WEBVTT

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Marvel's yet to do is I would think a sun gun might do it.

2
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I mean, you're small.

3
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No, it's up to you.

4
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You know what you can do.

5
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If you're going to go to 2 Duncan,

6
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just rent a sun gun that has 250 watts,

7
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the 100 watts number.

8
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But you'll bounce it?

9
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You'll bounce it?

10
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Well, this was because of the sun.

11
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It's kind of hooked my neck.

12
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You think this is a bad decision?

13
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Well, I'm just saying, the look is totally different

14
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than what you've ever done.

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I think it'll be a bad look.

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Hurry?

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An event looks.

18
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Yeah.

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Ready.

20
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Yes.

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Yes.

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24
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Yes, honestly, we're ready.

25
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OK.

26
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Betsy, would you say that Ruth is unappreciated?

27
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Was unappreciated a lot.

28
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I think she knew it, has always known it.

29
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But that's the penalty you pay for being ahead of your time.

30
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You never appreciate it at that point.

31
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And a lot of people whose concept of the ballet

32
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was the powder puff tutu school came to a ballet

33
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to see powder puffs and silver bells,

34
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bolero or something like that.

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Frankie and Johnny really stood their hair on end occasionally.

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And lots of times, I think they resented it, the public.

37
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But the people who really knew what they were about

38
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and liked the idea of doing something new

39
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and being smart, almost intellectual about an approach

40
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once in a while, like it very much.

41
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Nutcracker, of course, has been the all out success,

42
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the right thing at the right time.

43
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And that pleases her very much.

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And she's also pleased because after the first Mary

45
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Widow on television, everybody recognized her on the street.

46
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She did the opening for that and did it so charmingly.

47
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So certainly, everybody adores recognition.

48
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And I think she probably knows.

49
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She didn't always get it for what she did.

50
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But you have to take a chance when you are that sort of person

51
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and take a chance, she did.

52
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Indeed, over and over.

53
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She feels that the fact that she didn't go to New York

54
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made her less appreciated in this country

55
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than she would have been had she been based in New York.

56
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Well, I think that was true.

57
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I think it's very true of anybody.

58
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It's almost even true now in spite of the fact

59
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that television can take you from one part of the country

60
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to the other without any trouble at all.

61
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And people travel more than they did

62
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when she was first establishing her career.

63
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They move faster now and more.

64
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But New York is still it.

65
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It's certainly the art center of the world now.

66
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And dancers in New York, the shows all started there,

67
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for one thing.

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That's why dancers, we all had to go there to get a job.

69
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And Ruth did as much as she could for everybody here,

70
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but she couldn't do a year-round thing, which people needed.

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New York is the critics' headquarters.

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Time magazine, for instance, will write about opera.

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They'll write about New York.

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Then they'll do the San Francisco opening.

75
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You might as well not exist in Chicago.

76
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And the Lyric is an absolutely magnificent company.

77
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And that happens over and over again.

78
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The second city gets skipped over.

79
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We're not even second now.

80
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I guess we're third.

81
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But the things in Chicago have never, any part of it

82
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has never gotten what they deserve.

83
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Sometimes it turns around.

84
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The big art exhibition at Navy Pier,

85
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you know, was supposed to be one of the best in the world.

86
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Yes, art expo.

87
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Yes, that's great.

88
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Ruth has gotten more attention by television

89
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and by working with the regional companies.

90
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The regional companies, I think, are terribly important.

91
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Besides, somebody's got to employ all those dancers that

92
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are getting trained.

93
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But New York, yes, it would have made a difference.

94
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Makes a difference to everyone.

95
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Anything else that you can think of, anecdotes, observations?

96
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You are a very shrewd and sensitive woman.

97
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Pretty observer at the passing scene.

98
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And a close observer.

99
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Anything else you want to tell me

100
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and talk about in relation to Ruth or her work or anything?

101
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I was thinking of what you said of her popularity

102
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with the company.

