WEBVTT

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It's March 18, 1845, it's 1948, we were with Ruth Pager and Cleo Plum, this is from the

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Archives and Sylvia Moravos.

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Yes, that's an interesting picture, yeah that's a Gershwin.

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That's a good ballet.

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It's a very good ballet.

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Have you ever seen it?

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No.

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It is a joy to watch and as you watch it you have the sense that you're watching something

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new.

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You know how when you go to the ballet you have the sense that you're watching something

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new.

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When you watch Frankie and Johnny it feels fresh.

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Yes.

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And it's old Ruth.

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Oh it's very old.

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How old is that?

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I can't remember.

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I oughta know when I did it.

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19...

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But I got here before I did it in Paris.

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Oh well you know them what they're like.

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Well listen darling I'll call you and let you know if I can make it.

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I don't know...

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Alright let's go.

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He won't be back until the end of April.

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No.

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Oh well you're awfully sweet.

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Yeah.

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Okay I'll let you know about Thursday.

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Alright bye.

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Everybody wants you.

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Yell.

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I'm so popular.

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Okay here's a picture of you.

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Yeah that's a flapper.

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There's one with me with the quarterback too.

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That was the first I think Americana, real Americana.

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Now I know that date was 1926.

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Maybe somebody had done something American realistic like that but I don't think so.

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There isn't one of me and the boy.

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I thought there was one of me and the...

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There is some.

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I don't know where it is.

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It's not in this book.

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It's the same costume and...

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It may be in here.

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Anyway.

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It doesn't matter.

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So tell about the flapper and the quarterback.

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I mean that was really quite a departure.

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Yes it was.

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Yeah that was a real departure.

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I don't know how I happened to do it.

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I had the music especially written by Clarence Loomis.

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I remember him.

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And that costume is sort of copied after the John Held cartoons.

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And at that time we were all trying to be very American.

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You know we didn't want to be classical.

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Now of course it's just the opposite.

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But at that time everybody was trying desperately to do something American, American.

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And that was my first American attempt.

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I did a lot of others later but that was the first one.

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And what's the story of the ballet?

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There is no story at all.

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It's just a flapper and a quarterback dancing together like...

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Well the Charles, it was a little bit sort of based on the Charles and that was the dance of the hour.

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And it was sort of like that.

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I remember coming in and I had on these galoshes and he took off my galoshes and threw them up into the air.

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And then we started going into a jazzy thing.

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And I remember the end of it.

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We slid down each other's backs.

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It was sort of original.

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It was short.

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Just a little short dance.

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How long?

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Oh about five minutes I guess.

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That is short.

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Yeah.

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And you danced it and how was it received?

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Oh everybody adored it.

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It was something very new.

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You see everybody loved it.

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It was very new at that time.

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Everybody loved it.

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Now when you went out to dance it for the first time, knowing it was something new, knowing it was something different, were you at all concerned?

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Afraid?

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Afraid people wouldn't like it?

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Well I never care what people like.

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They don't like it, I don't do it.

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If they like it, I do it.

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That's all.

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It's as simple as that.

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I've done a lot of dances that people don't like and I just don't do them anymore.

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But that one was very popular.

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The Peter Pan dances were very, very popular too.

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What were the Peter Pan dances?

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Those were the ones you started doing.

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Those are the ones you started doing with?

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Oh I think so.

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I don't know if I should do Peter Pan.

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I don't know.

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I just always fancied myself a Peter Pan character.

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I was Peter Pan.

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Everybody called me Peter.

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Really?

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There's a picture of me as Peter Pan up there.

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By Remizzo.

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You're making a note, Laurie.

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Did you think of yourself as Peter Pan?

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Oh yes, I was hoping that Peter Pan was just as you can imagine.

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Very fey.

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Everything's awfully hot in here.

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It's the lights a little on.

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I don't know if the heat's on or not.

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The heat is on.

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The heat is on.

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It's on?

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That's true.

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By the window I can feel it coming out.

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That window or this one?

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Out there.

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Let's get Carmen.

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I'll go get her.

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Tell her to turn the heat off in there.

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It's too hot.

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It's hard to turn on when I let you do it.

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Do you want us to open a window Ruth?

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No.

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It's toasting to the lights too.

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It's too cold when the windows are...

