WEBVTT

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We don't ever edit our lives.

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Well, you had to have sex in your life, otherwise you would have fidelity.

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So there is a contradiction or something.

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How does this look, the red and the shot?

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John? I mean the table? Oh, you're on burst.

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Okay.

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Shouldn't see it.

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You probably don't see it.

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Well, you have color on your TV set now.

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Oh, the TV man came and fixed it.

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Oh, he fixed it? Oh, sorry.

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I told you we were going to do that.

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Oh, no. A whole new board?

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Yeah, it's only about $80 to replace it.

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Oh. But not as it was, it was just loose.

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Oh, it was loose? That was what was wrong with it?

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Well, he had it serviced in 75, I guess.

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I got it in 75? Yeah.

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When you moved in here? When did you move in here? 75?

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14 years ago.

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No, I don't know if it was earlier.

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70.

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I don't think I had the same television, though.

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I think that's fairly new-ish.

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Looks fairly new. Yeah, it's not old.

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Well, he said it was a 75.

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What's wrong?

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He said it was a 75 model.

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Because I guess the solid state came out then in 75?

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The what? Solid state? I don't know.

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No bulbs. There aren't any bulbs in there.

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Oh, that's what a solid state is? No tubes.

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No tubes. I see.

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Eddie, I thought it had something to do with the thing on the roof.

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The what do you call it?

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Aerial. Aerial.

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No, not for this long. Your neighbors would have complained.

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I mean, nobody would have said that.

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Well, I don't think they have a probe.

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I do indeed. I still need it. Thank you.

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You'll get it back sometime, right?

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You will get it back sometime.

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All right. That's my book.

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I know. I know.

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I'm going to read it.

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For me?

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No, for myself. I need a press shot.

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So I said, now put me next to Mrs. Page's portrait.

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Goodie.

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I always like those. We'll see if they come up.

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Will you give me one?

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I'm photogenic.

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Oh.

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See, Ruth is photogenic. They are photogenic.

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Well, you are too. Oh, you are too.

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I saw you on television once and I was so impressed.

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I'll tell you that.

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That was a jigsaw.

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He sounded intelligent. I don't know if he is, but he sounded intelligent.

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He talked very easily.

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It's because our husband and I went to the same law school.

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Harvard.

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She likes Harvard Law School, right?

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Yeah, I do. I like lawyers.

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They are so much more intelligent than any of us.

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We don't think logically.

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Dancers have to think too, you know, but they don't have to think so logically.

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We have to, with our brains, direct our body what they do,

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but lawyers can talk on any subject and be logical about it.

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Don't you think that's true?

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Well, I think you are very logical.

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I think you write very well and I think you think very clearly.

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You do?

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Well.

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You have to think clearly to think of ballets.

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You have to put them down.

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You are very literate.

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You are a very literate person.

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Extremely literate.

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More literate than many of my partners.

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I'm sure that's true.

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Who are your partners?

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Well, they are not all graduates of the Harvard Law School.

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That's part of the problem.

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Someone went to Yale.

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Oh, the Yale Law School is nothing, is it?

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Right.

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I know.

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I have to have Harvard lawyers. That's true.

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Well, Tom was kind of emotional, wasn't he, really?

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He was a yes and no.

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I would say Tom was, he had a temper, so in that sense,

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but he was highly intellectual, so I think he was,

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I didn't see his temper too often.

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Did you, Ruth?

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Would you say he was a person of?

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No.

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He never got mad at me.

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He was always nice to me.

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He was an absolute tiger at looking after Ruth's interests.

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Yes.

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Very.

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I mean, if you look at the New York Public Library

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dance collection of Ruth's papers, you see these

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thousands and thousands of letters Tom would write,

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because if he got on a subject, he would never give up

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until he achieved satisfaction.

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That's true. That's very true.

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He was very tenacious.

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Extremely tenacious.

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Yeah, that's true.

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So are you?

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Am I?

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Don't you think so?

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I never thought about it. No.

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I let everything go by.

