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It was all access when we were testing.

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I see.

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Did I tell you I shot with the chicken on Monday?

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You did? Oh yeah, you did.

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I shot with Chicago Goat.

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Good.

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He was a company in Detroit.

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Right, his brother runs the office.

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That was really good.

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Yeah, we did a Robinson Jeweler spot.

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With Jewel Cadet.

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Jewel Cadet?

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Yeah, she's the designer. She designs the rings.

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Okay, we are rolling and recording.

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You had been reciting poetry since you were a child, right?

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Tell us about breakfast.

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Oh yes, because my father didn't like useless conversation at breakfast.

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He said, if you haven't got anything to say, we don't talk.

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He said, I'd love it if you'd come down, all of you children, the three of us,

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and recite me a poem every morning.

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So that's what we finally did. That was our conversation at breakfast.

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Did you have a favorite?

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Oh, Captain, my captain. Yes, that was my favorite one.

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Our fearful trip is done. Our ship has weathered every rack the prize we sought.

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That was one of my favorites.

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Oh, but we liked all kinds of poems.

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My father liked poetry, so we had to please him.

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And he was a great friend of James Whitcomb Riley.

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Yes, he lived in Indianapolis. I remember him quite well.

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He lived on Lockerbie Street, which they never paved because that's the way it was when he was there.

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I remember James Whitcomb Riley.

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My father started a hospital, a children's hospital in his name, yes.

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And I went all over the state with my father asking for money for the children's hospital.

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I remember so well. He'd always say, if you give me money for a children's hospital,

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then you won't have to spend money on old people.

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They'll be properly taken care of when they're young.

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And he got the hospital all right.

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I think it was the first-class children's hospital in the country.

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Now, though you come from a family of doctors, your father was a doctor, your brother is a very famous doctor,

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your own feelings about doctors are not or about the help that a doctor can give you.

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You once wrote something about if you're sick, work on your mind.

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Doctors really can't do much to help you.

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Well, my brother said that. My brother said with heart problems, he said a doctor can't help a person who has heart problems.

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The patient has to know what to do for himself.

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That was my brother who said that, not me. So I just took it from my brother.

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So far I've never had any heart problems. I'm not going on one like that.

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But I don't know. I don't go to doctors because they really can't help you.

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I'm not a Christian scientist at all.

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But the doctors of today don't take any interest. They don't. Don't you think that's true?

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Yes, I do.

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I've been to a few doctors here. They can't tell you.

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I can't sleep at night and I've been to doctors to see what they can give me to help me to sleep.

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And they always say, well, we can't help you. Something's wrong with you. You can't sleep.

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Well, I know that's true, but they can't tell you what to do.

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So what's the use of going to them? Expensive and a waste of time.

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You've always had trouble sleeping.

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Yes, I never was. My brother is the same.

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He doesn't sleep either. Last night I couldn't sleep all night. It's just awful.

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Do you still get up in the middle of the night and take hot baths?

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Yes, and I get up and read. I come out in the kitchen and read because the lights are nice and bright there.

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I like bright lights. I come out in the kitchen, sit and read.

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And you have music playing.

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Yeah, I do that. I have one of those things right by my bed.

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So that helps. It helps me to have something to do at night.

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You don't watch television?

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Yes, but in the middle of the night there isn't anything interesting that I've found.

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I watched it last night at Anna Karenina.

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Sometimes there are interesting things, and sometimes I sit up and watch those,

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Tommy Carson and all those people. They're all kind of interesting, mildly interesting, I think.

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How do the guests on those shows compare? You've known a great many interesting people in your life.

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How do the guests on those shows that you watch compare to the people that you've known?

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How do the what?

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How do the guests on the Johnny Carson show compare?

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They seem awfully interesting people to me.

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They aren't the kind of people that I would especially like because they're not interested.

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Mostly they're not artists or dancers.

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I don't ever remember his having a dancer on his show, Johnny Carson, but I think he's very witty, I think. Don't you?

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Yes.

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He's always got an answer, and he's always amusing. I find him amusing.

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Going back to Doctors for a moment, in 1982 you had an accident. We were mugged twice.

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The doctors told you you would never walk again.

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Yes, they did. Well, I fooled them.

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I have an artificial hip, and they put it in, and I had to stay in bed about a week.