103
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I don't think that they did like her all that much.

104
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I think she was also ahead of them, too.

105
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I thought about that.

106
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I've never considered it before.

107
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I think about the young people who

108
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were all around me at the time.

109
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We talk about our frustrations, our modern lesson on Wednesday,

110
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which, of course, turned out to be a boon.

111
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When I saw Frankie and Johnny, I realized

112
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how dancers are used and not really shown up.

113
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But after all, you've got to develop your own self.

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People aren't supposed to do it for you.

115
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And certainly, we got as much out of all of that experience

116
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as we possibly could.

117
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I think about that very much with her.

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And also the fact that there was no dance world at that point.

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You had to make it.

120
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Dancing now is everybody used to ballet.

121
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Everybody knows exactly what you're talking about.

122
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They have their favorites.

123
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They've seen a few.

124
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Then there weren't any.

125
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There truly and honestly weren't any.

126
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The place was a desert.

127
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When Balanchine went into New York with Lincoln Christie

128
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and he started the school and he started the company,

129
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it was new thought.

130
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The ballets were at that lapse.

131
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It was probably a depression too.

132
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All in the opera companies.

133
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Then they were occasionally in musicals.

134
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There were a few dancers in musicals

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who did very nice work, beautiful work.

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Harry Doctor, Paul Hick, and so forth.

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But big companies, there were none.

138
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There were no ballerinas to speak of

139
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until the Russians came over in strength

140
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and great publicity and whatnot.

141
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And people knew what a ballerina was.

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But somebody else had to show them that Americans are slow

143
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to take on Americans.

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They're a little snobbish that way, or used to be.

145
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I think they're getting better now.

146
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I hope we get more chauvinists.

147
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I think it would help.

148
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And a native dancer in Chicago, for heaven's sake.

149
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That was uphill work.

150
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Must have been heartbreaking.

151
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There were good companies here, but they were Russians.

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Novikov had the ballet at the opera.

153
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He was Russian.

154
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Prior, Ruth Prior was the little Irish dancer.

155
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She was perfectly adorable.

156
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She was a native and very popular.

157
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Lovely little dancer.

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Pavlina Krancki, both imports, of course.

159
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But a Chicagoan, a Midwestern, an American,

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well, that's a problem.

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Do you think you understand Ruth Page?

162
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Oh, no, not altogether.

163
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I don't have to.

164
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I like her.

165
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I love her.

166
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But I didn't always.

167
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I think she's a remarkable woman.

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And the more remarkable women we have,

169
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the better off we are, I always think.

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Recognized remarkable women.

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No, I don't understand her.

172
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Very few people understand each other.

173
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We're a world of strangers.

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But I mostly know what her reactions are going to be.

175
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No, I don't.

176
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I take that back right now.

177
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I simply do not know that she would drive

178
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to Springfield and adore apple trees and barns

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and all that kind of thing.

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I didn't know that she would be the hit of a lifetime

181
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in Lincoln, Illinois, or at the Lincoln Academy,

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for that matter, when she got her doctorate.

183
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The young people and the faculty of Lincoln College

184
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and the townspeople absolutely adored her.

185
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And all she did was talk to them.

186
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And she opened her speech by saying,

187
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I've never been in Lincoln before.

188
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As a matter of fact, I've never heard of it.

189
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Now that didn't sound too tactful to me,

190
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but they absolutely adored it.

191
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And she went on from there.

192
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They're still talking about her.

193
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She has an impact personality.

194
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She does.

195
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Huh?

196
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You sick?

197
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Yeah.

198
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Bentley was my teacher.

199
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I met him when I was 11.

200
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He came out to teaching at Park.

201
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Dancers had to support themselves by doing other things.

202
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And he found his studio in Oak Park

203
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where he decided to, where he was offered a job and took it.

204
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He was unusual, a bird to turn up in Oak Park, Illinois,

205
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but he was very popular.