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I nearly froze to death yesterday.

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Weren't you cold?

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Terribly.

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It was awful yesterday.

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Oh my God.

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I thought I'd never get home.

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I came in from wherever I was out in the country.

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I wanted to stop and just buy a newspaper.

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They said, can we let you off on this corner?

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I was going to the Drake Hotel and they let me off on the other side of the street from the Drake.

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I thought I'd never get across the street.

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Yeah, the wind was awful.

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I hate this windy climate we have.

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You live on one of the windiest corners in one of the windiest cities in America.

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One day I was trying to cross that street and I just couldn't get across.

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The policeman came out and picked me up and took me home.

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Carried me across the street.

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I appreciated that so much.

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I never would have made it otherwise.

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Yeah, the wind is really awful.

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It can get terrible.

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Do you want some tea or coffee?

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No.

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Anybody? Tea? Coffee?

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I'll have some coffee.

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Carmen, we'd like one coffee and one tea.

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I'll have another cup of tea.

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Where is it?

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What would you like?

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Don't you want anything?

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No.

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I'd like a coffee.

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Two coffees?

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Two coffees and I guess two teas.

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I'll have a little more tea too please, Carmen.

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Two coffees and two teas.

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Those are, yeah, I don't know why I'm so hot.

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I've got a warm dress on.

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Well, it's partly the lights.

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Why don't we go through this cassette and then stop when the tea comes and turn the lights off,

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which will cool down a little bit and then we'll do a little more right after the tea, okay?

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Well, I don't care.

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You're a pro.

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You're used to lights, huh?

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No, go ahead.

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Keep it rolling.

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Yes, we'll just do it after the other time.

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Walk right through my frame.

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I had to get in somehow.

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You're going to shock poetry.

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That's right and there you go lousing it up.

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There I am.

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It's a time once drowsy.

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Okay, are we going?

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Okay.

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All right.

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So there we are, Flapper and the Quarterback, Peter Pan.

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Now I think that this is very interesting.

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I mean, were you being deliberately fey, Ruth, or do you think you just are sort of a Peter Pan?

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No, I was that way.

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Yeah, still are.

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Oh, yes?

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I don't know what I am now.

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I'm nothing now.

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Hardly.

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Nothing at all.

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The Peter Pan, so what do you think is the essence of Peter Pan?

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The Peter Pan never grows up.

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It's the essence of the joy of being a child, of childhood.

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Yes, it's a charming character actually when you think about it.

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Don't you think so?

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Yes.

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I remember the play, Peter Pan.

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Don't you remember the play?

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I can't remember who did it.

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Who was it?

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Who danced, who acted in Peter Pan?

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Well, let's see, Mary Martin became famous.

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Yeah.

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Yeah.

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Peter Pan, yeah.

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It was a role you could have played.

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Did you ever think about the theater going?

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No, I wish I had because I could have done it, I'm sure.

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I was only one of the choreographers.

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It was so stupid of me.

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I had so many different kinds of offers and I said, oh no, I'm a choreographer.

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You're stupid.

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When was the first time you knew what a choreographer even was?

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We're going back.

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Well, I was just making up dances.

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That's all a choreography is.

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I always wanted to make up dances from the time I was born.

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I believe that's true.

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It came out of my mother's womb doing choreography, I'm sure.

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I'm beginning to think so.

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I really am.

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Okay, so the flap, we're in the quarterback.

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And then after that, you did, there's a note here about a ballet you did called Oak Street Beach.

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Oh, yes.

239
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That's very interesting.

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That was the beach here.

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Mm-hmm.

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And I thought it was so interesting the way the skyscrapers came right down to the water, you know.

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And that was all one of my first very Americana things.

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I don't doubt if it was a very good ballet, but the idea was good.

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It is a good idea.

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Were there people in bathing suits at the beach?

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Oh, yes.

248
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Yes.

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And they were, it was very realistic, a realistic ballet.

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I have pictures of it, so that's how I happen to know what it was like, because I don't remember it too well.

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And I think the same man wrote the music.

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I think it was Clarence Lummis.

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Now, how did you settle on Clarence Lummis to write the music for Flapper and the Flap?

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I have no idea.

255
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He was just an American who was around here, and I guess I just used him.

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I always had my music specially written for my ballets until lately.