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I never insist on anything.

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You tried a case against Tom? Is that how you met him?

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We and I were on the other side, and this matter started in...

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Ten years? There were ten years?

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More than that. January 19th, March 1956.

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I'd been a lawyer eight months, and it went on until

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the time of Tom's death in 1969. It still wasn't over.

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It was a lady who sold her expectancy.

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Right. That was the heir, the king heir that...

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No, no, this had nothing to do with the king ranks.

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This was a woman...

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Who was it?

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Mary Isabel Llewellyn.

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Llewellyn?

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Llewellyn.

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Okay.

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She sold her expectancy to all these moneylenders on the

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East Coast who then subdivided this expectancy into

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little further interest so that when her father died,

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that's when the will kicked in, she would have received

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her money, then the bank, which is now the Continental

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Bank, sued to construe the will and to see if these

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assignments were valid. So there was about a hundred

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parties, and Tom represented many of these moneylenders

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who had bought the expectancy. In this case, it went on

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forever. It was very hard fought. So, and he...

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People would settle along the line. His clients settled

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the last. So we always had acrimony. And Ruth will tell

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you, Tom could talk on the telephone forever because he

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could call you and he would start by two-per-ending.

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Well, you could put the phone down and write several

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briefs and do other things because he would talk for

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several hours.

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I know somebody else like that.

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And, you know, and he didn't mind that she wasn't being

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interrupted because he liked to talk. So if he called you,

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this was a long session, and you might as well start

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doing something else.

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Because you could not interrupt him, nor could you

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terminate the conversation. Right, Ruth?

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I guess so. I don't know.

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So that's how I met Tom. And I very much, even though we

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were on the other side, I very much admired him as a

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lawyer and as a person because I saw him both in court

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and out of court. He was very ego-involved because he

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was a young woman lawyer. I remember one motion she

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argued against him. She said, Now, Mr. Fisher said in

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this brief as follows, and by that he meant, and Tom was

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very interested, very irritated by that. He said,

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Don't tell me what I meant. He said, I'm a master of

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the English language.

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That was true, I think.

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He said, I know what I meant. So you can't tell me what

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I meant. But so he was very tenacious in court. He wrote

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very good briefs. And out of court, what would appeal to

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Ruth is that he did not talk about the law. He would talk

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about buying chateaus and traveling in France and

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history and all manner of interesting things. So I

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enjoyed him very much as a person.

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He adored you. He was a great admirer of yours.

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Even though we were enemies, legal enemies. So that's how

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I met Mr. Fisher.

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And he picked you.

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He picked me to protect. He called me. He was at the

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hospital. And he called me and he said, I want you to

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represent a rich widow. And of course he always liked

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the sense of the drama. And he didn't tell me who that

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person was to be. So I talked to my partners and they

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were a little skeptical. And I said, well, I don't see

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where I should go because I've always liked Tom. So I'm

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going to go.

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And I came to the hospital room and Ruth was there and

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he said, I want you to meet my wife, Ruth Page. And she

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is your client and I'm going to die in a matter of months.

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And I want you to take care of her. And I want you to

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take care of my affairs. And that's how Ruth and I first

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met. And we've been together ever since. That's 16 years.

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Right, Ruth?

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Yes.

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16 years.

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Did he really tell Ruth to do everything you said?

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Yes. He told that to me too. He said, now you do

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everything Jerry Salovey tells you to do. Whatever it is,

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you do it. So I said, all right.

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And I like to think that he picked a good protector and a

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good champion of that page because I do, I think, I look

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after her interest and champion her cause.

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Just as he did. He was a terrific champion.

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Yes, but I couldn't do what he did because he was much

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better, he had more time than I. So he could really go

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after the details of the ballet, if there were music

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rights to be obtained. I mean, they don't make people

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like his energy. I mean, he had this fantastic energy

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level, very intense person. So if he wanted something

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done, he would stay on that forever. He wouldn't give

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up. No, they don't make people like him.

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Did you know his, Tom's father?

