William Franklin Grisham Collection
Bulk Dates
1960 – 1979
Preservation Sponsor
Dr. Allyson Nadia Field & the University of Chicago Department of Cinema & Media Studies
Abstract
The William Franklin Grisham Collection contains 16mm films, audio and paper materials primarily related to Chicago's role in early cinema history. It contains interviews with important figures from Essanay and Ebony Studios as well as documentaries Grisham made on these topics in the 1970s.
Description
The William Franklin Grisham Collection consists of release prints and outtakes of two major films Grisham directed about Chicago film studios in the 1970s: The Very Last Laugh, which documented the history of Ebony Studios; and The Beautiful Lady, a documentary exploring the career of actress Beverly Bayne and the landmark Essanay Studios. In addition, the collection includes 16mm prints of the all known existing works produced by Ebony Studios in the early 1900s (the original 35mm nitrate prints are believed to have disintegrated long ago). There are also numerous commercial films which Grisham either directed or provided copywriting for during his long career as an advertising executive - which ran parallel to his professional life as a film historian and documentarian.
Alongside this, the collection consists of audio tapes capturing interviews with Luther J. Pollard, producer (and possibly the sole founder) of Ebony Studios, as well as Charles David who worked as his cameraman, and other notable figures who were instrumental in the shaping of Chicago's early film history. There are also several boxes of paper and ephemera relating to Grisham's work on both of his documentary films, as well as the extensive research conducted on the history of Essanay Studios.
Alongside this, the collection consists of audio tapes capturing interviews with Luther J. Pollard, producer (and possibly the sole founder) of Ebony Studios, as well as Charles David who worked as his cameraman, and other notable figures who were instrumental in the shaping of Chicago's early film history. There are also several boxes of paper and ephemera relating to Grisham's work on both of his documentary films, as well as the extensive research conducted on the history of Essanay Studios.
Series In this Collection
Collection Items
Film
The Comeback of Barnacle Bill - A Black Sherlock Holmes
1918
Film
The Very Last Laugh, Part 1
1976
Film
The Very Last Laugh, Part 2
1976
Film
[Untitled Outs - Very Last Laugh]
Audio
(16) 9-1-74, 3, Chas David
September 1 1974
Audio
(13) #3 Charlie David
circa 1976
Audio
(9) I L.J. Pollard , II D. Smith Ontario
circa 1976
Film
[3/26 Cuts Grisham]
Audio
(8) [L.J. Pollard] I Identifying Pictures, Chorus David Horx, Bob Horner, Laser Talk
Film
Alleluia
1967
Audio
Siakel #3
Audio
Siakel #1, Siakel #2
Audio
(11) Maxine, Mrs Anderson, Part I and II
Audio
The Man in the Celluloid Armchair: James Bridges
circa 1973
Audio
The Man in the Celluloid Armchair [Sample Tape]
1973 – 1974
Audio
Eat to Your Health's Content, Program 1
Audio
(7) I Tom Harper, 50:50 Talk of Picture
Audio
Side 1: Beverly Baynes / Side 2: Guy on Facets
Film
The Beautiful Lady (3rd Trial Print)
circa 1977
Audio
(10) I Gen Weart and Mrs. Weart - First 10 Minutes, II Beverly Bayne
circa 1967
Film
[Beautiful Lady - Untitled Mag Track]
To request more information about the items in this collection, please contact the archive at
info@chicagofilmarchives.org.
Items with Viewable Media
- [1st Qtr. Main Title Heads]
- [2nd Q. Sound]
- [3 Q. - Mus 2]
- [3A Faces]
- [3rd Q. Grisham Tails]
- [3rd Quarter]
- [4th Quarter SND]
- [7 Art Objects]
- (7) I Tom Harper, 50:50 Talk of Picture (Audio)
- [10 Beau Poses]
- (11) Maxine, Mrs Anderson, Part I and II (Audio)
- [17 Vixen]
- [18 Rolls]
- [20 B&W Face Shot]
- [21 - Driving]
- [22 Up the Stair]
- [47794 French]
- Alleluia
- [American Express 949]
- Assorted Television Commercials: Burney Bros. - LaSalle Bank - Henri's - American Dairy Association - Betty Crocker - Mercedes-Benz
- [B&W From II Ok to Use]
- [BBTV Tuscon Sync Outs SND and Pix]
- [Bill: All cleaned and Erased] (Audio)
- Birthright
- Birthright
- Bronco Billy and the Greaser
- [Bronco Billy Orig.]
- [Bronco Billy - Use This!]