257
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Every ballet I, every dance I did, I had the music specially written until I started doing operas into ballets.

258
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Yes.

259
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And then I used opera music.

260
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And after that, I started using music that was already written, like Carmina Burana, Catute Camina, and all those ballets.

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The ballet things from opera, music written for the dance, really.

262
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Yes, yes.

263
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So, but was that common in those days for people to commission music for their ballets?

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265
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Was that common for people to commission music for their ballets?

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Wasn't most ballet really done, it was folk music and music that already existed?

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I don't know.

268
00:10:41.940 --> 00:10:45.060
I didn't pay attention to anybody's ballets except my own.

269
00:10:46.180 --> 00:10:52.660
When you gave the instructions to Harold Lummis to write music for the Flap and the quarterback, what did you tell him?

270
00:10:53.040 --> 00:11:00.620
I said what I wanted, or the idea, and how long I wanted it to be, and who it was going to be in, what it was going to be in.

271
00:11:01.060 --> 00:11:02.740
And then he got them, did the music.

272
00:11:03.440 --> 00:11:05.200
If I didn't like it, I didn't take it.

273
00:11:05.940 --> 00:11:07.400
How much did it cost?

274
00:11:07.400 --> 00:11:11.420
Oh, you pay them any price.

275
00:11:12.000 --> 00:11:14.000
He was happy to get $100.

276
00:11:15.800 --> 00:11:17.440
You didn't pay any price, little.

277
00:11:17.900 --> 00:11:19.660
Sometimes they'd do it for nothing.

278
00:11:20.700 --> 00:11:22.680
And sometimes they'd want a lot of money.

279
00:11:24.440 --> 00:11:26.480
And all different prices.

280
00:11:26.760 --> 00:11:27.880
Did he come to the ballet?

281
00:11:28.100 --> 00:11:29.440
Did he ever see it performed?

282
00:11:29.720 --> 00:11:30.620
I don't know.

283
00:11:31.300 --> 00:11:33.000
I can't remember him at all, really.

284
00:11:33.620 --> 00:11:36.780
He's just a name, you know that he did it.

285
00:11:37.620 --> 00:11:39.880
Yes, I used a lot of different composers.

286
00:11:40.100 --> 00:11:41.640
Laman Engel I used a lot.

287
00:11:41.940 --> 00:11:44.320
He did all the dance poems that I did.

288
00:11:44.380 --> 00:11:45.560
He did all those.

289
00:11:46.280 --> 00:11:47.440
He was very good.

290
00:11:48.240 --> 00:11:53.400
He was a sailor up at, where was that place where the sailors go?

291
00:11:53.540 --> 00:11:54.040
Great Lakes.

292
00:11:54.840 --> 00:11:56.220
Great Lakes, was it?

293
00:11:56.780 --> 00:12:01.420
And we were living, when he'd come down, we'd work together all the time.

294
00:12:01.440 --> 00:12:02.360
He was here, we worked.

295
00:12:02.440 --> 00:12:03.240
He was in the Navy?

296
00:12:03.560 --> 00:12:04.780
Mm-hmm.

297
00:12:05.800 --> 00:12:06.280
Yes.

298
00:12:06.280 --> 00:12:07.540
How did you find him, Ruth?

299
00:12:07.680 --> 00:12:09.320
I knew him before as a composer.

300
00:12:09.660 --> 00:12:11.780
He was just put in the Navy.

301
00:12:12.220 --> 00:12:13.720
That wasn't his job.

302
00:12:16.240 --> 00:12:20.560
And he was very good for composing dances.

303
00:12:21.140 --> 00:12:21.920
Very good.

304
00:12:23.220 --> 00:12:23.580
Okay.

305
00:12:24.180 --> 00:12:25.440
So, let's see.

306
00:12:25.660 --> 00:12:28.080
We were sort of doing a chronology.

307
00:12:29.420 --> 00:12:31.940
You were invited to go and dance in Japan.

308
00:12:32.980 --> 00:12:35.360
And Otto was not.

309
00:12:38.160 --> 00:12:41.080
And, oh, here she is with the tea.

310
00:12:41.180 --> 00:12:42.180
Let's take a break.

311
00:12:42.540 --> 00:12:46.580
Why don't we go back to, you were about to leave for Japan.

