WEBVTT

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This is the bat tape.

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This is audio and channel 1 and 2 at 0vU.

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This is tape number 3.

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It's hour number 3 for sure.

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Tom Fidri video for Theofilon Productions.

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On we go. It's 18 September 85.

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Till now.

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Uh oh, we're rolling tape now.

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How'd that happen? Okay Brian, 25 words or less.

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25 words or less. Yeah, what is the bat about? What's the Flater mouse about?

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He's about a dead bat.

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That's it? That's it. You don't know the story at all? Good day. No.

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I don't know it. No? Honest? Got a good shot?

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You really don't know, huh? No.

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I don't know. Not even a clue. No clue.

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No? Do you know what it's about?

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I don't have an idea myself. Wanna make it up? No.

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A dead flower.

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A what?

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The Flater mouse is about a

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count. The Flater mouse is

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about a count in upper society

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that he and his wife

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da da da da da.

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I'm at a loss.

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And I've seen it once. They hold a

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mass ball, costume ball.

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The count's wife dresses up in her costume.

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Her maid dresses up in one of her old

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gowns. And there's a mix up between the two.

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And it's a comedy of errors, so to speak.

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Thank you.

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This way? Anyway. This way? Anyway.

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Okay, try that.

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Yeah, go.

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Okay.

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Okay.

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Okay.

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Okay.

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Okay.

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One more time.

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Okay.

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Okay.

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And back up.

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Okay.

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Okay.

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That's five.

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Okay.

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That's one.

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That's one.

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Karen?

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Yeah?

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Upstairs.

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Okay.

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Okay.

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Okay.

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Okay.

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Okay.

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Oh, just like that was that.

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Keep painting.

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Okay.

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Okay.

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Oh, yes.

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Hello.

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How are you?

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Hi.

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I've seen you here a long time.

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How are you?

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Good.

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You?

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Good to see you.

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Of course, in the time

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you've worked with them a long time.

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Sure.

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Hello.

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Well, here we are.

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Beauvoir.

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Hello, how are you?

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How are you?

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Good.

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Oh, my God.

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That's what I say,

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oh, my God.

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What are we supposed to look at?

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Look around, look at the drop.

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Let's see.

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Oh.

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Oh, this is neat.

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I don't remember

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this at all.

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Hi.

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You haven't met our doctor.

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You're working here?

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Yes.

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I just got done

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for you.

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That's very nice.

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Hello.

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Hi.

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How are you?

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All right. I can't sit.

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Well, you need some distance.

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That's what I said you had to get over there

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and sit, I guess.

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I shall take you to the story first.

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Oh, dear.

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That's wonderful.

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I mean, if I could sit down there.

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That's great.

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Have you visited the festival?

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Yeah, it's been a great festival.

118
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What are you doing?

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We're going to the Jazz Festival.

120
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We'll go there soon.

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Yes.

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Oh, you can sit better now.

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We use those doors.

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No, no.

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I think it's...

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It's just beautiful.

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I could wear one tonight.

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Oh, my God.

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Are you happy?

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Huh?

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Oh, it's very nice.

132
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It's a beautiful show.

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Very nice, yes.

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I don't think we need more

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painting there.

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Okay.

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I think we could just let it like that.

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On stage, we'll see if we need

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some kind of...

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Pull the curtain in.

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Why was the job never done before, do you know?

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Why the job was never done before?

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Why wasn't it built before?

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Why wasn't it made before?

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I don't know. I was gross. I was not there.

146
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I guess I wasn't there.

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I don't know why we never use it.

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But I don't know

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how we use it.

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It's for the in ones, isn't it?

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Yes.

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You have scenes in one,

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and you have a pink curtain.

154
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You use some curtain.

155
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I'm sure you have this curtain.

156
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Oh, instead of this.

157
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Yes, but you have scenes in...

158
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They enter to the ball, right?

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For those two acts,

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you have entrances there.

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And do they come into the ball through these

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entrances?

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Yes. Oh, no.

164
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No, that's the pink curtain.

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I can't wait to see this in Tulsa.

166
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How it goes together.

167
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Where are you going to go?

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Saturday.

169
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A week from Saturday?

170
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No, Saturday,

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October 5th.

172
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Oh, that's the day they do it.

173
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Yes.

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Pink curtain.

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It's still there.

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This curtain.

177
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As soon as we start rehearsing.

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That looks charming.

179
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Check your make-up.

180
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Check my make-up?

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Gorgeous.

182
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This is really nice.

183
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I'm probably

184
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going to get all over my white pants,

185
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am I?

186
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These are just beautiful.

187
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Yes.

188
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Do the others,

189
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are the others

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as colorful?

191
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No, it's more or less

192
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the same as the one before.

193
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Because they were more abstract.

195
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Right there.

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Behind it in significant waves.

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198
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The bell.

199
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I wish Larry would be there

200
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to...

201
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Hmm?

202
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To realize that

203
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there's two doors to be used.

204
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Used, yes. Well...

205
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Oh, the ground was...

206
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Can you come up so they can see the ground now?

207
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That cracker.

208
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Oh, God. That cracker

209
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is coming up soon.

210
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We had an audition for the children

211
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Sunday.

212
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About five of the children were there

213
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and we had to pick 80 of them.

214
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That was on television.

215
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A little bit of it, yeah.

216
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This is the back of the ballroom.

217
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Oh, I see. We never had that before.

218
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No, it's to fill it in for television.

219
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Instead of just jet black

220
00:17:31.540 --> 00:17:33.000
draperies behind it.

221
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To fill in so it doesn't...

222
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So it looks like they're

223
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at an actual location.

224
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Uh-huh.

225
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Wow.

226
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It looks as though it's on television.

227
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It must be real good.

228
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It's standing in the wrong place again, right?

229
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Uh-huh.

230
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Here's the base.

231
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Can I give you a little more?

232
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Here's just a little bit more. I took a doubt

233
00:18:07.280 --> 00:18:08.720
so that you could see a little more of the top.

234
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Oh, thank you.

235
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Here's the base.

236
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Oh, yeah, perfect.

237
00:18:12.960 --> 00:18:13.460
Uh-huh.

238
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Would you like to see the top?

239
00:18:16.320 --> 00:18:17.080
Yes, yes.

240
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I want to see the top.

241
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Okay.

242
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There you go.

243
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Look at the hell it goes down, isn't it?

244
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245
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Oh, it's big.

246
00:18:27.840 --> 00:18:28.540
Oh, yes.

247
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It's a good job.

248
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Yes.

249
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Uh-huh.

250
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Good fun.

251
00:18:36.720 --> 00:18:37.680
Well, there's Richard Nixon.

252
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Right there.

253
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It is.

254
00:18:44.240 --> 00:18:45.740
Dali Parton's in some place.

255
00:18:45.960 --> 00:18:47.360
Where is Dali Parton?

256
00:18:47.360 --> 00:18:49.400
We're not going to tell you.

257
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Is she here?

258
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Can we see her?

259
00:18:53.240 --> 00:18:53.880
Is she visible?

260
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I may be good.

261
00:19:01.120 --> 00:19:03.000
Let me move this card out of the way.

262
00:19:03.100 --> 00:19:03.620
Excuse me.

263
00:19:03.620 --> 00:19:04.140
Excuse me.