- [Candlelit 14]
- Celluloid Arm Chair 11/73 ['The Paper Chase', Ted Determan] (Audio)
- [Chaplin TLS.]
- [Cracked - KE]
- Creative Establishment - Advertising Campaign
- Crusade of Money
- [Dave Phillips #892 - Still New Projector, ELT]
- [?? Dupe]
- Eat to Your Health's Content, Program 1 (Audio)
- Eat to Your Health's Content, Program 1 (Audio)
- Eat to Your Health's Content, Program 1 (Audio)
- Film Show Audition "The Man In The Celluloid Armchair" 1-17-74 (Audio)
- Great Train Robbery, The
- [Grisham 1326 R-2 (EF) HD]
- [Grisham 1581 - HD]
- [Grisham - 1613 - HD]
- [Grisham - St Sync Cuts - 3/19/76]
- [Grisham WP Over 2nd Try]
- [Gropper ?]
- [HDS. 1st Quarter E.W.R]
- [HDS. 4Q. Pix]
- [Head - Grisham - 1949]
- Henry's French (Audio)
- [HH and McD Sample]
- His New Job 800
- His New Job 800
- [Illinois Bell Film]
- [Kids + Gestners ?]
- Laclede Little Symphony, The
- Larlede #19 (Audio)
- Life Begins at 70 - The Presbyterian Home
- Make Way for Tomorrow
- The Man in The Celluloid Armchair (Audio)
- The Man in the Celluloid Armchair: James Bridges (Audio)
- The Man in the Celluloid Armchair [Sample Reel] (Audio)
- The Man in the Celluloid Armchair [Sample Reel] (Audio)
- The Man in the Celluloid Armchair [Sample Reel] (Audio)
- The Man in the Celluloid Armchair [Sample Reel] (Audio)
- The Man in the Celluloid Armchair [Sample Reel] (Audio)
- The Man in the Celluloid Armchair [Sample Tape] (Audio)
- [Meridel Le Sueur; Studs Terkel] (Audio)
- Molly Anderson and Daughter Maxine (Audio)
- [Music 2 4th Quarter]
- [Music - Untitled - Mag Track]
- [New Still Shoot City Scenes]
- [New Youth Sounds: Marv Stewart, Bill Grisham, Robert Snyder] (Audio)
- [Outs - Live Studio]
- [Outs - TE 11A-15A-6]
- [Outs - TE 16A-1-33]
- [Part 2 Sync]
- [PO 24]
- [Presence]
- [PRT: A-2]
- [Reel #2] (Audio)
- [Reel 2] (Audio)
- [Shakespeare]
- [Shopp Scotts 17]
- Siakel #1, Siakel #2 (Audio)
- Siakel #3 (Audio)
- Side 1: Beverly Baynes / Side 2: Guy on Facets (Audio)
- [So For Open Title Sequence]
- [Still White Movies]
- [Studio - Head]
- [Studio MOS]
- [Sync Reaction]
- [Tails - Otto]
- [Untitled]
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- [Untitled]
- [Untitled]
- [Untitled Advertisement]
- [Untitled Audio Reel] (Audio)
- [Untitled Audio Reel - Music] (Audio)
- [Untitled Grisham Project Mag Track - Outs]
- [Untitled Grisham Project Music - Outs]
- [Untitled Grisham Project Music - Outs]
- [Untitled Grisham Project - Outs]
- [Untitled Grisham Project - Outs]
- [Untitled Grisham Project Outs]
- [Untitled Grisham Project - Outs]
- [Untitled Mag Outs - B]
- [Untitled Mag Track]
- [Untitled Mag Track]
- [Untitled Mag Track]
- [Untitled Music Outs]
- [Untitled Open Reel Audio] (Audio)
- [Untitled Outs]
- [Untitled Outs - Home Movie ]
- [Untitled Recording Wire] (Audio)
- [Untitled Recording Wire] (Audio)
- [Untitled Recording Wire] (Audio)
- [Untitled Recording Wire] (Audio)
- [Untitled-Sync Outs]
- [Untitled Sync Outs]
- [Untitled VHS Tape]
- [Whistling] (Audio)
- The Year They Discovered People
- [3/26 Cuts Grisham]
- (8) [L.J. Pollard] I Identifying Pictures, Chorus David Horx, Bob Horner, Laser Talk (Audio)
- (9) I L.J. Pollard , II D. Smith Ontario (Audio)
- (12) #1 Charlie David, #2 Charlie David (Audio)
- (13) #3 Charlie David (Audio)
- (14) 9-2-74 Chas David, John and Florence Richardson (Audio)
- (15) 9-1-74, 2, Charles N David (Audio)
- (16) 9-1-74, 3, Chas David (Audio)
- [Charles David B&W Still]
- Charles David Outs - Grisham Prod - Sync Pix-Reel #1
- The Comeback of Barnacle Bill - A Black Sherlock Holmes
- [Ebony B&W]
- [Ebony Outs]
- Ebony Project Roll 1
- [Grisham Ebony Project Roll 2]
- [Grisham - Mos Sync Inserts - Man in Living Room, Pictures, Hands - Charles David]
- [Grisham - VO Inserts Intro Sync - David]
- Last Laugh 1st Cuts
