Byron Grush produced the film for Pownall Cine, which also serves as a trailer of sorts for the 1972 film Good-by Fat Larry.
The footag...
The footag...
Why We Fight features a series of animated sequences. The opening animation is a man in Western gear that quickly changes into a child. Ot...
Hexagrams is a film of surrealistic nature. In the film, all types of images flash quickly on screen. Images include fried eggs, Marlboro ...
During the years 1967 and 1969, Byron collected images and experimented with abstractions. Inkaboos was created during this period. It wa...
This film is about circles. The first circular object on screen is a roll of film, the following is an orange, and thereafter, Byron’s film is a jo...
This film appears to focus on the female body in an artistic and colorful manner through the use of superimposition and flashes of repeated scenes....
Flesh Colored Crayons was completed in 1992. This film includes an array of animated scenes and sporadic phrases flashing on screen. The scenes are...
Fotogrammar, like Inkaboos, was created during a period where Grush collected images and experimented with abstractions. By placi...
Phosphene features colorful negatives of erotic imagery. Scenes in the film display flashes of sexual intercourse and vibrant inkblots (si...
Byron Grush created Push You Pull Me while attending the School of the Art Institute of Chicago. Byron’s professor, Gregory Markopoulos, a...
The Lecture is a loosely narrative film. The film begins in a junkyard wasteland of scrap metal and automobiles, where a man walks through...
To Joy, completed in 1992, is an imagist film collage set to Beethoven’s Ninth Symphony. According to Byron, this is his second “musical.”...
Hesper and Phosphor Part 2 features a variety of images superimposed on one another. Scenes that consistently appear throughout the film i...
Byron completed the film Les Preludes in 1973. This film is a “musical” set to the symphonic piece, “Les Preludes” by Franz Liszt. As per ...