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No, no. His father's very interesting.

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Oh, he was a marvelous man. We lived with his father.

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The first few years we were married, we lived in his

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house and everything. And I thought he was the most

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extraordinary man I'd ever met. And so Tom comes from a

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family that's sort of, they're all interesting people,

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I think. I adore Tom's family. I still see them all now.

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Your sister Margaret.

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Yeah, Margaret's his sister.

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But her father-in-law was Secretary of the Interior,

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Andrew Wilson. So he was the very, and the law firm,

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which is now Bell Boyd Marshall Lloyd.

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It used to be Fisher Bell Boyd.

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That was Tom's father, and that was the prominent law

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firm in Chicago. Now Tom didn't stay with that firm.

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He was with them only for a very few years.

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Well, he didn't want to stay with that firm because he

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wanted to take what cases he wanted to take. And if

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you're in a big firm, you specialize in something.

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He had Cravath in New York, always wanted to come to

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New York. Everybody wanted him. But he wanted to

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practice a long story. He could do what he wanted.

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See, nobody would have let him take that King Ranch

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case. That was impossible to win. And so that's why he

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left. And I think he was right. And that's why he

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stayed in Chicago, was because he couldn't do what

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he wanted. In New York, he'd have had to go into a

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big firm. But here he could practice all by himself.

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Not many lawyers do that, do they?

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No, very seldom. His, that is an intelligent family.

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His brother, who stayed at Bell Boyd, now his son,

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his nephew, Roger Fisher, who was a very famous

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professor at Harvard and Harvard Law School. His big

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area of law is dispute negotiation. He's got this

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book, Getting to Yes.

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Getting to Yes.

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And he's a very persuasive man. As a matter of fact,

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he settled a big case in which I was involved. It

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could not be settled in Roger.

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The auto-like case.

256
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No, no, no. This is a different case. And Roger

257
00:10:52.170 --> 00:10:53.870
settled it. I thought it would never be settled.

258
00:10:54.070 --> 00:10:57.930
He's, in many ways like Tom, he would never stop

259
00:10:57.930 --> 00:11:00.810
talking. You know, you could say, Roger, forget about

260
00:11:00.810 --> 00:11:03.430
it. I'm not doing this. And he would never, isn't

261
00:11:03.430 --> 00:11:03.830
that right?

262
00:11:04.170 --> 00:11:06.530
Yes, I guess. I like Roger very much.

263
00:11:06.590 --> 00:11:08.030
He had a, Ruth had him for dinner here one night.

264
00:11:08.030 --> 00:11:12.710
He's a very intelligent person. He served with, I

265
00:11:12.710 --> 00:11:15.210
think it was General Marshall after the Second World

266
00:11:15.210 --> 00:11:20.010
War. He went over to, on the Marshall Plan. So the

267
00:11:20.010 --> 00:11:22.510
Fisher family is a very intelligent family. But I

268
00:11:22.510 --> 00:11:24.230
think Ruth's family is equally interesting.

269
00:11:24.750 --> 00:11:26.850
Now, did you tell, I bet you know, you probably

270
00:11:26.850 --> 00:11:29.170
forgot, you see, we bought Thea, Thea, we bought

271
00:11:29.170 --> 00:11:32.770
Ruth a special cemetery lot in Indianapolis.

272
00:11:32.950 --> 00:11:34.410
That's one thing I don't know.

273
00:11:35.010 --> 00:11:38.010
See, Ruth didn't know about that. But I figured, you

274
00:11:38.710 --> 00:11:41.270
could upon her death, return to her forebearers

275
00:11:41.270 --> 00:11:42.370
because she's a very famous daughter.

276
00:11:42.370 --> 00:11:43.210
Oh, you scattered my ashes.

277
00:11:43.770 --> 00:11:45.750
Yeah, she would like to do that. But she's a very

278
00:11:45.750 --> 00:11:48.850
famous daughter of Indianapolis. So we have a

279
00:11:48.850 --> 00:11:51.810
booth. Now, I don't remember, it's near a famous

280
00:11:51.810 --> 00:11:52.250
grave.

