WEBVTT 1 00:00:35.600 --> 00:00:40.000 Tape number two for the Lawrence College Education Foundation, Andrea Del Faux at Becker's. 2 00:00:40.620 --> 00:00:41.100 What's today? 3 00:00:41.400 --> 00:00:41.960 23rd. 4 00:00:42.920 --> 00:00:44.500 There you have it. 5 00:00:58.080 --> 00:01:00.840 Tony, are you just going to black it all out for us? 6 00:01:00.860 --> 00:01:05.540 We did the same thing that we did on some of the scenery that we were able to save from the original production. 7 00:01:05.860 --> 00:01:10.940 And spray it out to revive the black that leaves the artwork underneath so I don't have to draw it again. 8 00:01:10.940 --> 00:01:13.620 That's perfect because it gives you the pattern. 9 00:01:13.660 --> 00:01:20.540 And then do the alterations that are necessary to bring it into the style that's going to be in the present production. 10 00:01:21.380 --> 00:01:21.880 Okay. 11 00:01:23.260 --> 00:01:24.260 Do you have the curtain? 12 00:01:24.460 --> 00:01:25.800 What color are the costumes? 13 00:01:25.800 --> 00:01:35.260 Oh, in this scene there is not many colors, but in the ballroom there is many colors. 14 00:01:36.180 --> 00:01:40.100 And you have more or less this kind of color. 15 00:01:40.880 --> 00:01:44.620 They are not very strong, but there are very many colors. 16 00:01:45.400 --> 00:01:46.540 Point again, Andre. 17 00:01:47.260 --> 00:01:47.880 Yes. 18 00:01:48.760 --> 00:01:49.880 In the ballroom scene there are most... 19 00:01:49.880 --> 00:01:53.200 This kind of colors are red, blue. 20 00:01:53.200 --> 00:01:55.280 They're fantasy costumes. 21 00:01:55.720 --> 00:01:57.560 Of course, yes. 22 00:01:59.660 --> 00:02:01.880 They have masks on. 23 00:02:02.940 --> 00:02:04.800 There's a lot of points on points. 24 00:02:05.380 --> 00:02:06.700 Oh yes, a lot of points. 25 00:02:08.120 --> 00:02:10.300 It's mostly on points. 26 00:02:11.580 --> 00:02:18.380 I think three of these down on either side of the stage are going to fill in very nicely. 27 00:02:18.380 --> 00:02:20.380 It's going to really... 28 00:02:20.380 --> 00:02:21.620 But there's two others. 29 00:02:22.020 --> 00:02:24.640 I think you could put more blue on and green. 30 00:02:24.820 --> 00:02:26.380 And let them fade? 31 00:02:27.120 --> 00:02:32.620 Yes, it's only with the way it will be painted that it could give some impression. 32 00:02:32.620 --> 00:02:33.380 Some distance. 33 00:02:33.540 --> 00:02:36.620 Yes, so you put less painting on it. 34 00:02:36.800 --> 00:02:37.360 Okay. 35 00:02:37.940 --> 00:02:41.060 As you go up stage on those canvas, the buffet table. 36 00:02:41.060 --> 00:02:43.320 Going to the black, you see. 37 00:02:43.600 --> 00:02:46.740 From the white to the black, something like that. 38 00:02:46.740 --> 00:02:47.820 Okay. 39 00:02:48.140 --> 00:02:50.520 Does that mean that the balustrade that has been added? 40 00:02:51.420 --> 00:02:55.340 The balustrade is much too strong as I have painted it. 41 00:02:55.400 --> 00:02:56.920 That's what I wanted to ask you about. 42 00:02:56.920 --> 00:02:57.980 It's much too strong. 43 00:02:59.920 --> 00:03:05.760 It has to be less yellow. 44 00:03:06.240 --> 00:03:06.840 Yes. 45 00:03:07.440 --> 00:03:10.420 I gave Tony this drawing. 46 00:03:11.500 --> 00:03:13.760 This will be his architecture underneath. 47 00:03:13.760 --> 00:03:16.440 But then the painting on top will come and go. 48 00:03:17.080 --> 00:03:18.560 But it's... 49 00:03:18.560 --> 00:03:21.960 Even if you want more... 50 00:03:21.960 --> 00:03:24.880 I think it will be really... 51 00:03:24.880 --> 00:03:26.500 It's a very, very thick depth. 52 00:03:27.040 --> 00:03:29.740 Because it's very far. 53 00:03:29.740 --> 00:03:31.060 I'm thinking of a watery shadow. 54 00:03:31.500 --> 00:03:32.260 There you go. Perfect. 55 00:03:32.360 --> 00:03:36.400 And if it's too strong, it will come like that. 56 00:03:36.820 --> 00:03:38.260 It could destroy the impression of... 57 00:03:38.260 --> 00:03:40.540 The illusion to look up depth. 58 00:03:42.440 --> 00:03:43.020 Yes. 59 00:03:43.020 --> 00:03:44.480 This you want. This color, yes. 60 00:03:45.700 --> 00:03:48.500 I like that little bit of... 61 00:03:49.360 --> 00:03:50.920 Yes, it's less boring. 62 00:03:51.760 --> 00:03:53.440 It's a wonderful... 63 00:03:54.200 --> 00:03:57.820 And if it's too strong, we could put some... 64 00:03:57.820 --> 00:03:58.960 We should make an haze around later. 65 00:04:01.180 --> 00:04:02.820 We won't tell that to you. 66 00:04:02.820 --> 00:04:04.920 No, don't tell them, please. 67 00:04:06.900 --> 00:04:08.940 Let's see. Where's... 68 00:04:08.940 --> 00:04:13.600 The first... I think we have no problems with the first... 69 00:04:13.600 --> 00:04:14.300 The boutique. 