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Then I got up and started to walk, and I walked fine.

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I can't dance anymore, but I can walk.

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I suppose at my age I probably couldn't dance anyway now, but I probably could have though because I was very sturdy.

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If I hadn't had those two muggings, that was so unnecessary, you know.

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To say the least.

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You wrote at the time, or slightly afterward, after the doctors had told you that you wouldn't walk, that in order to cure yourself,

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you worked on your brain and your soul. You did a lot of thinking, and that's how you made yourself better.

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Well, that's interesting. I'm glad to know that.

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And you said you had a philosophy that it's important to keep pushing your body.

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Oh yes, I think you do have to. The body falls apart very fast if you don't work on it.

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I mean, I know so many older people who can't do anything. That's because they don't try. They keep doing it.

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Well, my brother now, he plays tennis every day and keeps his body going.

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And some people do it, but most people I think don't.

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You also wrote about the importance to force your brain all the time.

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Yes, you don't want to let your brains fall asleep. It's very easy to do. Just don't think.

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What do you do to keep your brain active?

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Nothing.

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I don't think it works very well either.

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Come on Ruth, you read all the time.

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Oh, I read. Yes, I read all the time. I love to read. I read everything.

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And you write?

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Well, you say I do, but I can't remember all the... I've written a lot. I don't know why.

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I think it's a bit compulsive. I forget it as soon as I write it anyhow.

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When you look at the original manuscript of the things that you've written, the stationery is from hotels all over the world.

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Yes. I don't carry a proper tablet with me to write on. I just write on the top of the stationery, whatever happens to be around.

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How did you know that?

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I saw the originals.

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Oh, I see.

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And you write in pencil.

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Yes, I love to write in pencil.

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And when do you write, Ruth? Is it the afternoons or the mornings?

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I would like to write in the morning. That's the best time to do everything, but I always go to class, so I can't write in the morning. So I do it whenever I can.

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And what causes you to sit down and write? Is there an idea?

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I don't know. I have no idea.

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Do you write... you seem to write fairly frequently.

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I love to write. I adore it. But I don't know why.

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And you write fairly carefully constructed essays.

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Thank you. I didn't know that. I really didn't. I just write whatever comes to my head.

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I never went to school, really, so I never learned to write or learn mathematics or learn anything. I went on the stage when I was very young and never had any schooling.

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I graduated from high school and that was all. Then I went to New York schools that were useless.

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Finishing school.

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You used to write letters to your mother very frequently.

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Yeah, those were very interesting. I read a lot of them the other day and they're terribly interesting because I told her everything.

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Everything I was doing, everybody I saw. Just told her everything. I think she must have loved getting those letters.

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Did she write to you?

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Yeah.

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What kinds of letters did she write to you?

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Well, giving me advice and telling me what to do. She wrote me a lot.

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Did you listen to the advice?

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Yes, sure.

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She once said to you, men are all different, but husbands are all alike.

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Maybe she did. I don't remember that.

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Do you think that's true?

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Well, I've only had two husbands and they're so different, one from the other, that I'm not a good person to say that.

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They're very, very different. So I don't know. Well, the husbands are all alike.

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What do you think your mother meant by that?

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Maybe she meant that once you married somebody, maybe you were tied down. I don't know.

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I never was tied down by either my husband, so I don't know.

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But maybe that's what she meant. Because I guess in her day, if you got married, you were tied down.

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She had to come back from Germany where she was studying music and live in Indianapolis, which she didn't want to do at all.

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Maybe that's what she meant. I don't know.

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She once, you have written, played an important role in your life at a particularly critical time regarding a man that you were in love with Isamu Noguchi.

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Oh, yes.

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Do you remember what your mother...

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Yes. Instead of saying, oh, you must never see him, it was all very clandestine.

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My husband knew all about it, but it was awful.

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So mother had Isamu and me come down to Highland Sport and stay a week.

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She said, if you stay here a week with me, I'll bet it'll be over. And it was. I finished it off completely. She was right. You see?

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A wise woman.

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Mm-hmm.

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I started to ask you before about the poetry to which you danced in words and music. Edna St. Vincent Millay.

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Yes.

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What did you dance to of hers?

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Oh, well, you reminded me of...

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I Burn My Candle at Both Ends.