281
00:11:52.610 --> 00:11:53.610
James Whitcombe Riley.

282
00:11:54.310 --> 00:11:56.730
I don't know if it's near, who else, Ruth, would

283
00:11:56.730 --> 00:11:58.230
it be near? Well, we'll have to look it up.

284
00:11:58.410 --> 00:11:59.930
Benjamin Harrison. He was from Indianapolis.

285
00:11:59.950 --> 00:12:01.650
No, it wasn't Benjamin Harrison. It's somebody

286
00:12:01.650 --> 00:12:04.070
else, I think. But anyway, we have her a nice little

287
00:12:04.070 --> 00:12:10.090
hill. Now, I know Ruth would like to be her ashes

288
00:12:10.090 --> 00:12:13.170
scattered. But for example, did you tell Thea about

289
00:12:13.170 --> 00:12:16.550
the party you had for Tom when he died? Because this

290
00:12:16.550 --> 00:12:17.130
was an interesting...

291
00:12:17.130 --> 00:12:18.410
I was going to ask about that.

292
00:12:18.490 --> 00:12:19.030
The party?

293
00:12:19.370 --> 00:12:21.050
Don't you remember you had a cocktail party?

294
00:12:21.190 --> 00:12:22.210
After Tom died.

295
00:12:22.250 --> 00:12:25.830
Oh, yes. I thought that he liked that better than

296
00:12:25.830 --> 00:12:29.290
just everybody sitting around being sad. I'm sure

297
00:12:29.290 --> 00:12:32.290
he would have preferred that party like that. I

298
00:12:32.290 --> 00:12:33.510
think that was a good idea, don't you?

299
00:12:33.510 --> 00:12:35.290
Yeah, so your brother was there.

300
00:12:35.630 --> 00:12:37.970
It was Carol Fox, actually. I think it says in a

301
00:12:37.970 --> 00:12:39.650
book someplace, Carol Fox called you and said,

302
00:12:39.710 --> 00:12:40.890
Ruth, you have to do something.

303
00:12:42.190 --> 00:12:43.890
Yes, it was Carol, yeah.

304
00:12:43.890 --> 00:12:45.530
And you said, all right, I'll give a party.

305
00:12:47.210 --> 00:12:48.810
And I thought it was probably Carol Fox.

306
00:12:49.210 --> 00:12:52.570
And a lot of people came. And it was not sad. It

307
00:12:52.570 --> 00:12:53.830
was festive occasion.

308
00:12:54.010 --> 00:12:57.130
Yes. We talked about Tom and everything.

309
00:12:57.890 --> 00:12:59.550
You wrote that it made you feel better, too.

310
00:13:01.610 --> 00:13:04.010
Well, I thought that was an interesting approach

311
00:13:04.010 --> 00:13:07.470
to death, as against the Jewish religion where

312
00:13:07.470 --> 00:13:09.990
you're required to be morose, not only morose,

313
00:13:09.990 --> 00:13:13.310
but for seven days. And then for 11 months.

314
00:13:13.730 --> 00:13:14.750
I didn't know that.

315
00:13:14.750 --> 00:13:15.190
Oh, yeah.

316
00:13:15.830 --> 00:13:16.710
I didn't know that.

317
00:13:16.950 --> 00:13:20.450
Yes, yes. And Orthodox Jew, really, it's 11

318
00:13:20.450 --> 00:13:22.870
months. It's a long time. And then there's a

319
00:13:22.870 --> 00:13:25.210
seven-day official period of mourning. And then

320
00:13:25.210 --> 00:13:27.390
there's a 30-day period where you're not supposed

321
00:13:27.390 --> 00:13:29.530
to do anything that's remotely enjoyable, like

322
00:13:29.530 --> 00:13:31.850
watch television or go to the movies. It's really

323
00:13:31.850 --> 00:13:32.570
very, you know.