312
00:12:47.300 --> 00:12:47.900
Oh, my.

313
00:12:48.420 --> 00:12:48.820
Okay.

314
00:12:48.840 --> 00:12:49.920
You want to talk about that for a while?

315
00:12:50.120 --> 00:12:50.560
If you like.

316
00:12:51.020 --> 00:12:51.420
Okay.

317
00:12:52.100 --> 00:12:57.440
You were about to go to Japan and you said, you had been invited to Japan and Otto had not been.

318
00:12:57.440 --> 00:12:58.160
We're rolling, yes?

319
00:12:58.260 --> 00:12:58.640
Oh, yes, ma'am.

320
00:12:58.920 --> 00:12:59.320
Okay.

321
00:12:59.320 --> 00:13:02.260
You had been invited to Japan and Otto had not been.

322
00:13:02.840 --> 00:13:04.220
And then what happened?

323
00:13:05.200 --> 00:13:11.640
Well, I went and I took two girls and one boy with me.

324
00:13:11.920 --> 00:13:13.200
And then the boy was Harold Groszberg?

325
00:13:13.960 --> 00:13:14.080
No.

326
00:13:14.080 --> 00:13:14.680
Oh, that was later.

327
00:13:14.680 --> 00:13:18.020
The second time I went, I went with just Harold Groszberg and I alone.

328
00:13:18.600 --> 00:13:20.240
This was the first time I went.

329
00:13:21.720 --> 00:13:23.400
And I loved Japan.

330
00:13:23.500 --> 00:13:25.400
I've always been crazy about Japan.

331
00:13:26.260 --> 00:13:30.720
I think it started with when I was a child.

332
00:13:30.760 --> 00:13:34.140
I had a nurse who gave me a book of Japanese fairy tales.

333
00:13:34.400 --> 00:13:36.700
And I can see that book to this day.

334
00:13:37.100 --> 00:13:39.720
And I loved all those Japanese fairy tales.

335
00:13:39.740 --> 00:13:40.800
I still love them.

336
00:13:41.220 --> 00:13:46.080
And so I think I was prepared to love Japan even before I went.

337
00:13:46.320 --> 00:13:47.520
And I did love it.

338
00:13:49.080 --> 00:13:50.600
And I liked it both times.

339
00:13:50.880 --> 00:13:52.660
There are a marvelous audience over there.

340
00:13:52.660 --> 00:13:55.940
And they know more about you than you know about yourself.

341
00:13:56.060 --> 00:13:59.500
If you meet somebody, they'll say, oh, you did such and such a dance.

342
00:14:00.140 --> 00:14:01.820
Such and such a place, didn't you?

343
00:14:02.200 --> 00:14:06.660
And your costume was like a new sort of say, oh, did I?

344
00:14:06.960 --> 00:14:10.260
They remember everything, absolutely everything.

345
00:14:12.280 --> 00:14:14.240
And I had a lot of Japanese friends.

346
00:14:14.280 --> 00:14:15.660
I liked them very much.

347
00:14:16.500 --> 00:14:19.100
And how did it come to be that you were invited?

348
00:14:19.740 --> 00:14:23.220
Well, the Struck was the, I remember his name.

349
00:14:25.060 --> 00:14:29.700
And he was over here and saw Balm's performance.

350
00:14:30.460 --> 00:14:33.480
And instead of asking Balm to go, he asked me to go.

351
00:14:33.880 --> 00:14:35.120
That was the way it was.

352
00:14:35.480 --> 00:14:36.640
And of course, I shouldn't have gone.

353
00:14:36.700 --> 00:14:38.240
It was a terrible thing to do.

354
00:14:39.260 --> 00:14:39.500
Why?

355
00:14:40.140 --> 00:14:42.560
Well, I mean, I was Balm's pupil.

356
00:14:42.720 --> 00:14:44.280
And Balm had done everything for me.

357
00:14:44.280 --> 00:14:45.260
And I shouldn't have done it.

358
00:14:45.540 --> 00:14:47.380
I think it was a terrible thing to do.

359
00:14:48.180 --> 00:14:49.380
Anyway, I did it.

360
00:14:54.900 --> 00:14:57.600
Well, at the time, you must have felt it was an okay thing to do.

361
00:14:57.600 --> 00:14:58.520
No, I didn't.