206
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The young people, the children, little adored him,

207
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were scared of him a bit.

208
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And he yelled and fumed and made ferocious noises,

209
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but he was the most magnificent dancer.

210
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Taking a class from him was a lecture demonstration.

211
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He talked a lot and he danced a lot,

212
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but he was an excellent teacher.

213
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Mary Kane, the woman he worked for,

214
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was an old friend of my father's.

215
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So my father said and insisted that I go to this school,

216
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so I marched over there and I took a look at Bentley.

217
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Who was gorgeous?

218
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And I thought, well, I think this is going to be all right.

219
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He was really stunning man

220
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and terribly interesting, most amusing,

221
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and remained a good close friend of mine to the end.

222
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He was, at a time when there was no place

223
00:10:00.720 --> 00:10:03.600
for a male classical dancer practically in the world,

224
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a great dancer.

225
00:10:07.080 --> 00:10:09.140
His technique was impeccable.

226
00:10:09.740 --> 00:10:13.000
He had unusual feet for a man, he had unusual turns,

227
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he was spectacular looking.

228
00:10:15.080 --> 00:10:19.700
He was an unusual male dancer, the cheekbones,

229
00:10:20.020 --> 00:10:22.040
the slightly slanted, you know, the type.

230
00:10:22.380 --> 00:10:23.740
They all look like that, the good ones.

231
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I can't understand why it's a type.

232
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Anyway, with his wonderful classical dancing,

233
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of course he was doing all of these other things with Ruth.

234
00:10:32.500 --> 00:10:35.380
And his close friends, his friends,

235
00:10:35.540 --> 00:10:38.240
anyone was always saying to him, why do you do this?

236
00:10:38.260 --> 00:10:40.540
You should be out doing your own work.

237
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And he was forever hearing this story.

238
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You shouldn't be working with Ruth,

239
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you should be doing your own wonderful classical work.

240
00:10:48.260 --> 00:10:50.360
She gave him a chance to do some,

241
00:10:50.700 --> 00:10:53.200
but the big thrust of course was both of them,

242
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was the new thing.

243
00:10:54.420 --> 00:10:56.820
He was, as I said, an intellectual,

244
00:10:56.880 --> 00:10:57.860
he was an intellectual.

245
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He was well read, well versed, deeply musical,

246
00:11:03.900 --> 00:11:07.460
a really remarkable man, and very amusing.

247
00:11:09.040 --> 00:11:11.340
And he liked what he was doing,

248
00:11:11.420 --> 00:11:13.400
and he certainly made a free choice

249
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with working with Ruth.

250
00:11:15.460 --> 00:11:16.680
He enjoyed every minute of it,

251
00:11:16.680 --> 00:11:18.920
and he did like her very, very much.

252
00:11:20.440 --> 00:11:21.980
Are you gonna tell me that story?

253
00:11:22.560 --> 00:11:23.040
No.

254
00:11:23.040 --> 00:11:24.840
About what Tom Fisher did for you?

255
00:11:25.180 --> 00:11:25.180


256
00:11:25.180 --> 00:11:28.900
Oh, you can't even tell it in terms of, okay.

257
00:11:28.900 --> 00:11:31.300
No, I'm not, but he was a dear friend,

258
00:11:32.300 --> 00:11:34.260
and I liked him very much.

259
00:11:34.980 --> 00:11:35.620
Were you there?

260
00:11:35.620 --> 00:11:36.740
I miss him very much.

261
00:11:37.340 --> 00:11:40.520
Were you there at his funeral, the party, Ruth?

262
00:11:40.520 --> 00:11:42.680
Didn't have a funeral, oh yes, Tom's party.

263
00:11:43.600 --> 00:11:46.420
Start and say, Tom Fisher didn't have a funeral,

264
00:11:46.660 --> 00:11:47.620
and then tell us the story.

265
00:11:48.540 --> 00:11:50.260
Tom Fisher didn't have a funeral.