324
00:13:32.570 --> 00:13:35.230
Well, I was a widow for 14 years, wasn't I? I

325
00:13:35.230 --> 00:13:38.110
think it was 14 years. So I know what it is to be

326
00:13:38.110 --> 00:13:42.130
a widow or I'm not a very merry one, either.

327
00:13:42.250 --> 00:13:44.550
No, but you kept yourself busy. I think that's

328
00:13:45.770 --> 00:13:48.750
Ruth's secret to you is the fact that she's never

329
00:13:49.330 --> 00:13:51.490
unoccupied. The fact that, is that right, Ruth?

330
00:13:51.490 --> 00:13:52.830
You're always doing something.

331
00:13:53.050 --> 00:13:54.770
Well, I always have something under the project

332
00:13:54.770 --> 00:13:58.110
up my sleeve, yes. I like to be busy. And I like

333
00:13:58.110 --> 00:14:00.730
to have projects and I like to be interested in

334
00:14:00.730 --> 00:14:03.930
things. I don't like to, I do like to sit home and

335
00:14:03.930 --> 00:14:05.710
read once in a while. I don't get much chance to

336
00:14:05.710 --> 00:14:09.570
do that. I love to do that. But I like to have

337
00:14:09.570 --> 00:14:13.530
things going. I love my school. I'm very interested

338
00:14:13.530 --> 00:14:16.390
in that. And I'm interested in all the scholarships

339
00:14:16.390 --> 00:14:19.130
we give over there and all the children that go

340
00:14:19.130 --> 00:14:21.130
there. I find them absolutely fascinating.

341
00:14:22.410 --> 00:14:24.690
You've got about five projects going right now.

342
00:14:24.870 --> 00:14:25.450
What are they?

343
00:14:25.450 --> 00:14:27.430
Well, you've got the ballets that are happening.

344
00:14:27.710 --> 00:14:29.510
If you count all the ballets. There's the Merry

345
00:14:29.510 --> 00:14:30.510
Widows. Oh, yes.

346
00:14:31.330 --> 00:14:36.990
And the Alice film. And the school. And what were

347
00:14:36.990 --> 00:14:38.930
you talking about reviving the other day?

348
00:14:39.030 --> 00:14:41.290
Oh, Flater Mouser. We're going to do that. We're

349
00:14:41.290 --> 00:14:44.530
reviving that for Tulsa. And maybe, I hope we'll

350
00:14:44.530 --> 00:14:45.630
get to do it on television.

351
00:14:45.710 --> 00:14:47.450
Yeah, I was going to ask you about that. Lynn was

352
00:14:47.450 --> 00:14:48.270
asking me about that.

353
00:14:48.450 --> 00:14:52.490
Well, it's going on in the fall in Tulsa.

354
00:14:52.490 --> 00:14:55.050
Where can we televise it? Why can we televise it

355
00:14:55.050 --> 00:14:55.250
there?

356
00:14:55.890 --> 00:14:57.310
I wish we could. I think it would be a very good

357
00:14:57.310 --> 00:14:59.470
idea. It's a ballet sort of like the Merry Widow.

358
00:14:59.530 --> 00:15:01.630
I think it's just as good, only it isn't as famous

359
00:15:01.630 --> 00:15:04.470
as the Merry Widow. But the music is lovely and the

360
00:15:04.470 --> 00:15:06.990
costumes, Delpho's costumes are marvelous. That's

361
00:15:06.990 --> 00:15:08.490
the first ballet we ever did together.

362
00:15:09.390 --> 00:15:11.910
Do they have a television station in Tulsa?

363
00:15:12.190 --> 00:15:13.730
Sure they do. A public television station?

364
00:15:14.030 --> 00:15:14.270
Yeah.

365
00:15:14.330 --> 00:15:16.610
Yeah, sure they do. Maybe they'd be interested

366
00:15:16.610 --> 00:15:17.010
in it.