362
00:14:59.000 --> 00:15:01.520
But I wanted it so badly that I went.

363
00:15:01.580 --> 00:15:03.360
I was dying to go to Japan.

364
00:15:04.680 --> 00:15:07.100
And there was no chance I could go on my own.

365
00:15:07.520 --> 00:15:08.440
So I wanted to dance.

366
00:15:08.440 --> 00:15:09.460
I wanted to dance.

367
00:15:09.500 --> 00:15:11.480
I really wanted that very badly.

368
00:15:13.100 --> 00:15:15.200
And so you made a little company and took them with you.

369
00:15:15.200 --> 00:15:16.440
And what did you dance?

370
00:15:16.440 --> 00:15:18.580
Oh, everything that I had.

371
00:15:18.620 --> 00:15:20.520
I can't remember what I danced.

372
00:15:20.560 --> 00:15:23.240
I really don't remember at all.

373
00:15:23.440 --> 00:15:24.980
Everything I had in my repertoire.

374
00:15:26.180 --> 00:15:31.360
Well, it must have been unusual for the Japanese to see that kind of dance,

375
00:15:31.460 --> 00:15:34.520
in which by that time had become sort of American.

376
00:15:34.760 --> 00:15:40.680
And certainly even Western dance must not have been very well known to the Japanese at that point at all.

377
00:15:40.700 --> 00:15:43.040
Even the classic ballets, I would think.

378
00:15:43.040 --> 00:15:44.420
Well, I think they like classic.

379
00:15:44.420 --> 00:15:46.320
I think they knew classic ballet all right.

380
00:15:46.800 --> 00:15:49.860
But of course, I did all these, Saffron and Quarterback, things like that,

381
00:15:49.880 --> 00:15:52.480
which was rather a surprise to them.

382
00:15:53.260 --> 00:15:54.520
But they came right along with you.

383
00:15:54.520 --> 00:15:56.000
That's what I like about the Japanese.

384
00:15:56.040 --> 00:15:57.440
They were willing to learn.

385
00:15:58.120 --> 00:16:00.840
And they went into it very thoroughly.

386
00:16:01.400 --> 00:16:05.060
They did everything very deep and profound.

387
00:16:05.200 --> 00:16:06.660
They didn't just say, well, that's a nice dance.

388
00:16:06.700 --> 00:16:08.760
They wanted to know all about it.

389
00:16:11.040 --> 00:16:13.900
And I think they're very interesting people.

390
00:16:13.900 --> 00:16:14.680
I like them.

391
00:16:15.080 --> 00:16:18.860
Do you think it's politeness or it's a different kind of approach to things?

392
00:16:18.880 --> 00:16:22.400
No, I think that they're more profound than we are.

393
00:16:22.720 --> 00:16:24.220
We're fine with, oh, that's a cute dance.

394
00:16:24.220 --> 00:16:25.440
That's pretty, you know.

395
00:16:26.480 --> 00:16:28.680
But they go into everything very deeply.

396
00:16:29.600 --> 00:16:31.400
At least that's the impression they gave me.

397
00:16:31.980 --> 00:16:33.940
Do you think maybe they take art more seriously?

398
00:16:34.440 --> 00:16:37.880
Yes, and I tell you, they like to copy us too, you see.

399
00:16:38.480 --> 00:16:41.580
They're very, we don't copy, at least I never did.

400
00:16:41.580 --> 00:16:44.380
But they like to copy what you do.

401
00:16:44.860 --> 00:16:46.580
So that's one reason that they...

402
00:16:47.600 --> 00:16:50.080
But the Japanese theater is so interesting.

403
00:16:50.180 --> 00:16:52.180
There are all kinds of different kinds of theaters.

404
00:16:52.240 --> 00:16:54.580
There's the no, which is very slow.

405
00:16:56.040 --> 00:16:59.860
And you have to sort of know about it before you can really enjoy it.

406
00:16:59.880 --> 00:17:03.880
And then there's the kabuki, which is the more popular theater.

407
00:17:04.380 --> 00:17:05.320
They have puppet theaters.

408
00:17:05.360 --> 00:17:07.000
Now they have a lot of different other kinds.

409
00:17:07.060 --> 00:17:07.960
I don't know what they are now.

410
00:17:07.960 --> 00:17:09.840
I'd like to see what they have now.