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Film Project]
- [Last Laugh Select Scene]
- Last Laugh Sync Outs 7/76
- [Last Laugh Title Roll 1]
- [Last Laugh Title Roll 2]
- [Last Laugh Title Roll 3]
- Luther Pollard Ebony Film Co. The Very Last Laugh
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Miller's Montage - Ebony Film Project]
- [Millers Montage - Select Eco for Opticals
- Reckless Rover / Mercy the Mummy Mumbled / Spies a la mode
- [Untitled]
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- (Untitled) Ebony Film Project
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
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- [Untitled - Ebony Film Project]
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- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
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- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
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- [Untitled - Ebony Film Project]
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- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project]
- [Untitled - Ebony Film Project Roll3]
- [Untitled - Ebony Film Project] - Work Print
- [Untitled Outs - Very Last Laugh]
- The Very Last Laugh
- The Very Last Laugh
-
The Very Last Laugh
-
The Very Last Laugh
-
The Very Last Laugh
- The Very Last Laugh Copy #3
- The Very Last Laugh Library Copy #1
- [Very Last Laugh Outs]
- The Very Last Laugh, Part 1
- The Very Last Laugh, Part 2
- The Very Last Laugh Part I and II (Audio)
- Very Last Laugh [Tape Roll 4, 39B] (Audio)
- [2nd Q. B. Bayne Music 2]
- [3rd Side - Beverly Bayne] (Audio)
- (10) I Gen Weart and Mrs. Weart - First 10 Minutes, II Beverly Bayne (Audio)
- Ad Lib - Disclaimers - Beverly Bayne's Rehearsals (Audio)
- [Ariz Ext]
- [B.B - Sync - Track N.G]
- [B. Bayne]
- [B. Bayne 2nd Q. Music Outs]
- [B+W Bev Orig No EN.]
- Bayne Doc (Audio)
- [The Beautiful Lady]
- Beautiful Lady (Audio)
- [Beautiful Lady]
- [Beautiful Lady - #1 - Old and Awful]
- [Beautiful Lady - 1st Quarter Master Mix #1]
- [Beautiful Lady - 2nd Q. Mix]
- [Beautiful Lady - 2nd Q. Mus 1]
- [Beautiful Lady - 3Q. Part 2 Mix]
- [Beautiful Lady - 3rd Quarter Mix #1 HDS] (Audio)
- The Beautiful Lady (3rd Trial Print)
- Beautiful Lady [Audio Outs] (Audio)
- Beautiful Lady [Audio Outs] (Audio)
- Beautiful Lady [Audio Outs] (Audio)
- [Beautiful Lady - HDS. 4th Quarter New Mix] (Audio)
- [Beautiful Lady] Intro to Film on Nitrate film about Bushman (Audio)
- Beautiful Lady [Memory Voiceover] (Audio)
- [Beautiful Lady Orig]
- [Beautiful Lady Orig]
- [Beautiful Lady Orig]
- [Beautiful Lady Orig]
- [Beautiful Lady Orig]
- [Beautiful Lady Orig]
- [Beautiful Lady Orig]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs]
- [Beautiful Lady Orig Outs - Grisham 1830 HDs]
- [Beautiful Lady Outs]
- [Beautiful Lady Outs - 2nd Q-EWP]
- [Beautiful Lady Outs - 3rd Quarter Pix HDS]
- [Beautiful Lady - Quadrant BBTV]
- [Beautiful Lady - Reel 3]
- Beautiful Lady Reel #4 Track 1 (Audio)
- [Beautiful Lady - Reel 5 and 6] (Audio)
- [Beautiful Lady - Rod La Rogue - Francis X. Bushman]
- [Beautiful Lady - Roll 1 - Mag Track]
- Beautiful Lady [Scene 1] (Audio)
- Beautiful Lady [Scene 1] (Audio)
- Beautiful Lady [Scene 2] (Audio)
- Beautiful Lady [Scene 3] (Audio)
- The Beautiful Lady Sound Reel #1 (Audio)
- [Beautiful Lady - Untitled Mag Track]
- [Beautiful Lady - Untitled Mag Track]
- [Beautiful Lady - Untitled Mag Track Outs]
- [Beautiful Lady - Untitled Mag Track Outs]
- [Beverly Bayne] (Audio)
- Beverly Bayne Documentary
- Beverly Bayne Documentary
- [Beverly Bayne] Lighting - George K Spoor - AMBT History Chase Vaudeville - 2nd Attempt (Audio)
- [For 4th Q: Bev Falls Death Wright]
- The Lovely Lady (1st Trial Print)
- [Misc. Music B. Bayne] (Audio)
- [Part 1 Sync Tail]
- [Reel #3, Track 1] (Audio)