367
00:15:17.510 --> 00:15:21.490
I think why it is important for Ruth to have a

368
00:15:22.950 --> 00:15:25.850
strong husband or lawyer is that she's a very

369
00:15:25.850 --> 00:15:30.190
self-effacing person. Ruth is not good at pushing

370
00:15:30.190 --> 00:15:30.790
herself.

371
00:15:31.710 --> 00:15:35.070
Neither is Delpho, my husband. He's impossible.

372
00:15:35.130 --> 00:15:36.210
He's worse than I am.

373
00:15:36.330 --> 00:15:39.350
Ruth is very self-effacing and long-suffering, so

374
00:15:39.350 --> 00:15:42.450
she needs a protector. I don't approve of that. I

375
00:15:42.450 --> 00:15:46.930
don't approve of somebody who needs a protector.

376
00:15:47.210 --> 00:15:47.690
Why?

377
00:15:47.990 --> 00:15:49.710
Well, because I think...

378
00:15:49.710 --> 00:15:50.750
You should stand up for yourself.

379
00:15:50.750 --> 00:15:51.590
No.

380
00:15:51.810 --> 00:15:54.330
I'll try to reform. I'm going to stand up for

381
00:15:54.330 --> 00:15:55.530
myself about that picture.

382
00:15:56.190 --> 00:15:56.630
Okay.

383
00:15:56.630 --> 00:15:58.490
If you don't do something about that, I'll get

384
00:15:58.490 --> 00:15:59.170
another lawyer.

385
00:15:59.230 --> 00:16:02.710
We'll do that soon. But Ruth is a very modest

386
00:16:02.710 --> 00:16:03.310
person.

387
00:16:04.610 --> 00:16:06.050
Yes, that's true. You are.

388
00:16:06.250 --> 00:16:07.390
Don't you think so?

389
00:16:08.230 --> 00:16:10.170
I never thought about it. Maybe. I don't know.

390
00:16:10.210 --> 00:16:13.070
I think Ruth... Well, we went through this whole

391
00:16:13.070 --> 00:16:15.730
thing with the Chicago Ballet.

392
00:16:16.130 --> 00:16:17.750
Yes. Can we talk about that? I thought that was

393
00:16:17.750 --> 00:16:19.510
one of the things we could talk about is the whole

394
00:16:19.510 --> 00:16:21.590
Chicago Ballet, because you must have been involved in that.

395
00:16:21.630 --> 00:16:25.170
Oh, I was very much involved in that. And I thought

396
00:16:25.170 --> 00:16:31.690
Ruth was long-suffering and very patient. Stanley

397
00:16:31.690 --> 00:16:35.250
Freeland came to us, and he really promoted this

398
00:16:35.250 --> 00:16:39.530
idea of a Chicago Ballet. And Stanley is a very

399
00:16:39.530 --> 00:16:46.170
philanthropic person. But what was surprising to

400
00:16:46.170 --> 00:16:50.610
me was the social part of Chicago in putting together

401
00:16:50.610 --> 00:16:53.890
a charity that although they were very social,

402
00:16:53.890 --> 00:16:57.410
they really weren't very sincere in doing anything

403
00:16:57.410 --> 00:16:58.530
or raising money.

404
00:16:59.110 --> 00:17:00.970
So Ruth took the leadership role and really

405
00:17:00.970 --> 00:17:01.990
challenged the city.

406
00:17:02.330 --> 00:17:05.970
Yes, but what happened was that we put up all the

407
00:17:05.970 --> 00:17:08.830
money and nobody else ever did. And then Geraldine

408
00:17:08.830 --> 00:17:13.870
came along and she was very insistent upon having

409
00:17:13.870 --> 00:17:16.690
the limelight, pushing Ruth to the back.

410
00:17:17.650 --> 00:17:20.070
We really gave it up on it because we wanted to get

411
00:17:20.070 --> 00:17:20.890
rid of Geraldine.

412
00:17:22.430 --> 00:17:26.750
It was all Ruth's idea, really. It was all Ruth's

413
00:17:26.750 --> 00:17:29.550
money. It was Ruth's school and Ruth's building.