70 00:04:14.420 --> 00:04:17.260 Yes. I think we have no problems at all. 71 00:04:18.460 --> 00:04:19.000 We'll... 72 00:04:19.000 --> 00:04:20.020 Find a word. 73 00:04:20.820 --> 00:04:23.740 Yes. We do have to add these two pieces. 74 00:04:23.980 --> 00:04:25.480 And I guess I should give you... 75 00:04:25.480 --> 00:04:27.820 I don't know German, so... 76 00:04:27.820 --> 00:04:29.920 I don't know what is a real word for... 77 00:04:31.820 --> 00:04:32.900 Antiquar or... 78 00:04:32.900 --> 00:04:34.460 We'll find it. 79 00:04:35.080 --> 00:04:39.460 We have to replace these and locate... 80 00:04:40.080 --> 00:04:41.680 The two trees. 81 00:04:42.360 --> 00:04:44.660 I think I've seen those boxes. 82 00:04:44.960 --> 00:04:47.320 I think so, too. I think one of them is around here. 83 00:04:47.340 --> 00:04:52.820 I have a question about the new background that's being added to the cityscape that goes back... 84 00:04:52.820 --> 00:04:53.720 Which is here someplace. 85 00:04:54.200 --> 00:04:54.600 Here. 86 00:04:58.120 --> 00:05:02.960 The weight and lightness of the arcade in front of the shop... 87 00:05:02.960 --> 00:05:02.960 88 00:05:02.960 --> 00:05:06.960 And then the objects that are in the store behind... 89 00:05:07.820 --> 00:05:11.740 Which will be much paler so that this comes forward so that they have more color. 90 00:05:12.940 --> 00:05:14.240 Can you start over? 91 00:05:15.560 --> 00:05:15.560 92 00:05:17.240 --> 00:05:21.300 The antique shop, which will be very white because it's in two levels... 93 00:05:21.300 --> 00:05:28.940 And they're working inside and then keeping the color to reduce the distance or to push back the distance with all the frames and all the objects... 94 00:05:28.940 --> 00:05:31.840 So that we have a very strong framework here. 95 00:05:31.840 --> 00:05:39.320 But my question is that the weight of the solidness of this background... 96 00:05:39.320 --> 00:05:45.960 Do you want to keep it this white or do you want some of it to be a little more sketchy so that it goes back also? 97 00:05:46.060 --> 00:05:48.700 It could be more sketchy, of course. 98 00:05:49.420 --> 00:05:52.520 But that would be very small, no? 99 00:05:53.380 --> 00:05:55.500 That won't take a lot of space. 100 00:05:55.500 --> 00:06:02.380 Well, actually it's hard to tell in this photograph, in the sketch here... 101 00:06:02.380 --> 00:06:06.520 Because there's actually, in reality, there's a lot more room here. 102 00:06:06.640 --> 00:06:10.800 I don't think that would be good if you are that too big. 103 00:06:13.940 --> 00:06:19.500 It's actually, in size it comes, it's about this tall. 104 00:06:19.740 --> 00:06:21.220 My God, that's too much. 105 00:06:21.380 --> 00:06:22.100 It's too big? 106 00:06:22.100 --> 00:06:28.100 Oh yes, because you see the composition was made like that... 107 00:06:28.780 --> 00:06:32.920 With balance between things and that will upset the balance. 108 00:06:33.660 --> 00:06:36.720 Do you think we should go then to half only like so? 109 00:06:36.720 --> 00:06:37.020 Yes, yes. 110 00:06:37.480 --> 00:06:37.680 Okay. 111 00:06:39.200 --> 00:06:43.640 I made that, when I made that, I imagine it was something there. 112 00:06:44.080 --> 00:06:45.080 You see? 113 00:06:45.220 --> 00:06:45.600 Just to... 114 00:06:45.600 --> 00:06:46.540 Oh, I'm glad I asked. 115 00:06:47.360 --> 00:06:47.760 So why? 116 00:06:49.880 --> 00:06:50.400 Yes. 117 00:06:50.400 --> 00:06:52.920 Otherwise we'll have a rally about a fountain. 118 00:06:54.380 --> 00:06:58.780 Because it would destroy the entire thing. 119 00:06:59.280 --> 00:07:07.280 I made that only to please Mr. Carter. 120 00:07:07.280 --> 00:07:08.560 Oh, Carter, yes. 121 00:07:09.860 --> 00:07:10.960 The reason that this is... 122 00:07:10.960 --> 00:07:12.800 Because he was afraid of the black. 123 00:07:13.100 --> 00:07:16.300 The camera needed something to see. 124 00:07:16.800 --> 00:07:19.620 But I don't need anything personally. 125 00:07:20.260 --> 00:07:27.740 But you see the less obstructive the better. 126 00:07:28.200 --> 00:07:31.980 Well, rather than changing the scale, just double the scale. 127 00:07:32.300 --> 00:07:32.560 That's all. 128 00:07:32.560 --> 00:07:34.020 Put in a one-inch scale, put in a two-inch scale. 129 00:07:34.940 --> 00:07:36.480 So a bit of 12 foot high, it's only six. 130 00:07:36.640 --> 00:07:37.980 That would be, yes. 131 00:07:38.200 --> 00:07:39.520 Something like, something like that. 132 00:07:40.080 --> 00:07:40.240 Yes. 133 00:07:41.640 --> 00:07:45.020 Because originally it's almost 13 and if it comes down to about 6'6". 134 00:07:45.020 --> 00:07:48.780 Well, this is 13, so it comes, the highest part is... 135 00:07:49.620 --> 00:07:50.200 Yes.