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I Burn My Candle at Both Ends. It Will Not Last a Night, But All My Friends and All My Foe's. It Gives Such a Lovely Light. That was one of them.

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I don't remember what other ones of hers I did. She was a very popular poet at that time. She sort of died out, I think. They were sort of light and easy.

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And Li Po. That's a poet I don't know.

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You don't know Li Po? Well, of course, our translation is from the Chinese, so what the original Chinese is, I don't know.

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But I loved his poems. A Pot of Wine Among Flowers. I Alone Drinking Without a Companion. I Lift My Cup and so forth. And so I don't remember it much more.

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And Carl Sandberg, you did a number of his.

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The songs, the Carl Sandberg songs. It was called Carl Sandberg's Song Bag. And he was from Chicago, I believe. And they were charming. Absolutely charming little poems.

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Ogden Nash.

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Yes, he was amusing. Do you know what ones I did?

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No.

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I don't remember what ones I did of his, but I did some of his because I did very serious ones and then I did little short ones to sort of liven the program up because it got too serious.

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And you did Dorothy Parker.

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Yes, she was amusing too. What did I do? Have heard you say?

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No, it doesn't say. Just the names of the poets.

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No, it doesn't say just the names of the poets. Did You Do Men Seldom Make Passes at Girls Who Wear Glasses?

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Oh, what was that from?

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That's Dorothy Parker's little...

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Great point.

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And Garcia Lorca?

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Yes, at Five in the Afternoon. It was exactly Five in the Afternoon. That was...I put it into Carmen, I think, if I'm not mistaken. I did four different versions of Carmen.

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I think I used Garcia Lorca's poems somehow in one of the Carmans.

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And then Amy Lowell, you did some of her poetry too.

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What ones does it...doesn't say?

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Doesn't say.

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Amy Lowell, I don't remember. I did so many.

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Archibald McLeish?

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Yes. He was an interesting poet. Sort of an intellectual poet. I don't remember. I really...I'm surprised that I did all these because I don't remember them.

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If I started thinking about it, maybe I could remember. It was such a long time ago.

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Oh, indeed. A very long time. Baudelaire?

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What did I do with Baudelaire? Does it say there? What did I do with Baudelaire? I don't remember.

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Eugene Field.

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Who?

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Eugene Field.

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Yeah. He was like...

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Children's kind of thing.

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And Belac, the French poet.

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Baudelaire Belac. Yeah, I remember the name, but what poems of his I don't know. I hadn't forgotten. I did so many.

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Those must have been very difficult programs to do, Ruth. How long did you perform when you did the words in music?

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Oh, a solo program takes about two hours. The first part is an hour, and then they have an intermission, and then another hour.

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I did solo programs a lot because I didn't have anybody to dance with. And they were fun to do. I liked doing them.

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You weren't dependent on anybody except yourself.

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Very different from choreographing a ballet.

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Oh, yes.

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Where you're dependent on...

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Everybody.

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Okay. Going back now to Billy Sunday and the episodes, the four sermons that you decided to choose.

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David and Bathsheba, Joseph and Mrs. Potiphar, The Wise and Foolish Virgins, and Samson and Delilah. How did you pick those?

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Oh, how do I know? I have no idea. I thought they were subjects that everybody knew about.

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Everybody knows those four stories very well, and it's better to take something that the audience knows about, and then it's easier to do the ballet.

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And then eventually at the end, the way the ballet ends, is with Billy Sunday swinging the bat.

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Of righteousness.

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And knocking the devil out of the box.

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Yep. It started out with temptation is the devil looking through the keyhole. That's the one. Yes. Ended with that. Same idea.

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What are the words exactly? Temptation is...

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Is the devil looking through the keyhole. Yielding is opening the door and letting him in. Now beyond that, I don't remember. I just remember that.

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It starts out, temptation is the devil looking through the keyhole. Yielding is opening the door and letting him in. After that, I don't remember.

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I could have looked these all up for you if I'd known you were going to ask me these things. Well...

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I've got the music around, don't I?

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We're out of time on the cassette. Do you want to change it?

218
00:18:21.000 --> 00:18:23.880
Okay. This is good.

219
00:18:24.560 --> 00:18:27.340
It is? Yes. We're getting lots of good stuff.

