first non-organ organ with automatic rhythm accompaniment and no pedals.

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All you had to do was follow the coloured numbers.

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You didn't even have to know the names of the notes.

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But every time Hammond added another feature it crowded the circuits.

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It was getting so there just wasn't any more room.

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And then something happened.

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Five, four, three, two, one.

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Shift off!

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Rockets to outer space had the same problem.

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Not enough inner space for electrical circuits.

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So they invented a new way to handle those circuits.

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Much better and much tinier than the world had ever known.

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And it worked.

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They called it large scale integration, whatever that means.

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To Hammond it meant opportunity.

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The chance to design their own large scale system.

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Which they did.

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How do you do?

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At Hammond our large scale integration system starts with MDD.

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Short for multiple derivative divider of course.

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It's a mini computer set at a fixed frequency of about four million cycles.

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Which it divides into the 12 tones of the top octave.

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Each of these tones is fed into a 380 LSI chip.

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Where it's divided into octave frequencies and grouped for filtering.

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The T80 is activated by tone bar as same as before.

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To give you the same control of loudness.

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Same blend of many, many tones.

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It also does the work of hundreds of electrical switches.

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Not only turns the notes on and off, does it as slow or fast as you want.

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To produce new effects.

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LSI chips are much more reliable.

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Foolproof actually so that nothing can possibly go wrong.

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These advances made Mr Hammond's invention a lot more compact and easier to build.

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Like putting blocks together.

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But most important.

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They opened up for the home organist a whole world of new musical effects.

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Way beyond today's state of the art.

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All the way to the instruments and sounds of tomorrow.

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Hammond!

