“Garden ‘82” studies what appears to be Elam’s Logan Square backyard, a locale frequently used in Elam’s work. The footage focuses on the space of ...
"Garden #2" documents JoAnn Elam, her second husband Joe Hendrix, and an unidentified man in the backyard garden of Elam's Logan Square apartment i...
This 8mm home movie from the JoAnn Elam Collection shows Elam gardening outside her home in Chicago around 1984 and captures Elam’s interest in gar...
"84 Garden 2" documents JoAnn Elam working in the garden of her Logan Square residence in Chicago. Based on her consistent outfit, the film appears...
"Ice Lakes - Garden 1 '84" begins with footage of ice clinging to docks along Lake Michigan on the north side of Chicago, the cityscape visible in ...
Through a series of pans around what appears to Elam’s Logan Square backyard (a frequent locale in her work), “Winter Garden” meticulously records ...
“Back Porch” surveys a backyard, seemingly the same yard depicted in Elam’s “JoAnn Elam Collection
“Back Porch” surveys a backyard, seemingly the same yard depicted in Elam’s “JoAnn Elam Collection
' /></a></div>
<div class='col-8 bListItemText'>
<div class=){kind=link}
"Back Yard (right)," along with its counterpart "JoAnn Elam Collection
' /></a></div>
<div class='col-8 bListItemText'>
<div class=){kind=link}
"Back Yard (left)," along with its counterpart "JoAnn Elam Collection
"Groundwork / Backyard 2," along with its counterpart "JoAnn Elam Collection
"Groundwork," along with its counterpart "Grou...
Similar to other garden films in the JoAnn Elam Collection, "Garden 84" features Elam and, briefly, her second husband Joe Hendrix, at work in Elam...
"David" begins with a young man, JoAnn Elam's brother David, in a tree in an unidentified backyard, possibly in Chicago. The camera follows as he c...
A poetic tribute to the establishment of the maple farm in Monterey, MA, owned and operated by JoAnn Elam's friend Bonner McAllester and her husban...
Elam’s “Janssen Porch/Garden ’79” opens bewilderingly focused on wavering tree branches. Panning away, the camera, from high a vantage, notes the e...
1 2