414
00:17:30.530 --> 00:17:32.930
And what she was really trying to do was...

415
00:17:32.930 --> 00:17:35.370
Take over the whole thing. I fortunately didn't let

416
00:17:35.370 --> 00:17:37.870
her take any part of the school. She had nothing to

417
00:17:37.870 --> 00:17:40.910
do with the school. I just said no. But everybody

418
00:17:40.910 --> 00:17:43.210
said about Geraldine that if you let her do it all

419
00:17:43.210 --> 00:17:46.530
by herself, she'd be marvelous. But it's not true.

420
00:17:46.910 --> 00:17:49.470
I like Geraldine. She's got a lot of good qualities.

421
00:17:50.290 --> 00:17:52.350
But she wasn't good for me at all.

422
00:17:52.710 --> 00:17:54.090
Well, what would have been the purpose of letting

423
00:17:54.090 --> 00:17:56.470
her take over and do it, Ruth? I mean, it was your

424
00:17:57.790 --> 00:17:58.950
school and your...

425
00:17:58.950 --> 00:18:02.010
Oh, my school was entirely separate from the ballet.

426
00:18:03.810 --> 00:18:08.550
And she had strange ideas about what ballets you

427
00:18:08.550 --> 00:18:10.850
should do and this and that. For instance, she

428
00:18:10.850 --> 00:18:12.990
didn't even want me to do the Mary Widow, which is

429
00:18:12.990 --> 00:18:16.250
my most popular ballet. Well, that's a funny idea.

430
00:18:16.430 --> 00:18:18.990
She didn't want us to film Frank and Johnny with

431
00:18:19.970 --> 00:18:22.490
Shannon Levin than Mr. Carter did. She didn't let

432
00:18:22.490 --> 00:18:25.510
us use the fact that this was a Chicago ballet

433
00:18:25.510 --> 00:18:29.010
company. She thought it was a risque ballet.

434
00:18:29.130 --> 00:18:30.550
Yeah, she thought it was naughty.

435
00:18:30.570 --> 00:18:32.910
And therefore it would be bad for the company.

436
00:18:33.550 --> 00:18:34.070
Incredible.

437
00:18:36.270 --> 00:18:41.430
It was an eye-opening event to me, A, as to how

438
00:18:41.430 --> 00:18:43.690
difficult it really is to run a public charity,

439
00:18:44.030 --> 00:18:48.030
and B, how much Ruth was willing to sacrifice of

440
00:18:48.030 --> 00:18:49.950
herself to do something good for the city.

441
00:18:50.770 --> 00:18:53.270
Yeah, I was reading last night, as a matter of

442
00:18:53.270 --> 00:18:55.970
fact, the little speech that you gave when you

443
00:18:55.970 --> 00:18:58.430
founded the thing and somebody said something

444
00:18:58.430 --> 00:19:00.750
about it. Somebody called on you and you got up

445
00:19:00.750 --> 00:19:05.510
and stood up on a chair and made a speech at a

446
00:19:05.510 --> 00:19:07.110
party that had been put together with fundraising

447
00:19:07.110 --> 00:19:08.990
that had been put together by Stan Freeland to

448
00:19:08.990 --> 00:19:10.110
bring together all the people.

449
00:19:10.110 --> 00:19:12.510
And what it was is you said, I want to bring

450
00:19:12.510 --> 00:19:15.790
good ballet to Chicago. This is a challenge.

451
00:19:15.850 --> 00:19:19.470
I'm willing to give you $250,000 a year for three

452
00:19:19.470 --> 00:19:21.810
years. I'm going to get it started. Now come on,

453
00:19:21.910 --> 00:19:24.310
Chicago. You can do it. Here's the start.

454
00:19:25.050 --> 00:19:26.550
Imagine. They didn't even come close.

455
00:19:26.910 --> 00:19:27.830
They didn't even drop.

456
00:19:28.410 --> 00:19:29.190
Oh, goody.