411
00:17:09.840 --> 00:17:10.740
I don't know anymore.

412
00:17:10.740 --> 00:17:12.540
I haven't been there for so long.

413
00:17:13.380 --> 00:17:14.460
Maybe you should take another trip.

414
00:17:15.320 --> 00:17:15.940
I hope not.

415
00:17:15.940 --> 00:17:17.560
I don't want to take another trip.

416
00:17:19.600 --> 00:17:21.060
The other day we were sitting in

417
00:17:21.060 --> 00:17:23.500
when you were looking through the itinerary of that trip,

418
00:17:24.100 --> 00:17:25.760
and Jerry was reading it after you, and you said,

419
00:17:25.980 --> 00:17:28.560
oh, I've been there, and I've been there, and I've been there.

420
00:17:28.600 --> 00:17:30.500
You have really been everywhere.

421
00:17:30.680 --> 00:17:38.300
Yeah, I haven't been to New Zealand or Australia or St.G. or South Africa.

422
00:17:39.360 --> 00:17:40.920
Some of those might be interesting.

423
00:17:40.920 --> 00:17:41.720
South Africa?

424
00:17:42.020 --> 00:17:44.040
I was reading that article in The New Yorker.

425
00:17:44.100 --> 00:17:44.640
Have you read that?

426
00:17:44.840 --> 00:17:47.160
It's so long, I don't think I'll ever finish it.

427
00:17:47.580 --> 00:17:50.840
But it's all about the blacks in South Africa and their position.

428
00:17:50.940 --> 00:17:51.940
It's terribly interesting.

429
00:17:51.940 --> 00:17:52.660
Yes, yes.

430
00:17:52.660 --> 00:17:55.820
About slavery and how everything started there

431
00:17:55.820 --> 00:17:58.020
and what the apartheid means now.

432
00:17:58.040 --> 00:17:58.820
Yes, yes, now.

433
00:18:01.440 --> 00:18:06.040
And the terrible situation the blacks went through there,

434
00:18:06.040 --> 00:18:08.280
all those, well, slavery mainly.

435
00:18:08.920 --> 00:18:11.920
I'm going to finish the article though as soon as I get time.

436
00:18:12.880 --> 00:18:14.340
Then I'll tell you about it.

437
00:18:14.440 --> 00:18:14.680
Okay.

438
00:18:14.680 --> 00:18:16.180
I'm about halfway through it now.

439
00:18:16.780 --> 00:18:18.640
You're really quite a voracious reader.

440
00:18:18.740 --> 00:18:19.420
You read a lot.

441
00:18:19.720 --> 00:18:20.560
I love to read.

442
00:18:20.680 --> 00:18:22.420
Yeah, I like to read when I get in bed at night.

443
00:18:22.540 --> 00:18:25.140
That's when I like to read when nobody disturbs you.

444
00:18:25.960 --> 00:18:28.680
And you like to listen to music before you fall asleep?

445
00:18:29.040 --> 00:18:31.060
Yeah, I listen to music all night long too.

446
00:18:31.080 --> 00:18:34.040
I turn that thing on and I can't sleep very well,

447
00:18:34.040 --> 00:18:36.160
so I listen to music most of the night.

448
00:18:36.600 --> 00:18:39.320
One of your biographers says that it's because your mother

449
00:18:39.320 --> 00:18:41.560
used to play music for you every night before you went to sleep.

450
00:18:41.700 --> 00:18:42.380
She always did.

451
00:18:42.660 --> 00:18:46.500
She had certain things that she put me to sleep with.

452
00:18:47.700 --> 00:18:47.700


453
00:18:48.000 --> 00:18:54.140
Da da da da da da da da da da da da da da da da da da da da da.

454
00:18:54.380 --> 00:18:57.180
Yeah, his mother, I always made her play me to sleep.

455
00:18:58.460 --> 00:19:00.500
And now you listen to music when you go to sleep?

456
00:19:01.220 --> 00:19:02.320
Mm-hmm.

457
00:19:02.320 --> 00:19:05.320
Sometimes it puts me to sleep and sometimes it doesn't.

458
00:19:07.380 --> 00:19:09.320
I'm a very temperamental sleeper.

459
00:19:10.440 --> 00:19:11.460
You need to change your cassette.