- [Set in the Theatre] (Audio)
- [Sync W/BB TK 19]
- Under Royal Patronage Part 1
- Under Royal Patronage Part 2
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig]
- [Untitled - Beautiful Lady Orig Neg Can #3]
- [Untitled - Beautiful Lady Orig Neg Can #3]
- [Untitled - Beautiful Lady Orig Neg Can #3]
- [Untitled - Beautiful Lady Orig Neg Can #3]
- [Untitled - Beautiful Lady Orig Neg Can #3]
- [Untitled - Beautiful Lady Orig Neg Can #3]
- [Untitled - Beautiful Lady Orig Neg Can #3]
- [Untitled - Beautiful Lady Orig Neg Can #3]
- [Untitled - Beautiful Lady Orig Neg Can #3]
- [Untitled - Beautiful Lady Orig - Outs]
- [Untitled - Beautiful Lady Orig - Outs]
- [Untitled - Beautiful Lady Orig - Outs]
- [Untitled - Beautiful Lady Orig - Outs]
SERIES I: The Very Last Laugh
SERIES II: The Beautiful Lady
Collection Identifier
C.2017-12
Extent of Collection
Approximately 20 boxes of film, paper ephemera, and audio material. Includes 422 16mm reels of prints and outtakes, 14 cassette tapes, 41 open reel-to-reel audio recordings. Paper ephemera consists primarily of photos, scripts, and other documents focused on early film history in Chicago.
Language Of Materials
English
Custodial History
Stored by Grisham's son-in-law, Luke Grimm, before being transported to CFA in May 2018.
Access Restrictions
Appointments must be made with Chicago Film Archives for on-site access. Due to the fragile nature of the films, only video copies will be provided for on-site viewing.
Creators
Grisham, William Franklin
(was created by)
William Franklin Grisham was a filmmaker and silent film historian who was committed to documenting the dynamic early film history of Chicago.
Grisham was born in St. Louis to Gladys (née Standing) and Charles Grisham. He served in a Navy code-breaking unit in World War II. Upon his return, he studied drama at the University of Washington and then earned his PhD in film history from Northwestern University. During his doctoral work, he interviewed figures who were involved with Chicago’s early film studios, and received a fellowship from the Rockefeller Institute to perform research at the British Film Institute.
He worked as an advertising executive for many years, writing copy for some of the most popular advertisement campaigns of the 1950s and '60s, including for Leo Burnett. He wrote, directed and produced about 75 films, mostly for industry as well as a number of documentaries. He additionally hosted several radio shows and acted in plays on the West coast. In the 1990s, he taught advertising and marketing at Roosevelt University.
He resided in Evanston, IL for most of his life, with his wife Gertrude Sternberger and daughters Therese and Esther. Grisham passed away in 2016 at the age of 91.
Grisham was born in St. Louis to Gladys (née Standing) and Charles Grisham. He served in a Navy code-breaking unit in World War II. Upon his return, he studied drama at the University of Washington and then earned his PhD in film history from Northwestern University. During his doctoral work, he interviewed figures who were involved with Chicago’s early film studios, and received a fellowship from the Rockefeller Institute to perform research at the British Film Institute.
He worked as an advertising executive for many years, writing copy for some of the most popular advertisement campaigns of the 1950s and '60s, including for Leo Burnett. He wrote, directed and produced about 75 films, mostly for industry as well as a number of documentaries. He additionally hosted several radio shows and acted in plays on the West coast. In the 1990s, he taught advertising and marketing at Roosevelt University.
He resided in Evanston, IL for most of his life, with his wife Gertrude Sternberger and daughters Therese and Esther. Grisham passed away in 2016 at the age of 91.