266
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He apparently wanted one, he had none.

267
00:11:54.740 --> 00:11:56.980
But Ruth had a party, she called it Tom's party,

268
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and she had a big reception one night at her apartment,

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which was at 1100, you know,

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that building was unfortunately now gone.

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And all of his old friends were there,

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and it was a lovely, lovely party.

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It was a terribly sad time for her.

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She used to walk on the beach at night,

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she couldn't sleep, she was very lonely.

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And Brooks and I were not married too long at that point,

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and I was always regretful we didn't call her more often.

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I wasn't in the habit of that,

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and didn't realize that she was having a very bad time.

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She always seemed so busy, so occupied, so well traveled.

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She was always off somewhere.

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But then we began going to movies together.

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Ruth and Tom always went to movies, they loved movies.

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And so when Brooks and I were loose,

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we'd always call Ruth and we'd go over to a movie.

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But Tom was a great loss for us.

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Brooks liked him, he knew us as short a time as he knew him,

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liked him very much.

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And Tom was very, very pleased to finally have me

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settle down with the man he approved of.

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He was very pleased, and told me so.

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Which of course, I repeated to Brooks promptly,

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who was very pleased by the whole thing.

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God is blessing.

295
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Well that's good.

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Did you spend any time with Ruth when she had

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that hip surgery, those two muggies?

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Oh, sorry, immediately after both of them of course,

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because they were so shocking.

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That was the most despicable thing in the world.

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Ruth's a tiny person, always has been.

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She's got energy, like mad, but she's small.

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And I think that's the most despicable thing

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to have happen to her.

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Trice is absolutely awful.

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Of course, she's the one for taking chances.

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Now she was East Lakeshore Drive, the last one,

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and walking home alone from the Drake, up to her apartment.

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It was totally unexpected.

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The first one was in broad daylight.

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Bentley said afterwards,

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00:14:02.600 --> 00:14:04.240
Ruth is always dressed to the teeth

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and walking through a bad neighborhood,

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00:14:05.980 --> 00:14:07.320
she should be more careful.

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00:14:07.860 --> 00:14:09.520
She's not the careful type.

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She is now, she's better about it.

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00:14:12.820 --> 00:14:15.540
But she's a spectacular looking woman,

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00:14:15.740 --> 00:14:20.240
and she was walking west of here.

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00:14:22.640 --> 00:14:24.620
Not particularly dangerous neighborhood,

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00:14:24.660 --> 00:14:26.200
I never think twice about it.

321
00:14:26.800 --> 00:14:28.600
But it's that kind of a world.

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But she came back from both of them

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00:14:32.580 --> 00:14:34.320
in absolutely elegant form,

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00:14:34.380 --> 00:14:35.880
of course most dancers do that.

325
00:14:35.880 --> 00:14:39.300
Ben had a dreadful operation when he was in the Army,

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00:14:39.940 --> 00:14:42.280
danced after that, it was never quite the same,

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00:14:43.160 --> 00:14:45.120
because it was a nearly fatal thing.

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00:14:45.520 --> 00:14:48.000
He had knee operations, and the next morning

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when his doctor came in, he was up doing a bar

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at the end of the bed.

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You see, it's that kind of a thing.

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00:14:54.000 --> 00:14:55.100
Ruth's the same way.

333
00:14:56.700 --> 00:14:58.680
The muggings and the hip operation

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00:14:58.680 --> 00:15:01.500
only slowed her temporarily, and she was back at it.

335
00:15:01.720 --> 00:15:02.780
You know, dare stop, you know,

336
00:15:02.780 --> 00:15:04.540
if you're going to keep going, you've got to keep moving.

337
00:15:06.860 --> 00:15:08.340
Okay, anything else?

338
00:15:08.700 --> 00:15:09.540
I don't think so.

339
00:15:10.200 --> 00:15:11.420
Okay, thank you, that's it.

